All stories by Michael Billington on BroadwayStars

Friday, July 25, 2014

The Nether review disturbingly sensationalist digital dreamlands by Michael Billington

Royal Court, LondonJennifer Haley's prizewinning play triggers a fascinating debate about online fantasy it's just a shame she sets out to shock us Continue reading...

SOURCE: The Guardian at 09:04AM

Nicholas Hytner: 'No one's filling my shoes, I'm taking them with me' by Michael Billington

The National Theatre's director steps down next year, after introducing live broadcasts, cheap tickets and a wealth of new writing. How does he reflect on his tenure? Continue reading...

SOURCE: The Guardian at 07:01AM
Wednesday, July 23, 2014

Shakespeare in Love review a heady celebration of the act of theatre by Michael Billington

Noël Coward theatre, LondonMany of the best lines may come from the film, but the play manages to be a warm and witty paean to life on the stage Continue reading...

SOURCE: The Guardian at 07:25PM

The Two Gentlemen of Verona review delightful dip into the power of love by Michael Billington

Royal Shakespeare theatre, Stratford-upon-AvonDirector Simon Godwin eagerly explores the light and dark sides of romance in a striking RSC debutIt is astonishing to think it is 45 years sinc…

SOURCE: The Guardian at 08:03AM
Tuesday, July 22, 2014

Galway arts festival, where dragons roam the streets by Michael Billington

Mythical creatures and Frasier's dad jostle with the crowds enjoying a surprising mix of art, music and new Irish playsThe Galway international arts festival is full of surprises. On Sunda…

SOURCE: The Guardian at 09:33AM

Medea review Carrie Cracknell's play is a tragic force to be reckoned with by Michael Billington

Olivier, LondonHelen McCrory excels in this modern-dress take on Euripides that is alive with complexity and psychological astutenessAfter her success wth Ibsen's A Doll's House, Carrie Crac…

SOURCE: The Guardian at 08:37AM
Monday, July 21, 2014

Ballyturk review Cillian Murphy and Stephen Rea are in fine comic form by Michael Billington

Black Box, GalwayEnda Walsh's new manic physical comedy is like Under Milk Wood as interpreted by Buster KeatonThere's plenty of ballyhoo around Ballyturk. Written and directed by Enda Walsh…

SOURCE: The Guardian at 10:54AM

Ballyturk review – Cillian Murphy and Stephen Rea are in fine comic form by Michael Billington

Black Box, GalwayEnda Walsh's new manic physical comedy is like Under Milk Wood as interpreted by Buster KeatonThere's plenty of ballyhoo around Ballyturk. Written and directed by Enda Walsh…

SOURCE: The Guardian at 10:54AM
Friday, July 18, 2014

Amadeus review Rupert Everett's Salieri darkly rages at God by Michael Billington

Chichester Festival TheatrePeter Shaffer's spectacle of Mozart's mediocre rival distorts historical reality but remains compelling and stylishly presentedFew living dramatists write big star…

SOURCE: The Guardian at 06:05PM
Thursday, July 17, 2014

The Importance of Being Earnest review trivialises sublime Wilde by Michael Billington

Harold Pinter, LondonIf it stripped away the daft framing, this staging could capture Wilde's deft commentary on class, money, marriage and moralsIf visitors to Paris's Père Lachaise …

SOURCE: The Guardian at 06:00PM
Tuesday, July 15, 2014

In Lambeth review Blake v Paine in lively imaginary encounter by Michael Billington

Southwark Playhouse, LondonIn this well-acted revival, the poet and the philosopher face off in a slow-moving but stimulating debateDid William Blake ever meet Thomas Paine? It is not imposs…

SOURCE: The Guardian at 08:44AM
Friday, July 11, 2014

Miss Julie/Black Comedy review sprightly Strindberg, sublime Shaffer by Michael Billington

Minerva theatre, Chichester Strindberg's Miss Julie is well directed, but it's Shaffer's dark comedy that illuminates in this contrasting double billAugust Strindberg's tragedy Miss Julie an…

SOURCE: The Guardian at 07:04AM
Thursday, July 10, 2014

Laurence Olivier: still the actor's actor 25 years after his death by Michael Billington

He was one of theatre's most daring stars, whose best films bear witness to a talent many never had the chance to see on stageIt's a shock to realise that it is 25 years since the death of L…

SOURCE: The Guardian at 07:41PM

Perseverance Drive review first-rate family drama tackles modern religion by Michael Billington

Bush theatre, LondonRobin Soans's play about a Pentecostal family at odds with each other shows the power of faith while exposing the failings of its followers Bush theatre's Madani Younis: …

SOURCE: The Guardian at 06:00PM
Wednesday, July 9, 2014

Richard III review Martin Freeman accomplished, but it's not quite enough by Michael Billington

Trafalgar Studios, LondonJamie Lloyd's latest Shakespearean staging is inventive, but it's missing the monarch's lurid sexiness and demonic exuberance Before Richard III: Martin Freeman on s…

