All stories by Lyndsey Winship on BroadwayStars

Friday, September 17, 2021

Note to Self review – transfixing journey through a failing memory by Lyndsey Winship

Available onlineThe new livestreamed production from Rambert2 is both sensual and unnerving with a compelling central performance For some dance companies during the pandemic, streamed shows…

SOURCE: The Guardian at 03:18PM
Wednesday, September 8, 2021

Hangovers and hang-ups: Matthew Bourne’s The Midnight Bell steps into 30s Soho by Lyndsey Winship

The choreographer’s new show brings together lonely souls from the London novels of Patrick Hamilton. Expect regret, fumbling and a hint of mystery “Understanding a particular time, a co…

SOURCE: The Guardian at 02:12AM
Monday, August 30, 2021

‘Big sisters are magic!’ Frozen musical set to cause a West End flurry by Lyndsey Winship

Jennifer Lee, Disney Animation’s chief creative officer and the writer and co-director of Frozen, describes expanding her hit for the stage, and reveals whether she’s more of an Elsa or …

SOURCE: The Guardian at 03:54AM
Sunday, August 29, 2021

Dance by Design review – Bauhaus cool, Congolese dandies and Catalan cygnets by Lyndsey Winship

Greenwich Peninsula, LondonAbseiling on pointe, snazzy suits and spinning geometry were eye-catching openers for the Greenwich and Docklands festival There’s a reason we normally trap aud…

SOURCE: The Guardian at 11:32AM
Friday, August 27, 2021

Cirque Berserk review – big thrills from the big top by Lyndsey Winship

Garrick theatre, LondonKnives, flames and adrenaline aplenty lift this daredevil circus show. The stunts impress but the overblown presentation needs an update A basic circus truth: everythi…

SOURCE: The Guardian at 07:18AM
Thursday, August 26, 2021

Hamlet, Cabaret and a fistful of Romeos: the best theatre, comedy and dance of autumn 2021 by Arifa Akbar, Brian Logan and Lyndsey Winship

Cush Jumbo tackles the troubled prince, Jessie Buckley and Eddie Redmayne head for 30s Berlin, while standup favourites and dance spectaculars burst back on the stage Continue reading...

SOURCE: The Guardian at 05:12AM
Sunday, August 22, 2021

Edinburgh fringe dance and circus roundup – naked trampolining and alt-twerking by Lyndsey Winship

Glasgow-based choreographer Mele Broomes’ intelligence stands out amid the cascade of online dance and circus offerings from this year’s festival Watching recorded dance on your laptop a…

SOURCE: The Guardian at 02:42PM
Wednesday, August 18, 2021

Jersey Boys review – Four Seasons story still hits all the high notes by Lyndsey Winship

Trafalgar theatre, LondonThe doo-wop musical returns to the West End: a cracking true tale of mob connections, bad debts, prison spells and soaring success, with a seemingly endless catalogu…

SOURCE: The Guardian at 11:18AM

Jade Hackett on hip-hop dance: ‘Black joy is just as powerful as protest’ by Lyndsey Winship

The choreographer felt the urgent need to bring happiness and relentless fun to the weekender she has curated for the Southbank Centre’s Summer Reunion series ‘With the year we’ve had,…

SOURCE: The Guardian at 09:12AM
Wednesday, August 11, 2021

The Phantom of the Opera review – the music of the night is back by Lyndsey Winship

Her Majesty’s theatre, LondonA new cast refreshes Andrew Lloyd Webber’s musical, its pop melodies, maximalist designs and unconventional romantic lead standing the test of time The Phant…

SOURCE: The Guardian at 12:06PM
Friday, August 6, 2021

Singin’ in the Rain review – a starry musical charm offensive by Lyndsey Winship

Sadler’s Wells, LondonFrom Adam Cooper to Faye Tozer and Kevin Clifton, there are lovely performances in this revival, but it lacks a little vim It’s 10 years since Jonathan Church’s …

SOURCE: The Guardian at 08:06AM
Thursday, August 5, 2021

Anything Goes review – Sutton Foster dazzles in Cole Porter’s fizzing tonic for our times by Lyndsey Winship

Barbican, LondonBlissful songs and dance and spirited performances from a virtuoso cast make a preposterous plot into a delightful musical escape Descriptions of Cole Porter’s Anything Goe…

SOURCE: The Guardian at 09:03AM
Sunday, August 1, 2021

The Revel Puck Circus review – down-to-earth acrobatics lack dramatic edge by Lyndsey Winship

Leyton Jubilee Park, LondonThis young circus outfit are evidently skilled, but need to work out how to give their show an arc The good stuff first: a young touring circus pitching their tent…

SOURCE: The Guardian at 07:36AM
Tuesday, July 27, 2021

Choreographer Drew McOnie: ‘Success is made of the time you don’t waste’ by Lyndsey Winship

The live-wire choreographer has certainly not been wasting his, as he works on a new production of Carousel, a Take That film, his first ballet, and starting a family Choreographer Drew McO…

SOURCE: The Guardian at 08:54AM
Monday, July 26, 2021

National Youth Dance Company: Speak Volumes – next-gen movers make themselves heard by Lyndsey Winship

Sadler’s Wells, LondonUnder the aegis of choreographer Alesandra Seutin, this year’s NYDC cohort perform with attitude, vulnerability and masses of energy The National Youth Dance Compa…

SOURCE: The Guardian at 06:42AM
Friday, July 23, 2021

360 Allstars review – like a cool Britain’s Got Talent, with more whooping by Lyndsey Winship

London WondergroundFrom basketballs to B-boys to BMXs and unicycles, everything spins at speed in this dizzying show that melds street culture with circus spectacle to make your seat shake 3…

SOURCE: The Guardian at 07:24AM
Monday, July 12, 2021

The joy of Jiva! Netflix’s South African dance series bursts from the screen by Lyndsey Winship

Local styles such as pantsula and bhenga burst from the screen in a glossy new series featuring real dance crews The townships of South Africa are a fertile ground for dynamic new moves, fr…

SOURCE: The Guardian at 10:54PM
Monday, July 5, 2021

‘You’re never comfortable as a dancer’: brilliant ballerina Beatriz Stix-Brunell’s next step by Lyndsey Winship

The Royal Ballet star, who is swapping the Covent Garden stage for Stanford University, talks about what she will and won’t miss most about dancing You hear of dancers’ careers being end…

SOURCE: The Guardian at 03:32PM
Sunday, July 4, 2021

Breakin’ Convention 2021 review – Glasto act ignite hip-hop party vibes by Lyndsey Winship

Sadler’s Wells, LondonThe WAR collective, who danced with Stormzy at Glastonbury, head up an inclusive bill of dazzling skill at this annual festival At Breakin’ Convention you see acts …

SOURCE: The Guardian at 01:18PM
Wednesday, June 30, 2021

Lucinda Childs: ‘In the US, my work wasn’t something people could deal with’ by Lyndsey Winship

From being taught by Merce Cunningham to collaborating with Philip Glass, the choreographer who helped shape the New York dance scene – now ‘81 on paper’ – looks back “There was a …

SOURCE: The Guardian at 04:12PM
Sunday, June 27, 2021

Royal Ballet: Beauty Mixed Programme review – rose petals and a lust for water by Lyndsey Winship

Royal Opera House, LondonA wild variety of pas de deux fuel this mixed bill, from kitschy Strauss to a duet with a table, plus part of Sleeping Beauty Much as happens with real-life weddings…

SOURCE: The Guardian at 01:36PM
Monday, June 21, 2021

Arielle Smith: ‘In ballet I’d die of a broken heart or wait for a man to save me’ by Lyndsey Winship

The rising choreographer on the restrictions of classical roles, our need for whimsy and her new film Let Loose, which encourages children to get moving after lockdown “In my day-to-day li…

SOURCE: The Guardian at 02:24PM
Thursday, June 17, 2021

English National Ballet: Solstice review – smitten swans, chiseled abs and thumping techno by Lyndsey Winship

Royal Festival Hall, LondonENB’s dancers deliver in a mixed bill and William Forsythe’s all-male Playlist leaves everyone grinning from ear to ear For dance post-lockdown, the gala is in…

SOURCE: The Guardian at 03:18PM
Wednesday, June 16, 2021

Darcey Bussell: ‘If I hadn’t had dance, gosh, I don’t know where I’d be’ by Lyndsey Winship

Ballet empowered Bussell who is determined to protect the industry and show how dance is ‘the perfect wellbeing pill’ Darcey Bussell has never minded taking risks. That was true as a fea…

SOURCE: The Guardian at 02:03AM
Monday, June 14, 2021

‘Craziest thing I’ve ever done’: how In the Heights pulled off its most spectacular dance numbers by Lyndsey Winship

How do you get 90 hoofers to frug in a pool? Christopher Scott, the choreographer behind Lin-Manuel Miranda’s musical extravaganza, reveals all Christopher Scott is baffled. “I hear time…

SOURCE: The Guardian at 04:03AM
Friday, June 11, 2021

Birmingham Royal Ballet: Curated by Carlos review – a kick and a promise from Acosta by Lyndsey Winship

Birmingham Repertory theatreThe artistic director’s first commissions include an ode to the city’s industrial heritage and a swelling take on the climate crisis “Could we trade traditi…

SOURCE: The Guardian at 11:32AM
Wednesday, June 9, 2021

Northern Ballet: Dangerous Liaisons review – more sedate than seductive by Lyndsey Winship

Sadler’s Wells, LondonThe plot convolutions of De Laclos’ classic novel, and a shortage of real passion, hold back David Nixon’s adaptation Name recognition is important for ballet co…

SOURCE: The Guardian at 07:12AM
Sunday, June 6, 2021

Royal Ballet: Balanchine and Robbins review – Vadim Muntagirov’s Apollo is simply divine by Lyndsey Winship

Royal Opera House, London The Russian always had technique, now he’s got belief in this terrific all-American programme also taking in work from the 1960s set to Tchaikovsky and Chopin com…

SOURCE: The Guardian at 02:36PM
Friday, June 4, 2021

British Ballet Charity Gala review – an eye-opening dance extravaganza by Lyndsey Winship

Royal Albert Hall, LondonTutu-clad tradition made way for scenes of male modelling and Orwellian injustice – but the value of dance stayed at the fore The arts are in a Covid crisis and he…

SOURCE: The Guardian at 07:54AM
Thursday, June 3, 2021

Rambert: Draw from Within review – dancing this intense could spark a blaze by Lyndsey Winship

Sadler’s Wells, LondonFirst seen online, Wim Vandekeybus’s work can’t quite contain its own ideas, but Rambert’s dancers are a marvel to watch live When Rambert premiered their lockd…

SOURCE: The Guardian at 05:42PM
Wednesday, June 2, 2021

Drowntown review – wind-whipped voices on the coast by Lyndsey Winship

Available onlineChoreographer Rhiannon Faith’s townscape of lonely souls spat out by the system is heartfelt but often too generic The air is thick with the sound of the sea, and the fog o…

SOURCE: The Guardian at 08:54AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime