All stories by Lyndsey Winship on BroadwayStars

Thursday, October 19, 2023

Free Your Mind review – Danny Boyle’s Matrix reboot is a thrilling shock to the system by Lyndsey Winship

Aviva Studios, ManchesterThe director’s collaboration with hip-hop dance company Boy Blue, designer Es Devlin and writer Sabrina Mahfouz conveys the march of AI There are some shows that a…

SOURCE: The Guardian at 04:55AM
Sunday, October 15, 2023

Aditi Mangaldas: Forbidden review – a post-menopausal play for sexual pleasure by Lyndsey Winship

Sadler’s Wells, LondonLeading Indian kathak performer Mangaldas explores her desire and confronts the double standards around men’s and women’s sexuality Is it audacious for a 63-year-…

SOURCE: The Guardian at 10:43AM
Thursday, October 12, 2023

Pam Tanowitz and David Lang: Song of Songs review – turning on the lights by Lyndsey Winship

Barbican, LondonMeditation on the Bible’s great love poem can feel opaque but it is performed with great precision and set to a bewitching score There’s something unsolvable about Pam Ta…

SOURCE: The Guardian at 07:33AM
Sunday, October 8, 2023

Dance Umbrella review – yoga poses, a vibrator and an all-points breakdance battle by Lyndsey Winship

The Place/Somerset House, LondonHighlights of the opening weekend of the annual month-long dance festival included an arresting piece about gender expectations by Taiwan’s Su PinWen and an…

SOURCE: The Guardian at 01:25PM
Monday, October 2, 2023

Choreographer Pam Tanowitz: ‘I’m a neurotic Jew, waiting for something bad to happen’ by Lyndsey Winship

Despite her work being described as the greatest dance theatre of the century, Tanowitz can still be found ‘backstage, throwing up’ before shows. Will her new production, based on a Hebr…

SOURCE: The Guardian at 04:07AM
Sunday, October 1, 2023

Don Quixote review – sunshine, warmth and dazzling technique from the Royal Ballet by Lyndsey Winship

Royal Opera House, LondonWith its stellar leads and lively background action, this sprightly revival of Carlos Acosta’s revised staging is a celebration of the pleasure of classical dance …

SOURCE: The Guardian at 07:55AM
Thursday, September 28, 2023

Black Sabbath: The Ballet review – riveting riffs, endless kisses and flying limbs by Lyndsey Winship

Birmingham HippodromeThree choreographers use inspiringly orchestrated tracks from the city’s heavy metal legends to spring some surprises What on earth does a Black Sabbath ballet look li…

SOURCE: The Guardian at 09:04AM
Wednesday, September 27, 2023

‘I didn’t want to be Bubbly Bonnie Langford for ever’ – the star relives her career highs and lows by Lyndsey Winship

In showbiz since the age of six, and still high-kicking at 59, the screen and stage sensation looks back on her biggest moments – from Cats to Doctor Who to the ‘madness’ of The Masked…

SOURCE: The Guardian at 11:19AM
Friday, September 22, 2023

English National Ballet: Our Voices review – an apocalyptic maelstrom of movement by Lyndsey Winship

Sadler’s Wells, LondonDancers in flight exist in a different realm in an absorbing Les Noces, reimagined as a sequel to The Rite of Spring, in this triple bill from a company really pushin…

SOURCE: The Guardian at 09:33AM
Tuesday, September 19, 2023

‘Why don’t we know more of her? It’s upsetting’: dance genius Bronislava Nijinska by Lyndsey Winship

Created 100 years ago, Nijinska’s ballet Les Noces is a feminist masterpiece. Andrea Miller, who has choreographed a new version using Stravinsky’s music and art by Phyllida Barlow, hail…

SOURCE: The Guardian at 04:25PM
Tuesday, September 12, 2023

Johaar Mosaval obituary by Lyndsey Winship

The first dancer of colour to join the Sadler’s Wells Theatre Ballet whose ballet school in Cape Town was closed in the 1970s as he refused to operate under apartheid rulesThe South Africa…

SOURCE: The Guardian at 03:33PM
Sunday, September 10, 2023

Northern Ballet: Generations review – Tiler Peck premieres an intricate work of lyrical yearning by Lyndsey Winship

Stanley & Audrey Burton theatre, LeedsIntimate Pages, the newest piece by the US dance star turned choreographer, is the inventive highlight of an adventurous triple bill New York City B…

SOURCE: The Guardian at 10:49AM
Sunday, August 27, 2023

‘A cultural explosion’: the West Yorkshire chapel that is a wellspring of dance by Lyndsey Winship

Our series on regional dance scenes continues with a visit to Hebden Bridge, where a range of left-field choreographers have put on work Donna Summer’s I Feel Love kicks in and everybody�…

SOURCE: The Guardian at 05:25PM
Friday, August 25, 2023

Choreographer Alexei Ratmansky: ‘I don’t want my ballet to be staged in Russia ever again’ by Lyndsey Winship

When the Ukrainian invasion began, the ballet great left a show at the Bolshoi in protest. Here he reconsiders his past ties with Russia and the silence of the cultural elite in the country …

SOURCE: The Guardian at 01:07PM
Thursday, August 24, 2023

Alvin Ailey American Dance Theater review – extraordinary soul-stirring dance by Lyndsey Winship

Festival theatre, EdinburghThe American company brought Ailey’s legendary Revelations, still hugely powerful after 65 years, alongside modern pieces of precision and fire The thing about …

