All stories by Lyn Gardner on BroadwayStars

Monday, June 12, 2017

Lyn Gardner: The excellence of experience in community theatre by Lyn Gardner

In early career interviews with the wonderful Juliet Stevenson, the tale was often regurgitated of how she was working with a children’s theatre

SOURCE: The Stage Registration at 05:59AM
Friday, June 9, 2017

Working review – Lin-Manuel Miranda retunes Terkel's paen to American labour by Lyn Gardner

Southwark Playhouse, LondonThis musical revue – which originally flopped on Broadway – features exquisite performances and songs by Hamilton’s creator but still feels quaintly nostalgi…

SOURCE: The Guardian at 07:54AM

Infinity Pool and Ignition festival: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Bea Roberts reworks Madame Bovary for the modern age, while Henri Oguike, Dane Hurst and others bring new works to Kingston’s Rose theatre1 Angels in AmericaThere is something very satisfy…

SOURCE: The Guardian at 06:48AM
Wednesday, June 7, 2017

Edinburgh festival 2017: what to see and where to go by Lyn Gardner

From Fleabag to Forced Entertainment, with Shakespearean puppet shows, a dance marathon and a love letter to Dolly Parton, here’s a look at some of this year’s fringe highlightsI’m loo…

SOURCE: The Guardian at 07:12AM
Tuesday, June 6, 2017

Romeo and Juliet review – Liverpool brings zing and bling to gay love story by Lyn Gardner

Liverpool PlayhouseFrom a warehouse rave to a blistering brawl, this production is full of energy and turns Juliet into Julius but the tragedy fails to make an emotional impactThe sad truth …

SOURCE: The Guardian at 01:36PM
Monday, June 5, 2017

The Site review – all the building's a stage as the Royal Court puts place before play by Lyn Gardner

Royal Court, LondonDesigner Chloe Lamford’s inventive space for experimental works shakes up the process of making – and seeing – theatreThe Royal Court theatre space the Site is so bl…

SOURCE: The Guardian at 08:33AM

Lyn Gardner: Should the arts accept oil money? by Lyn Gardner

Mid-way through Matt Hartley and Kirsty Housely’s Myth, part of the Royal Shakespeare Company’s Mischief Festival in Stratford-upon-Avon, a comedy about a

SOURCE: The Stage Registration at 03:00AM

1984 – review by Lyn Gardner

Nottingham PlayhouseThis George Orwell adaptation is a superbly handled multimedia speculation on the nature of truthThe Party plays plenty of mind games in George Orwell's novel about …

SOURCE: The Guardian at 01:12AM
Sunday, June 4, 2017

The Guardian profile: Sonia Friedman by Lyn Gardner

Tony nominations mark arrival for Sonia Friedman as force on BroadwayIt has been a great week for the Brits on Broadway, but in the jubilation over the seven Tony nominations for Alan Bennet…

SOURCE: The Guardian at 08:05AM

Roller Diner review – Polish immigrant brings mayhem to the menu by Lyn Gardner

Soho theatre, London Stephen Jackson’s zany musical comedy poses uncomfortable questions for little Englanders as it veers between hilarity and tragedyEddie (Joe Dixon) is 18 stone of mise…

SOURCE: The Guardian at 06:33AM
Friday, June 2, 2017

Rose review – one-woman show takes on a century of Jewish history by Lyn Gardner

Home, Manchester Janet Suzman’s dignified performance as a woman mourning a little girl becomes unbearably poignant in a Manchester still reeling from the loss of its own childrenIn a Manc…

SOURCE: The Guardian at 09:42AM

Persuasion review – irreverent Jane Austen adaptation swaps bonnets for bikinis by Lyn Gardner

Royal Exchange, ManchesterThis convincing modern-day staging strips away the 19th-century trappings to reveal a story as relevant as ever‘Love is a dark and shifty creature. We cannot all …

SOURCE: The Guardian at 07:36AM

Killology and Scottish Ballet: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Gary Owen and Rachel O’Riordan tackle morality via a murderous game, while a double bill from Angelin Preljocaj and Crystal Pite comes to London1 KillologySometimes a playwright-and-direct…

SOURCE: The Guardian at 06:05AM
Thursday, June 1, 2017

Sand in the Sandwiches review – Edward Fox's Betjeman is tediously tasteful by Lyn Gardner

Theatre Royal Haymarket, London Hugh Whitemore’s witty but dull homage to the quintessentially English poet lacks the cleverness and drama of his Stevie Smith play“Arbitrary and irreleva…

SOURCE: The Guardian at 08:36AM
Wednesday, May 31, 2017

On the Town review - it's a helluva lot of fun by Lyn Gardner

Regent’s Park Open Air theatre, LondonThis revival of Leonard Bernstein’s frothy shore-leave romp is as delicious as ice-cream on a hot summer’s dayFrom Strictly Ballroom to An America…

SOURCE: The Guardian at 06:18PM
Sunday, May 28, 2017

The Earthworks/Myth review – when particle physics and romance collide by Lyn Gardner

The Other Place, Stratford-upon-AvonA funny encounter in the shadow of the Large Hadron Collider and a fractious dinner party feature in a double bill at the RSC’s Mischief festivalThe gro…

SOURCE: The Guardian at 10:36AM
Friday, May 26, 2017

Spring Reign review – rough and ready account of the Syrian conflict by Lyn Gardner

Albany, LondonInspired by testimony from refugees, aid workers and journalists, Rob Johnston’s drama homes in on the streets of AleppoIt took thousands of years to build Aleppo and only a …

SOURCE: The Guardian at 05:48AM

Othello, Sirens and Desh: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Richard Twyman revives Shakespeare with style, Ontroerend Goed explore feminism and Akram Khan looks at the past through Bangladesh and Britain1 OthelloRichard Twyman’s revival is a real c…

SOURCE: The Guardian at 05:48AM
Wednesday, May 24, 2017

Catch Me review – high-flying friends reunite for cartoonish circus tricks by Lyn Gardner

Underbelly festival, London Flip FabriQue’s circus skills dazzle as they deliver 75 minutes of pleasure but the show’s sole female performer is reduced to playing a stereotypical roleCir…

SOURCE: The Guardian at 07:24AM
Tuesday, May 23, 2017

Deposit review – young couples pay the price in moving drama about generation rent by Lyn Gardner

Hampstead Downstairs, LondonMatt Hartley’s play about friends caught up in the London housing crisis laces comedy with some tough philosophisingThe streets of London are supposedly paved w…

SOURCE: The Guardian at 08:12AM

No Dogs, No Indians review – colonial ghosts haunt tale of India's independence by Lyn Gardner

Southbank Centre, LondonSiddhartha Bose’s multi-generational epic has grand ambitions and a laudable cast but is hamstrung by a meandering plotAfter 70 years of independence, how far has I…

SOURCE: The Guardian at 07:12AM
Friday, May 19, 2017

Tristan & Yseult and Pepperland: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Brighton festival hosts the offbeat retelling of a Cornish legend, while Mark Morris premieres a work set to songs from the Beatles’ album1 Tristan & YseultBrighton festival hosts the …

SOURCE: The Guardian at 06:06AM
Monday, May 15, 2017

Dyl review – flatshare comedy about facing up to fatherhood by Lyn Gardner

Old Red Lion, London An oil-rig worker exiled in Aberdeen comes to terms with parental responsibility in Mark Weinman’s odd-couple playJames (Scott Arthur) has exiled himself from his Wels…

SOURCE: The Guardian at 07:05AM
Friday, May 12, 2017

Medea review – all-female cast excel as Euripides meets modern-day Maddy by Lyn Gardner

Bristol Old VicWriter Chino Odimba and director George Mann meld ancient and new in an admirable production with first-rate performances The Medea we know so well is the Euripides version, b…

SOURCE: The Guardian at 07:54AM

While We’re Here and Rambert: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Tessa Peake-Jones and Andrew French excel in a tragicomedy about lost love, while Sadler’s Wells hosts a triple bill from the celebrated dance company1 While We’re HereCarol and Eddie ar…

SOURCE: The Guardian at 05:54AM
Thursday, May 11, 2017

Should we put up with disruptive behaviour at the theatre? by Lyn Gardner

Audiences are increasingly fed up about bad behaviour in the theatre – and they are taking the law into their own handsKevin Williamson's account of his vigilante action against a woman pe…

SOURCE: The Guardian at 11:54PM
Tuesday, May 9, 2017

Assata Taught Me review – former Black Panther's gripping lessons in resistance by Lyn Gardner

Gate, London A young Cuban gets an education in race, protest and betrayal from the fugitive Assata Shakur in Kalungi Ssebandeke’s imagined encounter‘Assata taught me” was the legend t…

SOURCE: The Guardian at 09:02AM
Monday, May 8, 2017

The Pulverised review – characters crushed by globalisation by Lyn Gardner

Arcola, LondonAlexandra Badea’s fervent, over-simplistic drama is an intertwining set of tales about the victims of globalisation, from Senegal to ShanghaiA Shanghai factory worker (Rebecc…

SOURCE: The Guardian at 08:02AM

Beauty and the Beast – review by Lyn Gardner

Young Vic, LondonPhelim McDermott thrusts disability into the spotlight and explores the dark heart of the famous fairytaleMat Fraser is discussing his disability. Assured it was safe, his m…

SOURCE: The Guardian at 02:18AM
Sunday, May 7, 2017

Five Short Blasts review – waterborne performance is all at sea by Lyn Gardner

Brighton festivalA meditative, site-specific piece about maritime lives loses its way as it takes the audience out on a pleasure cruise at duskFive short blasts on a whistle is the maritime …

SOURCE: The Guardian at 09:18AM
Friday, May 5, 2017

Golem and Brighton festival: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Catch 1927’s fable about our over-reliance on machines and explore the best of dance, as curated by Kate Tempest. Plus: Every Brilliant Thing and Voodoo1 GolemFew companies have the all-ro…

SOURCE: The Guardian at 06:02AM