All stories by Lyn Gardner on BroadwayStars

Thursday, April 14, 2016

Goosebumps Alive review – as immersive as a puddle by Lyn Gardner

The Vaults, LondonThis lazy, unimaginative stage version of RL Stine’s creepy children’s stories relies on cheap effects and barely qualifies as theatre, let alone horrorThe title lies. …

SOURCE: The Guardian at 09:32AM
Tuesday, April 12, 2016

The Brink review – short, sharp, shockingly entertaining by Lyn Gardner

Orange Tree, Richmond A jittery teacher dreams a bomb lurks under school in a funny, engrossing play that pairs emerging writer Brad Birch with award-winning director Mel HillyardPaul Miller…

SOURCE: The Guardian at 06:36AM

GCSE students don't need to go to the theatre – they just need passion by Lyn Gardner

Outrage has greeted the news that two exam boards say it is no longer compulsory for pupils to see a live performance. But digital streaming could turn more children on to theatre than ever …

SOURCE: The Guardian at 06:36AM
Monday, April 11, 2016

Radioman review – jarring note in the music of the spheres by Lyn Gardner

Old Red Lion, LondonFelix Trench’s intriguingly surreal drama about an old man communing with the cosmos would be better heard but not seenA young man goes for a walk down a canal path and…

SOURCE: The Guardian at 09:10AM

Super Sunday review – daring circus blokes are solid fairground attraction by Lyn Gardner

Roundhouse, LondonThis all-male troupe impress with their human cannonballs and religious spin on the wheel of death, but the audience remains emotionally detachedCircusFest 2016, taking pla…

SOURCE: The Guardian at 07:49AM

'It's time for a big adventure': Emma Rice on her opening Globe production by Lyn Gardner

The new boss of Shakespeare’s Globe admits she doesn’t always understand the world’s biggest playwright. But a gender-swapping Midsummer Night’s Dream shows she won’t be playing it…

SOURCE: The Guardian at 02:27AM

Plan your week's theatre: top tickets by Lyn Gardner

Big openings include Maureen Lipman in My Mother Said I Never Should, and New York hit The Flick – plus the rest of the week’s must-see productionsPeople, Places and Things is unmissable…

SOURCE: The Guardian at 02:27AM
Friday, April 8, 2016

People, Places and Things is a triumph for Denise Gough – and for equality by Lyn Gardner

With her Olivier-winning performance in People, Places and Things, Denise Gough played a role that is all too rare for women – one where she explores what it is to be human, rather than fe…

SOURCE: The Guardian at 06:08AM
Thursday, April 7, 2016

Disrespect your elders: why artists need to embrace their inner child by Lyn Gardner

Initiatives like Playing Up and Haphazard are turning children into artists, and at a time of political apathy and risk aversion, they can also teach adults to playMost people interested in …

SOURCE: The Guardian at 04:50AM
Wednesday, April 6, 2016

Theatre review: A Disappearing Number / Barbican, London by Lyn Gardner

Barbican, LondonThere are, of course, three types of people: those who can count and those who can't. As I'm firmly in the latter camp, Complicité's A Disappearing Number - returning to the…

SOURCE: The Guardian at 06:55PM

King Lear review – Pennington's madness infects his dysfunctional clan by Lyn Gardner

Royal and Derngate, Northampton Michael Webster shifts the focus of Shakespeare’s monumental royal drama towards the younger generation, in a clear and pacy productionIt’s less of a leap…

SOURCE: The Guardian at 08:02AM
Tuesday, April 5, 2016

Calculating Kindness review – ambitious biography of a genius haunted by theory by Lyn Gardner

Camden People’s theatre, LondonA fitfully entertaining portrayal of George Price, the mathematical geneticist who tried, and fatally failed, to disprove that altruism is selfishThe father …

SOURCE: The Guardian at 09:27AM
Monday, April 4, 2016

Somewhere in England review – an unlikely Romeo and Juliet in the Fens by Lyn Gardner

Brentwood theatre, EssexPolly Wiseman’s play about black GIs recruited in East Anglia during the war is sometimes clunky, but shows love doesn’t always conquer all – especially racismW…

SOURCE: The Guardian at 09:51AM

Plan your week’s theatre: top tickets by Lyn Gardner

Stephen Rea stars at the Royal Court, Kit Harrington plays Dr Faustus, and the superb Buzzcut festival starts in GlasgowThe Roundhouse’s CircusFest 2016 begins in London, and there’s som…

SOURCE: The Guardian at 02:16AM
Sunday, April 3, 2016

Forever Yours, Mary-Lou review – secrets, spies and marital lies by Lyn Gardner

Ustinov Studio, BathMichel Tremblay’s portrait of marriage is effortlessly transposed to 1970s Dublin in a production that never quite grabs the heartAll children eavesdrop on their parent…

SOURCE: The Guardian at 01:22PM
Thursday, March 31, 2016

Herding sheep: why London theatre critics really need to get out more by Lyn Gardner

Budget cuts, rising travel costs – it’s tough for critics to get to plays in remote areas but let’s not bolster the idea that regional theatre cannot compete In the week that A Nation�…

SOURCE: The Guardian at 12:14PM

Idiots review – strident but skittish Dostoevsky adaptation by Lyn Gardner

Soho theatre, LondonA contemporary version of the Russian classic from Caligula’s Alibi never gets to grips intellectually or aesthetically with its own ideasIn Some Trace of Her at the Na…

SOURCE: The Guardian at 10:31AM
Wednesday, March 30, 2016

Bug review – edgy drama of lost souls can't scratch the itch by Lyn Gardner

Found 111, LondonStar-cast James Norton and Kate Fleetwood are intense, but Tracey Letts’ confined millenial drama on paranoia and infestation doesn’t get airborneThe pop-up West End spa…

SOURCE: The Guardian at 07:52AM
Tuesday, March 29, 2016

The Shepherd's Life review – gentle farming wisdom and animal magic by Lyn Gardner

Theatre By the Lake, KeswickWith theatrical sophistication and some delightful puppets, a community cast gives life to James Rebanks’ account of flock and family life Sheep attached to a p…

SOURCE: The Guardian at 08:28AM
Monday, March 28, 2016

Theatre: Les Blancs by Lyn Gardner

Les Blancs Royal Exchange, ManchesterRating: **It is hard to imagine how Lorraine Hansberry's play, set in an African country under British colonial rule where the people are mounting an arm…

SOURCE: The Guardian at 07:44PM

How did E Nesbit come to write The Railway Children? by Lyn Gardner

She was an indifferent mother with a string of lovers - so how did E Nesbit come to write such an idealised celebration of Victorian family life? By Lyn GardnerA hundred years ago this month…

SOURCE: The Guardian at 06:48AM

Plan your week’s theatre: top tickets by Lyn Gardner

Alistair McDowall’s latest play, X, is at the Royal Court, there are King Lears in both Manchester and Northampton, and Kiss Me Quickstep is on tourThe Shepherd’s Life, James Rebanks’s…

SOURCE: The Guardian at 02:25AM
Thursday, March 24, 2016

International Waters review – the elite become refugees in apocalyptic fable by Lyn Gardner

Tron, GlasgowA banker’s wife, a journalist, a singer and a civil servant secure the last boat leaving the UK in a play that never plots a course through its political ideasThe waters are c…

SOURCE: The Guardian at 07:29AM
Wednesday, March 23, 2016

Made Visible review – scrutiny of white privilege is funny and frank by Lyn Gardner

The Yard, LondonDeborah Pearson’s playful show is a serious examination of racism and the inadequacies of liberalismA theatre is a public space. So is a park. In Deborah Pearson’s play a…

SOURCE: The Guardian at 01:27PM

Staging a revolution: can theatre be an effective form of activism? by Lyn Gardner

Secret shows, street protests, satire … performance has long been connected to political causes. But does it have mass impact beyond a grassroots level?How can the arts effect social chang…

SOURCE: The Guardian at 10:14AM
Tuesday, March 22, 2016

Hinterland review – alchemy of light and sound brings St Peter's back to life by Lyn Gardner

St Peter’s Seminary, KilmahewThe artistic renewal of a derelict Scottish architectural gem starts with an otherwordly piece by NVA that delves into its graffiti-strewn cornersThe way the b…

SOURCE: The Guardian at 12:40PM
Monday, March 21, 2016

My Father, Odysseus review – Homer's epic retold by those left behind by Lyn Gardner

Unicorn, LondonTimberlake Wertenbaker’s reworked Odyssey focuses on characters who had supporting roles in the original poem but the result is hard to untangle“It’s what’s forgotten …

SOURCE: The Guardian at 09:32AM

Plan your week’s theatre: top tickets by Lyn Gardner

Lesley Manville and Jeremy Irons star at Bristol Old Vic, there’s a feast of new writing in Cardiff, and Lucy Bailey’s Great Expectations continues in LeedsJane Wainwright’s Jinny, abo…

SOURCE: The Guardian at 03:16AM
Sunday, March 20, 2016

The Dishonoured review – debut thriller with a few too many twists and turns by Lyn Gardner

Arcola, LondonThere’s a sharper story to be found inside this baggy drama about a Pakistan colonel who realises he might not be quite the war hero he thought he wasTariq (Robert Mountford)…

SOURCE: The Guardian at 09:40AM
Friday, March 18, 2016

FANY review – nurses' jolly japes and the stench of the trenches by Lyn Gardner

Arts theatre, London The wartime actions of an all-female volunteer corps fuel this spirited Women in the West End festival showAnonymous Is a Woman is a new all-female company dedicated to …

SOURCE: The Guardian at 12:13PM
Thursday, March 17, 2016

Execution of Justice – review by Lyn Gardner

Southwark Playhouse, London"Our revenge is never to forget," says one of the characters at the end of Emily Mann's 1980s play about the trial of Dan White. White, an all-American boy, w…

SOURCE: The Guardian at 10:30PM