SOURCE: The Guardian at 08:55AM
Wednesday, August 23, 2023

I’m Muslamic – Don’t Panik review – a warm-hearted, gently political journey by Lyndsey Winship

Assembly @ Dance Base, EdinburghBobak Champion is a storyteller who dances from one character to another in these travels between Bristol and Tehran There is a fragrant scent when you walk i…

SOURCE: The Guardian at 03:43PM

Starry Shakespeare, super standups and a Black Sabbath ballet: the best theatre, dance and comedy of autumn 2023 by Arifa Akbar, Brian Logan and Lyndsey Winship

Patsy Ferran takes on Eliza in Pygmalion, Andrew Scott plays multiple characters from Uncle Vanya and Mlima’s Tale tells a powerful tale of the ivory trade. Here’s what’s in store on s…

SOURCE: The Guardian at 03:55AM
Monday, August 21, 2023

Duet with a doppelganger: Edinburgh fringe dances to a different tune by Lyndsey Winship

The festival’s Dance Base hosts eclectic performances involving a wondrous paper sculpture, an examination of duality and Bach reimagined There are more shows at the fringe than you could …

SOURCE: The Guardian at 06:04AM
Sunday, August 20, 2023

Mass Effect review – a wild dance towards naked truth by Lyndsey Winship

Summerhall, EdinburghThis life-affirming show from the Danish company Himherandit Productions moves from HIIT class to bacchanale We’re two minutes in and already those of us sitting down …

SOURCE: The Guardian at 01:43PM

Dances Like a Bomb review – age-old questions of bad elastic, death and hypnosis by gin by Lyndsey Winship

Zoo Southside, EdinburghMikel Murfi and Finola Cronin have laughs, despair and arresting moments of connection in a dance-theatre show about the realities of ageing The flub, that’s what …

SOURCE: The Guardian at 08:19AM
Saturday, August 19, 2023

Phaedra/Minotaur review – gripping double bill scales the heights of emotion by Lyndsey Winship

Royal Lyceum, EdinburghMezzo soprano Christine Rice is compelling in the first half while dancers in the dreamlike second part are a revelation in Deborah Warner’s simply staged show A ter…

SOURCE: The Guardian at 09:19AM
Friday, August 18, 2023

Bird review – fear punctuates the fluid dancing in this tale of domestic violence by Lyndsey Winship

Summerhall, EdinburghThe three dancers portray arrestingly clear images of women on high alert, but a potent performance is marred at times by scrappiness and muddy rhythms The choreographer…

SOURCE: The Guardian at 05:49PM

After All review – a goofy whirl of remembrance by Lyndsey Winship

Assembly @ Dance Base, EdinburghMushroom coffins, organic wool shrouds and funeral re-enactments pepper Solène Weinachter’s light touch but poignant show Sinatra, T Rex, pan pipe muzak: w…

SOURCE: The Guardian at 03:43PM
Thursday, August 3, 2023

The Australian Ballet: Jewels review – lots of glitter but no gold by Lyndsey Winship

George Balanchine’s choreography is gorgeous to look at, and there are standout individual performances, but it really needs more lush grandeur It’s 35 years since the Australian Ballet …

SOURCE: The Guardian at 09:13AM
Thursday, July 27, 2023

Carlos at 50 review – stunning tricks and charisma to burn by Lyndsey Winship

Royal Opera House, London Of course Acosta has lost a little bounce after half a century, but the Cuban master still dances with care, specificity and dramatic flair When Carlos Acosta stage…

SOURCE: The Guardian at 10:55AM
Tuesday, July 18, 2023

‘We will reach everyone in Jersey eventually’: island ballet company’s giant leap by Lyndsey Winship

The Channel island now has a professional ballet outfit, run by Canadian former dancer Carolyn Rose Ramsay. She remembers rehearsals in a potato warehouse and shares ambitious plans ‘I’v…

SOURCE: The Guardian at 02:13AM
Sunday, July 16, 2023

Benji Reid: Find Your Eyes review – powerful, wondrous ways of seeing by Lyndsey Winship

Manchester AcademyThree dancers are photographed by Reid in real time – and the beautiful still moments he extracts from their choreography form into a striking visual narrative before you…

SOURCE: The Guardian at 07:43AM

ROSE review – Sharon Eyal takes thrilling choreo to the club by Lyndsey Winship

New Century Hall, ManchesterLace-clad dancers writhe and prowl across a packed dancefloor, titillating close-up audience members with their supreme confidence and awesome muscular control Fo…

SOURCE: The Guardian at 07:43AM
Thursday, July 13, 2023

Stomping ground: bursts of brilliance at London’s flamenco festival by Lyndsey Winship

Two shows at Sadler’s Wells reveal the range of influences and restless experimentation that are key to the ever-progressing art form Since the annual flamenco festival was first staged at…

SOURCE: The Guardian at 01:37PM
Wednesday, July 12, 2023

Pleasure and pliés: the ballet bonkbusters handling dance’s hot button issues by Lyndsey Winship

New novels combine romance and raunchy trysts with body politics and an exploration of the industry’s power dynamics Where would you expect to read the latest on the politics of the ballet…

SOURCE: The Guardian at 04:04AM
Wednesday, July 5, 2023

Wayne Sleep at 75: ‘Did Rudolf Nureyev pinch my bum? More than that’ by Lyndsey Winship

He danced with ballet’s legends, partied with Freddie Mercury, and became a household name. As he celebrates his birthday with a gala performance, the 5ft 2in dynamo looks back at an actio…

SOURCE: The Guardian at 12:25PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime