All stories by Michael Billington on BroadwayStars

Thursday, October 11, 2012

The Second Mrs Tanqueray – review by Michael Billington

Rose, KingstonArthur Wing Pinero's 1893 play was a late-Victorian theatrical landmark, so it's good to see it given one of its increasingly rare outings. In the end, this piece of Anglicised…

SOURCE: The Guardian at 01:11PM

Damned by Despair – review by Michael Billington

Olivier, LondonI have little doubt that this 1625 play about saints and sinners by the Spanish monk Tirso de Molina is a masterpiece, but it would sit more easily in a smaller space, and Bij…

SOURCE: The Guardian at 07:50AM
Wednesday, October 10, 2012

Cat on a Hot Tin Roof – review by Michael Billington

West Yorkshire Playhouse, LeedsIt is fascinating to see Tennessee Williams's tremendous play so soon after Eugene O'Neill's Desire Under the Elms, which has just been revived in London. Both…

SOURCE: The Guardian at 05:30PM
Tuesday, October 9, 2012

Desire Under the Elms – review by Michael Billington

Lyric Hammersmith, LondonSubject to obscenity charges in the US and banned in Britain for 16 years, Eugene O'Neill's 1924 play once enjoyed a scandalous reputation. But, although the Lyric's…

SOURCE: The Guardian at 08:08AM
Friday, October 5, 2012

Scenes from an Execution – review by Michael Billington

Lyttelton, LondonDespite one of those first-night technical glitches that seem to happen a bit too often at the National, this is a fine revival by Tom Cairns of Howard Barker's tremendous p…

SOURCE: The Guardian at 12:58PM

Ding Dong the Wicked – review by Michael Billington

Royal Court, LondonSometimes a play can be too compressed for its own good. Where her new full-length play Love and Information displays Caryl Churchill's dazzling gift for the elliptical, t…

SOURCE: The Guardian at 10:52AM
Thursday, October 4, 2012

Our Boys – review by Michael Billington

Duchess, LondonJonathan Lewis's play, set in a military hospital in 1984, was rapturously received when seen at Derby Playhouse in 1995, and then at London's Donmar. Catching up with it…

SOURCE: The Guardian at 12:59PM
Tuesday, October 2, 2012

Berenice – review by Michael Billington

Donmar Warehouse, LondonRacine in English? It always poses a problem, but we're getting steadily better at it. And director Josie Rourke and translator Alan Hollinghurst come up with a radic…

SOURCE: The Guardian at 07:48PM

Charley's Aunt – review by Michael Billington

Menier Chocolate Factory, LondonHas anyone noticed the link between this once-famous 1892 farce by Brandon Thomas and Billy Wilder's Some Like It Hot? What happens to the Jack Lemmon charact…

SOURCE: The Guardian at 01:36PM
Sunday, September 30, 2012

Cat on a Hot Tin Roof: Tennessee Williams's southern discomfort by Michael Billington

The American playwright's masterpiece, an explosive story of sexual repression, has suffered at the hands of directors and censorsGiven that it is Tennessee Williams's best play, it is surpr…

SOURCE: The Guardian at 03:00PM

Cat on a Hot Tin Roof: Tennessee Williams's southern discomfort by Michael Billington

The American playwright's masterpiece, an explosive story of sexual repression, has suffered at the hands of directors and censors Continue reading...

SOURCE: The Guardian at 03:00PM

Private Lives – review by Michael Billington

Minerva, ChichesterHow do you play Noël Coward's famous comedy? For its verbal musicality or its emotional reality? Overstress either and the play suffers. Jonathan Kent's revival gets the …

SOURCE: The Guardian at 12:45PM
Friday, September 28, 2012

Dr Korczak's Example – review by Michael Billington

Unicorn, LondonThis moving, 75-minute play by David Greig tells the true story of Janusz Korczak who, in the second world war, created an orphanage for more than 200 children inside the Wars…

SOURCE: The Guardian at 01:15PM
Thursday, September 27, 2012

A Chorus of Disapproval – review by Michael Billington

Harold Pinter, LondonAlan Ayckbourn's brilliantly intricate comedy, first seen in Scarborough in 1984 and then at the National, sits uneasily in the West End. It demands a company, a sense o…

SOURCE: The Guardian at 12:57PM
Monday, September 24, 2012

Let It Be – review by Michael Billington

Prince of Wales, LondonThere is a good musical to be written about the Beatles, covering their artistic achievements as well as the internal friction that led to their breakup. Unfortunately…

SOURCE: The Guardian at 06:01PM
Thursday, September 20, 2012

Mademoiselle Julie – review by Michael Billington

This French production swathes Strindberg's naturalistic tragedy in nonsensical Gallic chicI am all for radical rethinks of the classics. London, for instance, boasts few better evenings tha…

SOURCE: The Guardian at 07:34PM

The Welsh Boy – review by Michael Billington

Ustinov Studio, BathIn the early 1730s, a young Welsh music teacher called James Parry had a raging affair with his pupil Mary Powell, a wealthy heiress. He hoped for marriage but was jilted…

SOURCE: The Guardian at 12:52PM
Wednesday, September 19, 2012

What You Will – review by Michael Billington

Apollo, LondonWhat with contributions from Simon Callow, Michael Pennington and Ian McKellen, the one-person Shakespeare show is a somewhat crowded field. And while Roger Rees, a Royal Shake…

SOURCE: The Guardian at 09:07AM
Tuesday, September 18, 2012

The Busy Body – review by Michael Billington

Southwark Playhouse, London"An empty comedy of intrigue without any reality of emotion whatsoever" was the crushing verdict of critic Bonamy Dobrée on this once-popular 1709 play by Susanna…

SOURCE: The Guardian at 01:30PM

Why the best way to honour past playwrights is to invest in the future by Michael Billington

As a new blue plaque pays tribute to Pinter's Hackney, and Barry Reckord is commemorated in Shepherd's Bush, there has never been a better time to invest in the next generation of writersHow…

SOURCE: The Guardian at 12:51PM

Letters: the stylish John Moffatt by Michael Billington

Perry Pontac writes: After retiring from the stage in the late 1980s, John Moffatt (obituary, 17 September) largely concentrated on BBC radio drama work. He was incomparable. He appeared in …

SOURCE: The Guardian at 07:00AM
Friday, September 14, 2012

Love and Information – review by Michael Billington

Royal Court, LondonCaryl Churchill's new play has 57 scenes, runs 110 minutes and employs 16 actors to play more than 100 characters. Too much information?But one of the many points made by …

SOURCE: The Guardian at 07:18PM

Three Sisters – review by Michael Billington

Young Vic, LondonTextual tinkering with the classics rarely works. Better to go the whole hog, as Benedict Andrews does in this radical new Three Sisters, which is set in today's Russia, pep…

SOURCE: The Guardian at 09:56AM
Wednesday, September 12, 2012

Hedda Gabler – review by Michael Billington

Old Vic, LondonIbsen's Hedda was once described as a hoop through which every aspiring female actor must jump; and Sheridan Smith performs the feat with commendable ease and agility. But Ann…

SOURCE: The Guardian at 07:42PM

The Judas Kiss – review by Michael Billington

Hampstead theatre, LondonWhen David Hare's play was first seen in 1998, it suffered from the miscasting of the central roles of Oscar Wilde and Lord Alfred Douglas (Bosie). Now, in Neil Armf…

SOURCE: The Guardian at 06:00PM
Tuesday, September 11, 2012

King Lear - review by Michael Billington

Almeida, LondonJonathan Pryce is the latest actor to scale Mount Lear and, although it's getting a bit crowded on the summit these days, he gives a striking, individualistic performance in a…

SOURCE: The Guardian at 07:35PM
Sunday, September 9, 2012

Yours for the Asking – theatre review by Michael Billington

Orange Tree, RichmondSeductive snaps of a semi-nude blonde model adorn the balconies of this intimate theatre. Far from signalling a sudden descent into exploitative sex farce, the…

SOURCE: The Guardian at 01:15PM
Friday, September 7, 2012

Life for Beginners – review by Michael Billington

Theatre 503, LondonTim Roseman and Paul Robinson have enjoyed a fruitful six-year tenure as joint directors of this south London new-writing powerhouse. To mark Roseman's departure they have…

SOURCE: The Guardian at 11:49AM
Wednesday, September 5, 2012

Forests – review by Michael Billington

Old Rep, BirminghamShakespeare transcends national frontiers; and in this extraordinary Catalan collage, conceived and directed by the vibrantly experimental director Calixto Bieito, you sen…

SOURCE: The Guardian at 07:51AM
Monday, August 27, 2012

The Illusion – review by Michael Billington

Southwark Playhouse, LondonCorneille called this play, written in 1636 when he was barely 30, a "strange monster". Ever since a fabulous Giorgio Strehler production in Paris in 1984, however…

SOURCE: The Guardian at 01:00PM
Tuesday, August 21, 2012

Carousel – review by Michael Billington

Barbican, LondonI've always thought there's a dodgy brilliance to Carousel. Musically it is far and away the most sophisticated of the Rodgers and Hammerstein operettas, yet lyrically it com…

SOURCE: The Guardian at 08:27AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre