All stories by Mark Lawson on BroadwayStars

Wednesday, March 19, 2014

Word play: do theatre titles matter? by Mark Lawson

From Urinetown to Cat on a Hot Tin Roof via Other Desert Cities and Betty Blue Eyes " does a title become famous because of a play or a play become famous because (or despite) of its title?O…

SOURCE: The Guardian at 03:30AM[SHARE]
Tuesday, March 11, 2014

Is there something rotten in taking Hamlet to North Korea? by Mark Lawson

The Globe's Hamlet tour has been criticised by Amnesty for stopping off at North Korea. But theatre does not always legitimise its hosts " it can be a weapon against oppressionDoubts about t…

SOURCE: The Guardian at 01:38PM[SHARE]
Wednesday, March 5, 2014

The revival of the mid-show walkout by Mark Lawson

Theatregoers are being brought to their feet " but not in a good way " in numbers not seen since the 1950s. But what is provoking today's outraged early exits?Theatrical sound effects have b…

SOURCE: The Guardian at 07:43AM[SHARE]
Wednesday, February 26, 2014

Peter Gill: 'Nothing happens unless the middle classes do it' by Mark Lawson

The theatre director and playwright talks to Mark Lawson about his new play, Versailles, which explores the impact of the first world war on one familyTwo of the landmarks in the career of P…

SOURCE: The Guardian at 12:07PM[SHARE]

Peter Gill: 'Nothing happens unless the middle classes do it' by Mark Lawson

The theatre director and playwright talks to Mark Lawson about his new play, Versailles, which explores the impact of the first world war on one familyTwo of the landmarks in the career of P…

SOURCE: The Guardian at 12:07PM[SHARE]
Monday, February 10, 2014

Musicals we love: London Road by Mark Lawson

In the latest in our series on writers' favourite shows, Mark Lawson explains his potentially controversial choice of this verbatim musical about the Ipswich serial murdersFavourite musicals…

SOURCE: The Guardian at 03:00AM[SHARE]
Monday, February 3, 2014

Students can read Mogadishu without copying its storyline by Mark Lawson

Parents criticising the use of Vivienne Franzmann's play as a set text forget one thing: Waiting for Godot never caused us to take to the road as trampsThe latest of the periodic spats over …

SOURCE: The Guardian at 08:10AM[SHARE]
Monday, January 27, 2014

King Lear at the National Theatre: the understudy arises by Mark Lawson

When Paapa Essiedu stepped up at the National Theatre, it was like seeing a football team go on to win after having a star player sent offOne of the pleasures and perils of live theatre is i…

SOURCE: The Guardian at 10:28AM[SHARE]
Monday, January 20, 2014

Globe's Sam Wanamaker Playhouse casts new light on Jacobean staging by Mark Lawson

As well as creating pools of sweat and candlewax, the 'authentic' theatre shows us how daylight, or lack of it, influenced the writingSome of the best classical music of recent decades has c…

SOURCE: The Guardian at 11:18AM[SHARE]
Thursday, January 16, 2014

From page to stage: the rise of the 'acted book' by Mark Lawson

Adaptations of Hilary Mantel's Wolf Hall and Bring Up the Bodies are running to sell-out audiences at the RSC. Do they disprove the rule that theatre and literature make fractious companions…

SOURCE: The Guardian at 09:00AM[SHARE]
Friday, January 3, 2014

When Keeley met Sheila … why clashes between stars are a fact of theatre life by Mark Lawson

Keeley Hawes has left the play Barking in Essex early after reported rows with co-star Sheila Hancock. Such creative tensions have always lurked in the wingsAlthough heavily sandbagged with …

SOURCE: The Guardian at 08:08AM[SHARE]
Saturday, December 28, 2013

What we liked in 2013: musical by Mark Lawson

'The Book Of Mormon proved too much for frontline British critics, but a younger audience has made it a huge hit'The Book Of Mormon, a musical that lampoons a faith founded in 19th-century S…

SOURCE: The Guardian at 04:00AM[SHARE]
Monday, December 23, 2013

Best theatre of 2013, No 7: Ghosts by Mark Lawson

Richard Eyre's production modernised the pacing of Ibsen and in the process made it yet more pertinent to our times' Read Michael Billington's review of Ghosts' Read more from the Best theat…

SOURCE: The Guardian at 06:54AM[SHARE]
Friday, December 20, 2013

Why this is the West End's Year of the Three Hitlers by Mark Lawson

The appearance of Hitler in Andrew Lloyd Webber's musical Stephen Ward marks the Führer's third on the London stage this year " but his presence is as shocking as everWhen the Vatican suffe…

SOURCE: The Guardian at 01:07PM[SHARE]
Monday, December 9, 2013

What's the secret to running a successful regional theatre? by Mark Lawson

The first-season choices of James Dacre, artistic director of Northampton's Royal & Derngate theatres, embody the possibilities and challenges of drawing local theatregoersRunning one of Bri…

SOURCE: The Guardian at 09:06AM[SHARE]
Tuesday, November 26, 2013

What's the secret to Morecambe & Wise's staying power? by Mark Lawson

With a new tribute on the West End and a BBC1 documentary, Eric and Ernie rival comedy duos Laurel and Hardy or the Marx Brothers for their afterlife. Why do they continue to inspire?Morecam…

SOURCE: The Guardian at 11:35AM[SHARE]

Birgitte Sørenson: power player by Mark Lawson

Best known for her role in Danish drama Borgen, Birgitte Sørenson is about to take to the British stage in Coriolanus. She tells Mark Lawson about doing Shakespeare by Skype and bowing ou…

SOURCE: The Guardian at 02:00AM[SHARE]
Wednesday, November 20, 2013

How Jewish artists built Broadway by Mark Lawson

A US documentary asserts that the Broadway musical is almost an exclusively Jewish creation. But is it useful to look at art in this way?A US documentary shown in Britain last week advanced …

SOURCE: The Guardian at 10:13AM[SHARE]

How Jewish artists built Broadway by Mark Lawson

A US documentary asserts that the Broadway musical is almost an exclusively Jewish creation. But is it useful to look at art in this way?A US documentary shown in Britain last week advanced …

SOURCE: The Guardian at 10:13AM[SHARE]
Monday, November 4, 2013

Why musicals are hard work by Mark Lawson

It might be the artifice, or it might be the egos. But everyone from Bernstein to Simon Gray agrees: musical theatre is a nightmare to produceAlthough Fred Ebb " who wrote the lyrics to John…

SOURCE: The Guardian at 10:30AM[SHARE]
Tuesday, October 22, 2013

Regime change at the National Theatre: what next? by Mark Lawson

It was a peaceful transition, but new artistic director Rufus Norris will be bound to impose his preferences on the institutionThe most dramatic event in British theatre last week took place…

SOURCE: The Guardian at 05:50AM[SHARE]
Friday, October 4, 2013

Doubling the fun? When actors do two for the price of one by Mark Lawson

Actors playing multiple parts is not only an economic necessity " it's huge fun for the audienceAlthough the main business of Handbagged, Moira Buffini's rightly acclaimed new play, is the m…

SOURCE: The Guardian at 11:04AM[SHARE]
Wednesday, September 18, 2013

Secrets of the over-70s acting brigade by Mark Lawson

Medical tests, memory loss, exhaustion . . . acting in your 70s (and 80s) is no picnic. But that's not stopping Vanessa Redgrave, James Earl Jones, Sheila Hancock and Derek Jacobi. Mark Laws…

SOURCE: The Guardian at 03:00AM[SHARE]
Friday, September 13, 2013

Which plays best represent the countries they hail from? by Mark Lawson

Whether it's an Irish Chekhov or an American classic, Mark Lawson finds that boiling down a nation's theatrical tradition to a single work is a difficult businessOne of the panels on the Gre…

SOURCE: The Guardian at 11:33AM[SHARE]
Tuesday, September 10, 2013

Michael Grandage: flops, spats and spliffs by Mark Lawson

Actors on drugs, a booze ban for Derek Jacobi, stars not speaking … as his Midsummer Night's Dream hits the stage, director Michael Grandage tells Mark Lawson his highs and lowsReading a n…

SOURCE: The Guardian at 03:00AM[SHARE]
Tuesday, September 3, 2013

Falling stars: what happens when stage actors are a no-show? by Mark Lawson

From a vanishing Hayley Atwell to a script-reading Oedipus, welcome to the season of the understudyA surprise piece of computer dialogue greets anyone buying tickets online for the current r…

SOURCE: The Guardian at 12:07PM[SHARE]
Monday, July 29, 2013

Theatre tickets: when did they become so expensive? by Mark Lawson

Premium tickets over £100. A £1,500 access-all-Ayckbourn luxury package. £10,000 for lunch with the director of the National. Welcome to the curious world of the 'premium' theatre t…

SOURCE: The Guardian at 02:00PM[SHARE]
Friday, July 12, 2013

Why the National Theatre could use a history lesson from Richard Eyre by Mark Lawson

A prescient memoir by the theatre's former chief suggests that when it comes to this prestigious yet demanding post, candidates have always been thin on the groundWhen Ronald Reagan was shot…

SOURCE: The Guardian at 03:30AM[SHARE]
Friday, July 5, 2013

When the script doesn't live up to the staging by Mark Lawson

Four recent shows show how design razzmatazz can charm the senses " and also draw attention to holes in the writingIn cinema, the term "high production values" has long been code for the sor…

SOURCE: The Guardian at 08:00AM[SHARE]
Wednesday, June 12, 2013

Has David Mamet lost the plot? by Mark Lawson

David Mamet has now had six box-office letdowns in a row. Is Broadway's insatiable desire for big talking-point plays to blame?Critics often commend theatres for going off-piste and staging …

SOURCE: The Guardian at 03:00PM[SHARE]
Friday, May 3, 2013

Long live Viva Forever! and the tradition of musical flops by Mark Lawson

Mamma Mia! it wasn't, but at least Judy Craymer's Spice Girls stageshow escaped the fate of the musical Kelly, which closed on opening nightThe plot of Mel Brooks's 1968 movie The Producers …

SOURCE: The Guardian at 12:20PM[SHARE]

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off