All stories by Michael Billington on BroadwayStars

Friday, November 23, 2012

Arab Nights – review by Michael Billington

Soho theatre, London"Can a story save a life?" That is the question posed at the start of this multi-authored show in which six writers adapt narratives from The 1001 Nights, in response to …

SOURCE: The Guardian at 01:57PM
Thursday, November 22, 2012

Love's Comedy – review by Michael Billington

Orange Tree, RichmondWatching David Antrobus's rare and exhilarating revival of this early Ibsen play, written in 1862 when he was 34, I was reminded of another youthful work: Shakespeare's …

SOURCE: The Guardian at 07:31AM
Wednesday, November 21, 2012

The Magistrate – review by Michael Billington

Olivier, LondonIt was originally to have been The Count of Monte Cristo in the Olivier this Yule but instead we get a revival of Pinero's 1885 farce. I have no complaints about that since I …

SOURCE: The Guardian at 07:26PM

The Promise – review by Michael Billington

Trafalgar Studios, LondonAleksei Arbuzov's play, with its suggestion that the wartime siege of Leningrad emotionally devastated a whole generation, must have seemed daring in the Soviet Unio…

SOURCE: The Guardian at 02:12PM
Sunday, November 18, 2012

Twelfth Night/Richard III – review by Michael Billington

Apollo, London★★★★/★★★For those of us who favour good sightlines and acoustics, the transfer of these two productions from Shakespeare's Globe to the West End is welcome news. …

SOURCE: The Guardian at 11:00AM

Twelfth Night/Richard III review by Michael Billington

Apollo, London/ Continue reading...

SOURCE: The Guardian at 11:00AM
Friday, November 16, 2012

The Dark Earth and the Light Sky – review by Michael Billington

Almeida, LondonPlays about poets are notoriously problematic. But Nick Dear overcomes the difficulties in this probing, intelligent piece about Edward Thomas, who produced a formidable body …

SOURCE: The Guardian at 06:57AM
Tuesday, November 13, 2012

The Effect - review by Michael Billington

Cottesloe Theatre, LondonHow do you follow a big hit? Just as Jez Butterworth succeeded Jerusalem with the more modest The River, so Lucy Prebble follows her spectacular Enron with an intima…

SOURCE: The Guardian at 08:20PM

The Trojan Women – review by Michael Billington

Gate, LondonEuripides's great anti-war play has been constantly updated. But much as I relished the linguistic vigour and pugnacious wit of Caroline Bird's new version, descri…

SOURCE: The Guardian at 01:00PM
Monday, November 12, 2012

The Spire – review by Michael Billington

Salisbury PlayhouseThis version of William Golding's 1964 novel confronts a subject from which the British theatre normally shies away in terror: the nature of religious faith. Although…

SOURCE: The Guardian at 07:23AM
Sunday, November 11, 2012

Michael Billington on playwrights' seasons by Michael Billington

'Forget the single play – give me an entire oeuvre'Over the years, I've been to seasons of plays by Harold Pinter at the Gate theatre in Dublin, by Sarah Kane at Berlin's Schaubühne and, …

SOURCE: The Guardian at 01:30PM
Thursday, November 8, 2012

The Orphan of Zhao – review by Michael Billington

The Swan, Stratford-upon-AvonThis production of a Chinese classic has already caused controversy because only three actors out of a cast of 17 are of east Asian origin. But, although there a…

SOURCE: The Guardian at 08:02PM
Wednesday, November 7, 2012

People – review by Michael Billington

Lyttelton Theatre, LondonIn 1980 Alan Bennett wrote Enjoy, which showed a Leeds working-class house and its occupants being preserved as a museum exhibit.Now, in his mordantly funny new play…

SOURCE: The Guardian at 08:07PM

Daddy Long Legs – review by Michael Billington

St James, LondonJean Webster's 1912 novel about an orphan girl and her mysterious benefactor has cast a long shadow. It spawned a Broadway play and several movies, including one in which, ra…

SOURCE: The Guardian at 06:00PM
Tuesday, November 6, 2012

Uncle Vanya – review by Michael Billington

Noel Coward, LondonYou could hardly have a greater contrast than between the stolid Uncle Vanya that has just opened at the Vaudeville and this mercurially brilliant import from Moscow's Vak…

SOURCE: The Guardian at 12:51PM
Friday, November 2, 2012

Uncle Vanya – review by Michael Billington

Vaudeville, LondonHow do you play Anton Chekhov today? After the liberating unorthodoxy of the Young Vic's Three Sisters, we are back to normal with Lindsay Posner's production of Uncle Vany…

SOURCE: The Guardian at 08:25PM

The Merry Wives of Windsor – review by Michael Billington

Royal Shakespeare Theatre, Stratford-upon-AvonShakespeare's great revenge comedy gains immeasurably from being staged in modern dress. But, while other directors have opted for the materiali…

SOURCE: The Guardian at 11:52AM
Thursday, November 1, 2012

NSFW – review by Michael Billington

Royal Court, LondonLucy Kirkwood's new play is bright, sharp, funny and 80 minutes long. And, while one can never legislate for length, I found myself craving more: I wanted to see Kirkwood,…

SOURCE: The Guardian at 08:51AM
Wednesday, October 31, 2012

Fright nights: why theatre shocks but rarely scares by Michael Billington

From the Woman in Black to killers in thrillers, theatre has plenty of characters that shock – but it takes Judi Dench as Lady Macbeth to well and truly terrify • Spoiler alert: this blo…

SOURCE: The Guardian at 01:16PM
Tuesday, October 30, 2012

A Taste of Honey – review by Michael Billington

Crucible, SheffieldShelagh Delaney's play, the work of an unknown working-class 18-year-old from Salford, was a big hit in 1958 and became a source of inspiration to a new generati…

SOURCE: The Guardian at 09:48AM
Friday, October 26, 2012

The River – review by Michael Billington

Royal Court, LondonI spy a danger for the theatre in a new form of chic exclusivity. Because everyone wants to see Jez Butterworth's first new play since Jerusalem and because space is limit…

SOURCE: The Guardian at 08:27PM

The River review by Michael Billington

Royal Court, London Continue reading...

SOURCE: The Guardian at 08:27PM

Dangerous Lady – review by Michael Billington

Theatre Royal Stratford East, LondonAlthough this is the third of Martina Cole's bestselling crime thrillers to be presented at this theatre, it is my first acquaintance with her work. While…

SOURCE: The Guardian at 12:25PM
Thursday, October 25, 2012

55 Days – review by Michael Billington

Hampstead, LondonAfter plays about Anne Boleyn and Abelard and Héloïse, Howard Brenton is turning into the history man. But I have no complaint about that, since he has chosen the best mod…

SOURCE: The Guardian at 01:00PM
Wednesday, October 24, 2012

The Dark at the Top of the Stairs – review by Michael Billington

Belgrade, CoventryAll great dramatists stake out their own particular territory; the problem with William Inge, who had four Broadway hits in the 1950s of which this was the last, is that he…

SOURCE: The Guardian at 01:18PM

Scottish theatre's play for independence by Michael Billington

The National Theatre of Scotland has scored a coup by appointing the hugely talented Laurie Sansom as its new boss. Now, how about putting a Scot in charge of the Edinburgh festival?It's soo…

SOURCE: The Guardian at 07:46AM
Sunday, October 21, 2012

Le Retour – review by Michael Billington

Odéon, ParisLuc Bondy's production of Harold Pinter's Le Retour (The Homecoming) offers a radically fresh perspective on the play, without destroying its essential fabric. It helps that Bon…

SOURCE: The Guardian at 11:12AM
Wednesday, October 17, 2012

Red Velvet – review by Michael Billington

Tricycle, LondonIndhu Rubasingham makes a strong start to her tenure at the Tricycle with this new play about the pride and prejudice that greeted the pioneering African-American actor Ira A…

SOURCE: The Guardian at 10:09AM
Friday, October 12, 2012

Alan Bennett: a quiet radical by Michael Billington

A critic once described Alan Bennett as 'England's cultural teddy bear'. As his new play, People, prepares to open in London, Michael Billington argues that he is a more complicated –…

SOURCE: The Guardian at 05:38AM
Thursday, October 11, 2012

All That Fall - review by Michael Billington

Jermyn Street theatre, London'It is a text written to come out of the dark," said Samuel Beckett of this radio play first broadcast by the BBC in 1957. But, although not conceived for the st…

SOURCE: The Guardian at 08:00PM

The Second Mrs Tanqueray – review by Michael Billington

Rose, KingstonArthur Wing Pinero's 1893 play was a late-Victorian theatrical landmark, so it's good to see it given one of its increasingly rare outings. In the end, this piece of Anglicised…

SOURCE: The Guardian at 01:11PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre