All stories by Lyn Gardner on BroadwayStars

Thursday, March 17, 2016

Execution of Justice – review by Lyn Gardner

Southwark Playhouse, London"Our revenge is never to forget," says one of the characters at the end of Emily Mann's 1980s play about the trial of Dan White. White, an all-American boy, w…

SOURCE: The Guardian at 10:30PM

If You Kiss Me, Kiss Me review – Jane Horrocks cleans up post-punk's mess by Lyn Gardner

Young Vic, LondonHorrocks belts out the Smiths, Fall, Joy Division and other songs of her youth in this overly slick and choreographed dance-gig-theatre hybrid When you are younger the world…

SOURCE: The Guardian at 08:27AM
Wednesday, March 16, 2016

The Broke'n'Beat Collective review – teen dramas told with puppets and poetry by Lyn Gardner

Stratford Circus, LondonPart gig and part theatre, this clever show explores young people’s experiences with a skilled quartet using simple means to show stories of pain and pressureJack H…

SOURCE: The Guardian at 09:00AM
Tuesday, March 15, 2016

In theatre, amateur is not a dirty word by Lyn Gardner

In the RSC’s A Midsummer Night’s Dream: A Play for the Nation, amateur actors feature alongside their professional peers: innovative theatre often has community involvement at its heart …

SOURCE: The Guardian at 12:22PM

Miss Atomic Bomb review – Catherine Tate musical is sweetly silly at best by Lyn Gardner

St James, LondonTate’s accent goes walkabout in a wannabe screwball comedy set during America’s desert nuclear testsThis mildly likable but lame new musical is that increasingly rare thi…

SOURCE: The Guardian at 09:15AM
Monday, March 14, 2016

Plan your week’s theatre: top tickets by Lyn Gardner

Roald Dahl’s The Witches hit Liverpool, Denise Gough reprises her role as a troubled actor at Wyndham’s, and National Theatre Wales talks about democracyThe Solid Life of Sugar Water is …

SOURCE: The Guardian at 03:33AM
Tuesday, March 8, 2016

Every One review – by Lyn Gardner

Battersea Arts Centre, LondonIt’s not an easy watch but Chris Goode’s rewarding revival of Jo Clifford’s play reminds us to focus on what’s important in our lives Related: 'I want to…

SOURCE: The Guardian at 09:16AM

Not cosy, not safe, no tractors: the plays redefining rural theatre by Lyn Gardner

The Iranian Feast is just one of the ambitious shows challenging the stereotype that rural touring work is just armchair theatreIf you were looking for exciting contemporary theatre in the U…

SOURCE: The Guardian at 02:50AM
Monday, March 7, 2016

Hobson's Choice review – Martin Shaw is Brighouse's bootmaker in lively revival by Lyn Gardner

Theatre Royal, BathThis sly portrait of a cobbler and his class-conscious daughters is shown to be way ahead of its time in Jonathan Church’s handsome stagingThere are shades of King Lear …

SOURCE: The Guardian at 07:49AM

The Iranian Feast review – charming show about the soup of human kindness by Lyn Gardner

Farnham MaltingsAudience participation is a key ingredient of this touring regional theatre piece about cooking, community and life in TehranThe myth that theatre made for village halls and …

SOURCE: The Guardian at 06:44AM

Plan your week’s theatre: top tickets by Lyn Gardner

Vanishing Point’s The Destroyed Room opens in Edinburgh, the Hear Me Roar! festival of feminism begins in Lancaster and Jinny, a response to Look Back in Anger, premieres in DerbyThe Solid…

SOURCE: The Guardian at 02:19AM
Sunday, March 6, 2016

I See You review – horror and heartbreak in the new South Africa by Lyn Gardner

Royal Court Upstairs, LondonPlaywright Mongiwekhaya’s post-apartheid tale of erased histories and frustrated dreams is beautifully acted and grips like a thrillerWhat’s in a name? A grea…

SOURCE: The Guardian at 11:04AM
Friday, March 4, 2016

Angry young woman: female Jimmy Porter looks back at John Osborne by Lyn Gardner

Director Sarah Brigham talks about her revival of the kitchen-sink drama Look Back in Anger, presented at Derby theatre alongside Jane Wainwright’s Jinny, a modern-day companion piece that…

SOURCE: The Guardian at 02:16AM
Thursday, March 3, 2016

King John played by a potato masher? It's Shakespeare on a plate by Lyn Gardner

Forced Entertainment’s series of table-top plays performed with household items is in a great tradition of storytelling that keeps Shakespeare aliveIs it possible for a jar of Roses lime m…

SOURCE: The Guardian at 11:15AM

The Tiger's Bones and Other Stories review – Ted Hughes's wise fools return by Lyn Gardner

Polka, LondonThe poet’s wit shines through in these 1960s miniature plays, though the staging sometimes struggles to match the rich languageThese stories written by Ted Hughes originally t…

SOURCE: The Guardian at 08:10AM
Wednesday, March 2, 2016

'I want to be a threat': Jo Clifford on her transgender Christ and overcoming fear by Lyn Gardner

When acting in a female role at an all-boys school, Jo Clifford began to explore her gender identity and theatre became a place of shame. After transitioning, and beginning to perform her ow…

SOURCE: The Guardian at 09:02AM
Tuesday, March 1, 2016

Right Now review – bizarre comic drama keeps you guessing by Lyn Gardner

Ustinov theatre, BathAlice and Ben’s neighbours want to be friends – or do they? Played to the hilt by a skilled cast, Catherine-Anne Toupin’s play generates unease amid the comedyA th…

SOURCE: The Guardian at 09:51AM

The Vanishing Man review – disappearing act inspires theatrical magic by Lyn Gardner

The Vaults, LondonThis cheeky but unexpectedly moving show takes its cue from the astonishing story of a magician who vanished into thin airThe publicity for this performance claims that Hug…

SOURCE: The Guardian at 09:51AM
Monday, February 29, 2016

Plan your week’s theatre: top tickets by Lyn Gardner

Forced Entertainment do Shakespeare, Pixie Lott is Holly Golightly, and Analogue and Theatre Ad Infinitum both have new workJack Thorne and Graeae’s The Solid Life of Sugar Water hits the …

SOURCE: The Guardian at 02:42AM
Sunday, February 28, 2016

Beyond the Fence review – computer-created show is sweetly bland by Lyn Gardner

Arts theatre, LondonThis software-generated Greenham Common musical is risibly stereotypical but pleasant as a milky drinkPlenty of musicals written by humans sound as if they have been comp…

SOURCE: The Guardian at 09:08AM
Wednesday, February 24, 2016

A Midsummer Night's Dream review – RSC's delightful ‘play for the nation’ by Lyn Gardner

Royal Shakespeare theatre, Stratford-upon-AvonAyesha Dharker, Chu Omambala and Lucy Ellinson shine in a 1940s-tinged production that is dusted with magic by director Erica WhymanPast and pre…

SOURCE: The Guardian at 06:08PM

'They looked like such good girls': the mystery of Genet's murderous Maids by Lyn Gardner

Unwomanly monsters, revolutionaries or worms who turned? As Jean Genet’s classic play is revived in London, the macabre story of the Papin sisters, who killed their employer’s wife and d…

SOURCE: The Guardian at 03:52AM
Tuesday, February 23, 2016

Betrayal review – Pinter's backward glance at deceitful hearts by Lyn Gardner

Northcott, Exeter Director Paul Jepson overplays the pauses but there are fine performances in this cleverly designed revival of the playwright’s anatomy of egotism There are many differen…

SOURCE: The Guardian at 09:19AM

Jeramee, Hartleby and Oooglemore review – three words have a lot to say by Lyn Gardner

Unicorn, LondonThe dialogue in Tim Crouch and Gary Owen’s show consists solely of the names of its heroes – the result is a smart and subtle take on family lifeJeramee, Hartleby and Ooog…

SOURCE: The Guardian at 09:19AM

One for the Uxbridge Road: how the Bush theatre embraced local life by Lyn Gardner

While the Bush in west London closes its doors for a refurbishment it will put on work in nearby pubs and laundrettes. Its new season will include a ‘love letter’ to the neighbourhood, s…

SOURCE: The Guardian at 06:08AM
Monday, February 22, 2016

Tiny Heroes review – heartfelt homage to everyday courage and caring by Lyn Gardner

Bike Shed, ExeterFrom sea rescues to horse rides for autistic children, Daniel Bye and Nadia Morgan’s understated performance celebrates people who quietly get on with helping outThis late…

SOURCE: The Guardian at 08:57AM

Plan your week's theatre: top tickets by Lyn Gardner

Noma Dumezweni directs I See You at the Royal Court, Dominic Dromgoole presents his Globe swansong and Standby for Tape Back-Up is out on tourThe hollowness of the New Labour dream is expose…

SOURCE: The Guardian at 02:37AM
Sunday, February 21, 2016

The Devil Speaks True review – eerie but flawed retelling of Macbeth by Lyn Gardner

The Vaults, LondonA multisensory take on Shakespeare’s story, from the perspective of Banquo and intercut with first-hand accounts of military veterans, would work better if it was simply …

SOURCE: The Guardian at 12:25PM

The Spanish Tragedy review – colour bleeds out of twisted revenge tragedy by Lyn Gardner

Old Red Lion, LondonDan Hutton’s inventive modern take on Thomas Kyd’s 1587 drama is neatly handled and well designed, but the cast’s inexperience showsRevenge (Leo Wan) watches as we …

SOURCE: The Guardian at 12:25PM
Wednesday, February 17, 2016

The Herbal Bed review – sex, lies and Shakespeare's daughter by Lyn Gardner

Royal and Derngate, NorthamptonPeter Whelan’s compassionate, filigree drama tells the story of the Bard’s scion Susanna, seeking life’s poetry in puritan England, only to be accused of…

SOURCE: The Guardian at 10:27AM
Tuesday, February 16, 2016

Diversity in theatre: why is disability being left out? by Lyn Gardner

Gender and racial diversity is growing in UK theatres – but disabled creatives are being left behind. We have to shift away from patronising box-tickingOver the last few months, it has fel…

SOURCE: The Guardian at 08:15AM