SOURCE: The Guardian at 06:00PM
Friday, July 4, 2014

The Crucible review full of raw, visceral power by Michael Billington

Old Vic, LondonYaël Farber's extraordinary production of Arthur Miller's tale of the Salem witch hunt retains its disturbing relevance todayProductions of Arthur Miller's re-creation of the…

SOURCE: The Guardian at 06:44AM
Thursday, July 3, 2014

Julius Caesar review robustly energetic by Michael Billington

Dominic Dromgoole's lively production, with Elizabethan costume and Roman accessories, delivers Shakespeare with great clarity, but the main roles are unevenly castBefore you enter the theat…

SOURCE: The Guardian at 08:14AM
Wednesday, July 2, 2014

Wonderland review Scargill, strikes, solidarity and scars by Michael Billington

Hampstead theatre, London Beth Steel's recreation of the 1984 strikes exposes the divisions between miners and the destruction of a defiant communityOnce identified with domestic drama, Hamp…

SOURCE: The Guardian at 10:04AM
Monday, June 30, 2014

Great Britain review from phone hacking to MPs' expenses by Michael Billington

Lyttelton, LondonRichard Bean's satire has a go at press, police and politicians and what he sees as the corrupt chain binding them togetherRichard Bean doesn't do things by halves. His new …

SOURCE: The Guardian at 07:21PM

Twelfth Night review a touch of true Shakespearean magic by Michael Billington

Regent's Park, LondonAudience participation is intelligently used in this family-friendly production that still tackles the play's sexual complexitiesEach summer this precious theatre offers…

SOURCE: The Guardian at 10:12AM
Thursday, June 26, 2014

The Colby Sisters of Pittsburgh, Pennsylvania review by Michael Billington

Tricycle, LondonFor all its style, this still seems more like a New Yorker short story than a substantial playGlamour is a quality we rarely associate with modern theatre. It positively ooze…

SOURCE: The Guardian at 08:35AM
Wednesday, June 25, 2014

Who's Afraid of Virginia Woolf? review marital battle is a metaphor for America by Michael Billington

Theatre Royal, BathClare Higgins and Tim Pigott-Smith trade blows with relish, but Adrian Noble's revival brings little fresh insight to Albee's classicWhen Peter Hall ran the Bath summer se…

SOURCE: The Guardian at 08:23AM
Tuesday, June 24, 2014

The Valley of Astonishment review a sensory meditation on the human brain by Michael Billington

Young Vic, LondonPeter Brook and Marie-Hélène Estienne's tale of synaesthesia is an astonishing look at the miracles of the mindNervous theatre-makers strain every nerve to get our attenti…

SOURCE: The Guardian at 08:05AM
Monday, June 23, 2014

Midsummer Mischief review RSC's radical billing is witty and inventive by Michael Billington

The Other Place, Stratford-on-AvonFour new plays by women that invite the current generation to rediscover the radical past are uneven but invigoratingI can't think of a finer tribute to Buz…

SOURCE: The Guardian at 07:44AM
Friday, June 20, 2014

Adler and Gibb review a high-concept satire on the cult of the artist by Michael Billington

Royal Court theatre, LondonTim Crouch's show explores our obsession with artists' lives, but occasionally lets the form get in the way of its message Playwright Tim Crouch: 'Avoiding the sta…

SOURCE: The Guardian at 09:08AM
Thursday, June 19, 2014

Dream of Perfect Sleep review compassionate but evasive dementia play by Michael Billington

Finborough theatre, LondonKevin Kautzman doesn't fully get to grips with the big issue at the heart of his O'Neill-esque family dramaKevin Kautzman, an American playwright here making his Br…

SOURCE: The Guardian at 06:00PM
Wednesday, June 18, 2014

Skylight review Nighy and Mulligan in moving mixture of politics and love | Michael Billington by Michael Billington

Wyndham's, London The combination of private pain and public rage in this revival of David Hare's play hits you straight between the eyes Quiz: Bill Nighy's greatest lines In pictures: Skyli…

SOURCE: The Guardian at 06:00PM

Hobson's Choice review sex and shoemaking in 60s Salford by Michael Billington

Regent's Park Open Air theatre, LondonHarold Brighouse's 1916 classic doesn't always fit the era of miniskirts, but this update is nicely acted in a warm productionI vividly recall seeing Ha…

SOURCE: The Guardian at 11:00AM

Let's stop pretending that theatre can't be captured on screen by Michael Billington

An intimate filmed production of the Almeida's Ghosts disproves the idea that theatre is an irreducible experienceI recall a Punch cartoon of the late 1950s showing two moviegoers gazing in …

SOURCE: The Guardian at 02:00AM
Tuesday, June 17, 2014

Fever/District 6 review insights into South Africa's past traumas by Michael Billington

Jermyn Street, LondonBoerish brutality in the Victorian era and the story of a writer torn between cultures illuminate the country's troubled historyTwenty years after the formal dismantling…

SOURCE: The Guardian at 09:47AM

Painting the stage red: top five plays about art by Michael Billington

As Tim Crouch's Adler & Gibb hits the Royal Court, here are the finest portraits of artists on stage, from John Logan's study of Rothko to Yasmina Reza's ArtHow do you put visual art on …

SOURCE: The Guardian at 02:30AM

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