All stories by Matthew Murray on BroadwayStars

Tuesday, May 24, 2011
Saturday, May 7, 2011

We're a Little Family by Matthew Murray

The Astoria Performing Arts Center is putting on an exuberant and engaging production of Galt MacDermot and William Dumaresq's rarely seen 1983 musical, The Human Comedy.

SOURCE: BroadwayStars at 11:22PM
Tuesday, April 26, 2011

Talkin' Broadway Review: The House of Blue Leaves by Matthew Murray

In the category of contemporary plays better known by their revivals than by their original productions, John Guare's The House of Blue Leaves is a sapphire-encrusted headliner. Though the 1…

SOURCE: TalkinBroadway at 07:02AM
Sunday, April 24, 2011

Talkin' Broadway Review: Born Yesterday by Matthew Murray

Nina Arianda's performance as Billie Dawn, the deceptive ditz who's the driving force of Garson Kanin's comedy Born Yesterday, is not notable for being this young actress's stunning New York…

SOURCE: TalkinBroadway at 09:37PM
Friday, April 22, 2011

Talkin' Broadway Review: Jerusalem by Matthew Murray

With the possible exception of Satan, the Seven Deadly Sins have no more passionate champion than Johnny "Rooster" Byron. The buoyant free spirit at the center of Jez Butterworth's Jerusalem…

SOURCE: TalkinBroadway at 06:49AM
Thursday, April 21, 2011

Talkin' Broadway Off-Broadway - Picked - 4/20/11 by Matthew Murray

What if your big break came and you blew it? That's one of the more unsettling questions at the center of Christopher Shinn's new play, Picked, which just opened at the Vineyard Theatre, as …

SOURCE: TalkinBroadway at 07:12AM
Wednesday, April 20, 2011

Talkin' Broadway Review: Sister Act by Matthew Murray

When a stage adaptation of a pre-existing work fizzles, it's typically because it hasn't adequately captured the spirit or the necessity of its source. Whether or not it's otherwise faithful…

SOURCE: TalkinBroadway at 10:21PM
Tuesday, April 19, 2011

Talkin' Broadway Review: High by Matthew Murray

In High, Matthew Lombardo's new play at the Booth, everyone is addicted to something. But perhaps none of those addictions is more pervasive � or, simultaneously, more destructive and more e…

SOURCE: TalkinBroadway at 10:40PM
Sunday, April 17, 2011

Talkin' Broadway Review: Wonderland by Matthew Murray

Thank goodness for John Tenniel. The drawings of the veteran illustrator, which video and projection designer Sven Ortel has adopted and adapted for Wonderland's house curtain at the Marriot…

SOURCE: TalkinBroadway at 10:08PM
Thursday, April 14, 2011

Talkin' Broadway Review: War Horse by Matthew Murray

Forging a transformative emotional connection with a character in a play is one of the most exciting and seldom-experienced events that can happen at the theatre. Rarer still is doing so whe…

SOURCE: TalkinBroadway at 10:23PM
Wednesday, April 13, 2011

Go Back to Where You Are - Review by Matthew Murray

Call the play weird if you want — and you probably should — but that doesn't stop it from being sensible, funny, and legitimately moving.

SOURCE: TalkinBroadway at 08:50AM
Monday, April 11, 2011

Urge for Going - Review by Matthew Murray

“One man’s facts are another man’s fabrications,” says a character early in Mona Mansour’s new play Urge for Going, which has just opened at The Public Theater as part of its Publi…

SOURCE: TalkinBroadway at 09:13AM
Sunday, April 10, 2011

Talkin' Broadway Review: Catch Me If You Can by Matthew Murray

Sixties camp may have soared in the 2002 Broadway musical Hairspray, but that�s not why it ran over six years.

SOURCE: TalkinBroadway at 11:03PM
Friday, April 8, 2011

Company – Review by Matthew Murray

“You know what the pulse of the city is?” “A busy signal?” This exchange, between uptight free spirit Marta and confirmed bachelor Robert, perfectly encapsulates the experience that …

SOURCE: TalkinBroadway at 09:51AM

Anything Goes - Review by Matthew Murray

You appreciate Porter’s artistry all the more because of how little is evident elsewhere whenever the songs recede.

SOURCE: TalkinBroadway at 08:39AM
Wednesday, April 6, 2011

Marie and Bruce - Review by Matthew Murray

When Tomei and Whaley are left alone to portray opposite poles in the eternal quest for meaning in a meaningless world, their pain becomes yours. When they're not, their existence becomes pa…

SOURCE: TalkinBroadway at 09:56AM
Monday, April 4, 2011

One Night with Fanny Brice - Review by Matthew Murray

The trouble with invoking ghosts is that you can't always control whom they haunt. With his new musical-theatre bio-show, One Night with Fanny Brice, which just opened at St. Luke's Theatre,…

SOURCE: TalkinBroadway at 08:28AM
Saturday, April 2, 2011

Tomorrow Morning - Review by Matthew Murray

It doesn’t say anything new, and it doesn’t say much in ways you’ve never heard before. But it also doesn’t absorb cynicism or complaints. It’s a show so gentle, so nice, and so en…

SOURCE: TalkinBroadway at 09:42AM

The Other Place - Review by Matthew Murray

With the help of Mantello, Metcalf, and everyone else involved, The Other Place takes you to another place: that transcendent level you can only reach in the theatre when the heart, mind, ne…

SOURCE: TalkinBroadway at 09:40AM

La Cage aux Folles - Review by Matthew Murray

The charm and theatricality of neither the work nor this mounting have been amplified, and as headed by Fierstein and Christopher Sieber, respectively in the roles of Albin and Georges, the …

SOURCE: TalkinBroadway at 09:40AM

My Girlfriend's Boyfriend - Review by Matthew Murray

But like his first show, Sleepwalk with Me, which opened Off-Broadway in 2008, My Girlfriend's Boyfriend is most concerned with showing off this outstanding comic to the best of his consider…

SOURCE: TalkinBroadway at 09:39AM
Sunday, March 27, 2011

How to Succeed in Business Without Really Trying - Review by Matthew Murray

Radcliffe may not be a natural song-and-dance man, but he delivers the goods with a flair that catapults him past many of his more experienced cast mates.

SOURCE: TalkinBroadway at 05:34PM

The Book of Mormon - Review by Matthew Murray

That it isn’t as good as Parker and Stone are capable of isn’t merely a missed opportunity — it’s a colossal letdown.

SOURCE: TalkinBroadway at 03:21PM
Tuesday, March 22, 2011

Kin – Review by Matthew Murray

Who says you can't pick your family? The ten characters in Bathsheba Doran's marvelous new play Kin, which just opened at Playwrights Horizons, prove that everyone does exactly that.

SOURCE: TalkinBroadway at 09:55AM
Monday, March 21, 2011

A Tree Grows in Brooklyn - Review by Matthew Murray

In rethinking it, especially for the new revival that just opened at the Theatre at St. Clement’s, all director Wackerman and his collaborators have managed to do is break it in new and us…

SOURCE: TalkinBroadway at 10:07AM

Priscilla - Queen of the Desert - Review by Matthew Murray

Unfortunately, even if your eyes are in perfect working order, you’ll have to deal with the far-more-distressing fact that, in the most important way, Priscilla has no color at all.

SOURCE: TalkinBroadway at 10:04AM

Hello Again - Review by Matthew Murray

Sex has been vital to musicals for as long as musicals have existed, but few shows have embraced it as openly and as daringly as Hello Again.

SOURCE: TalkinBroadway at 10:03AM
Friday, March 18, 2011

Where’s Charley? - Theatre Review by Matthew Murray

The evening is ultimately hampered by the score which, despite outstanding orchestrations from Ted Royal, Hans Spialek, and Philip J. Lang, and an energetic performance from conductor Rob Be…

SOURCE: TalkinBroadway at 12:37PM

Arcadia - Review by Matthew Murray

Colorful and compelling without being confusing, it's a rare modern masterwork, if one that is notoriously difficult to get right in production. This is unfortunately being proven by the new…

SOURCE: TalkinBroadway at 06:04AM
Friday, December 31, 2010

The Best of 2010 by Matthew Murray

Of the 200 or so shows I saw in 2010, which were the ones I considered the best? Well, in alphabetical order... Bloody Bloody Andrew Jackson (Off-Broadway): Note, very clearly, the words &qu…

SOURCE: BroadwayStars at 09:02PM
Sunday, December 12, 2010

Theatre History 101 by Matthew Murray

It's become downright fashionable to blame audiences for the failure of any serious show these days—after all, haven't people become so stupid and sheeplike that if things aren't f…

SOURCE: BroadwayStars at 05:48AM