All stories by Matt Wolf on BroadwayStars

Thursday, May 9, 2019

London Theater Reviews: Women Onstage, Not Getting What They Want by Matt Wolf

Productions in London of classic plays — from Chekhov to Cy Coleman — feature strong female performances.

SOURCE: The New York Times Subscription at 05:24AM
Saturday, May 4, 2019

Rosmersholm, Duke of York's Theatre review - little-known Ibsen lands with force by Matt Wolf

Ian Rickson finds the fury and dynamism in a piece of Ibsen esoterica The past haunts the present and looks likely to torpedo the future in Rosmersholm, the lesser-known Ibsen play now rece…

SOURCE: The Arts Desk at 01:48PM
Friday, May 3, 2019

Olivier Winner Giles Terera on Starring in London's Rosmersholm and Sniffling Through Hamilton by Matt Wolf

Giles Terera’s many and varied credits include Honk!, The Book of Mormon, and a revelatory National Theatre revival of Ma Rainey’s Black Bottom, but the versatile performer reached a new…

SOURCE: Broadway.com at 04:42PM
Tuesday, April 30, 2019

A HELLHOLE TO BEHOLD by Matt Wolf

A wonderfully inventive productive balances gore, humor and pathos exceedingly well.

SOURCE: Theater News Online at 07:24PM
Tuesday, April 23, 2019

Director Phyllida Lloyd on 20 Years of Mamma Mia! in London and Broadway's Upcoming Tina: The Tina Turner Musical by Matt Wolf

Mamma Mia! has transformed the lives of a lot of people, not least its gifted and versatile director, Phyllida Lloyd, who came to the ABBA musical from a career in the British not-for-profit…

SOURCE: Theatre.com at 03:04PM
Thursday, April 18, 2019

London Theater Reviews: On the London Stage, ‘Top Girls’ and a Grande Dame by Matt Wolf

Maggie Smith tackles an impressive one-woman show at the Bridge Theater, and a British classic of the 1980s gets a new lease on life at the National.

SOURCE: The New York Times Subscription at 03:29AM
Saturday, April 13, 2019

Kelly Mathieson on Having a Phantom of the Opera Birthday Cake to Starring as Christine Daae in the West End by Matt Wolf

Kelly Mathieson grew up in Scotland and started ballet lessons when she was two. But after training at London's prestigious Royal College of Music, she forsook the world of actual opera to m…

SOURCE: Broadway.com at 12:00AM
Tuesday, April 9, 2019

Ben Edelman on Starring in London's Admissions Amidst College Scandal Headlines by Matt Wolf

Ben Edelman burst onto the New York theater scene like a proverbial comet in last year’s Lincoln Center Theater production of Admissions, the fiery play about family dynamics and race from…

SOURCE: Theatre.com at 04:09PM

Ben Edelman on Starring in London's Admissions Amid College Scandal Headlines by Matt Wolf

Ben Edelman burst onto the New York theater scene like a proverbial comet in last year’s Lincoln Center Theater production of Admissions, the fiery play about family dynamics and race from…

SOURCE: Broadway.com at 04:09PM
Friday, March 29, 2019

Joanna Riding on Stepping into London's Follies and Her Strong Take on "Losing My Mind" by Matt Wolf

Joanna Riding has won two Olivier Awards, starting with her matchless Julie Jordan in Nicholas Hytner’s landmark 1992 production of Carousel, and is now giving a career-defining performanc…

SOURCE: Broadway.com at 12:58PM
Thursday, March 28, 2019

London Theater Reviews: A Pinter Marathon Saves the Best for Last by Matt Wolf

A revelatory new production of “Betrayal” starring Tom Hiddleston comes after a season of the playwright’s one-act plays.

SOURCE: The New York Times Subscription at 05:47AM
Saturday, March 23, 2019

Richard Fleeshman on Stripping Down in London's Company, His Olivier Nomination & What Patti LuPone Calls Him by Matt Wolf

Richard Fleeshman starred on the West End and Broadway opposite Caissie Levy in Ghost the Musical and was part of the British ensembles of Urinetown and The Last Ship. But it’s fai…

SOURCE: Broadway.com at 12:00AM
Friday, March 22, 2019

Blood Knot, Orange Tree Theatre review - defining apartheid-era drama delivers afresh by Matt Wolf

Athol Fugard's seminal 1961 play hasn't lost its potency London's impromptu mini-season devoted to the work of Athol Fugard picks up real steam with Blood Knot, Matthew Xia's transfixing ta…

SOURCE: The Arts Desk at 01:10PM
Thursday, March 21, 2019

Downstate, National Theatre review - controversial but also clear-eyed and compassionate by Matt Wolf

Bruce Norris's ever-provocative play puts people first, labels second "Some monsters are real," notes a retribution-minded wife (Matilda Ziegler) early in Downstate, Bruce Norris's beautiful…

SOURCE: The Arts Desk at 06:02AM
Wednesday, March 20, 2019

The Bay at Nice, Menier Chocolate Factory - David Hare talkfest takes intermittent wing by Matt Wolf

Penelope Wilton and Ophelia Lovibond face off in revival of little-known 1986 play David Hare knows a thing or two about sustaining an onstage face-off. Skylight and The Breath of Life consi…

SOURCE: The Arts Desk at 05:27AM
Monday, March 18, 2019

London Come From Away Star Rachel Tucker on Her First Olivier Award Nomination and Why She's Through with Wicked by Matt Wolf

Rachel Tucker is known both sides of the Atlantic as an especially thrilling Elphaba in Wicked and as a singer who has enlivened various concert halls and cabaret rooms, performing both solo…

SOURCE: Broadway.com at 12:37PM

London Come From Away Star Rachel Tucker on Her First Olivier Award Nomination and Her Long History with Wicked by Matt Wolf

Rachel Tucker is known both sides of the Atlantic as an especially thrilling Elphaba in Wicked and as a singer who has enlivened various concert halls and cabaret rooms, performing both solo…

SOURCE: Broadway.com at 12:37PM

London Come From Away Star Rachel Tucker on Her First Olivier Award Nomination and Her Long History with Wicked by Matt Wolf

Rachel Tucker is known both sides of the Atlantic as an especially thrilling Elphaba in Wicked and as a singer who has enlivened various concert halls and cabaret rooms, performing both solo…

SOURCE: Theatre.com at 12:37PM
Wednesday, March 13, 2019

Admissions, Trafalgar Studios review - topical and whiplash-smart by Matt Wolf

Alex Kingston stars in darkly comic Off Broadway transfer Joshua Harmon knows how to stir and excite an audience and does that and more with Admissions, newly arrived in the West End as par…

SOURCE: The Arts Desk at 06:32AM
Saturday, March 9, 2019

Charity Wakefield on Making Her West End Debut in Emilia and Realizing She Resembles Shakespeare by Matt Wolf

Charity Wakefield has made a name for herself both sides of the Atlantic in TV shows like Bounty Hunters and Wolf Hall but is only now making her West End debut in the transfer to the Vaudev…

SOURCE: Broadway.com at 12:00AM
Friday, March 8, 2019

Waitress, Adelphi Theatre review - sweet if sometimes silly musical arrives from Broadway by Matt Wolf

Tale of female emancipation gets a necessary post-interval lift There's a lovely, quietly subversive musical lurking somewhere in Waitress, and for extended passages in the second act that …

SOURCE: The Arts Desk at 02:31AM
Thursday, March 7, 2019

London Theater Reviews: In London Theaters, Reinvention’s the Thing by Matt Wolf

Productions of Molière’s “Tartuffe,” Peter Shaffer’s “Equus” and Martin Sherman’s “Gently Down the Stream” all find something new.

SOURCE: The New York Times Subscription at 04:59AM
Monday, March 4, 2019

Layton Williams on How Playing Angel in Rent Prepared Him for Starring in London's Everybody’s Talking About Jamie by Matt Wolf

Layton Williams q-and-a / Matt Wolf Layton Williams wasn’t yet a teenager when in 2007 he became the first mixed-race actor to play the title role on the West End in Billy Elliot the Music…

SOURCE: Broadway.com at 04:40PM
Friday, February 22, 2019

Jesus Hopped the 'A' Train, Young Vic review - shards of power amidst much that is overwrought by Matt Wolf

★★★ JESUS HOPPED THE 'A' TRAIN, YOUNG VIC Shards of power amidst much that is overwrought Stephen Adly Guirgis play is best when most reflective An entirely electric leading performanc…

SOURCE: The Arts Desk at 03:06AM
Thursday, February 21, 2019

Shipwreck, Almeida Theatre review - Trump-inflected fantasia mixes the polemical and the poetic by Matt Wolf

★★★★ SHIPWRECK, ALMEIDA THEATRE Trump-inflected fantasia mixes polemical and poetic Anne Washburn's shape-shifting play won't be confined, nor will the man at its thematic centre J…

SOURCE: The Arts Desk at 03:38AM
Tuesday, February 19, 2019

Come From Away, Phoenix Theatre review - a necessary corrective to our traumatic times by Matt Wolf

9/11-themed musical crosses the Atlantic, its capacious heart intact Against the grimmest of backdrops, generosity and even grace can be possible. That's the eternally uplifting message of C…

SOURCE: The Arts Desk at 05:06AM
Monday, February 18, 2019

9 to 5 the Musical - Dolly Parton-led film is now a witless musical by Matt Wolf

More like nein to five, as a beloved celluloid title is reduced to subpar pantoA musicals-intensive season gets off to a wan start with 9 to 5, a retooled version of a 2009 Broadway flop bas…

SOURCE: The Arts Desk at 05:42AM
Thursday, February 14, 2019

All About Eve, Noel Coward Theatre review - less a bumpy night than an erratically arresting one by Matt Wolf

Gillian Anderson and a superb Lily James headline Ivo van Hove's latest celluloid deconstructionWomen spend a lot of time gazing at themselves in the mirror in the Belgian auteur direct…

SOURCE: The Arts Desk at 08:06AM

London Theater: A Hit and a Miss for 2 Russian Productions in London by Matt Wolf

The Moscow Pushkin Drama Theater, on a short visit to Britain, impressed with Brecht’s “The Good Person of Szechwan,” but fell short with Chekhov’s “The Cherry Orchard.”

SOURCE: The New York Times Subscription at 05:18AM
Monday, February 11, 2019

Katherine Parkinson on Playing a 1950s-Obsessed Housewife in the West End's Home, I’m Darling by Matt Wolf

A beloved name on British TV thanks to shows like The IT Crowd, Doc Martin and Humans, Katherine Parkinson makes regular, always-welcome appearances on stage and can currently be found playi…

SOURCE: Broadway.com at 12:04PM
Wednesday, February 6, 2019

Natalie McQueen on Bringing 9 to 5 to the West End in the #MeToo Era and Her Dream Trip to Dollywood by Matt Wolf

Scarcely had Natalie McQueen finished closing out the hit London engagement of Kinky Boots before she was crossing the road to co-star with Bonnie Langford and Brian Conley in the West End d…

SOURCE: Broadway.com at 01:04PM

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