All stories by Lyn Gardner on BroadwayStars

Friday, July 21, 2017

Ink and Mariinsky Ballet: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

James Graham takes on the Sun and Rupert Murdoch, while the great Russian troupe bring Don Quixote and Swan Lake to the Royal Opera House1 The FerrymanNow extended into 2018, Jez Butterworth…

SOURCE: The Guardian at 05:48AM
Thursday, July 20, 2017

Prurience review – come and join the self-help group for porn addicts by Lyn Gardner

Blue Room, Royal Festival Hall, London It’s hard to know who is acting and who is oversharing in a show that explores our personal experience of pornography – and tests the limits of the…

SOURCE: The Guardian at 10:48AM
Wednesday, July 19, 2017

Fiddler on the Roof review – Omid Djalili delivers the laughs as a terrific Tevye by Lyn Gardner

Chichester Festival theatreDirector Daniel Evans draws out the warmth, comedy and emotional honesty of a musical that is often underserved by sentimental productions‘No smash, no blockbust…

SOURCE: The Guardian at 11:36AM

'We haven't made a profit for five years': risky business at Edinburgh fringe by Lyn Gardner

Running a festival venue is about more than booking acts and selling tickets. From converting lecture rooms to spending £25,000 on Astroturf, we reveal the costs of putting on a showTen yea…

SOURCE: The Guardian at 02:12AM
Tuesday, July 18, 2017

From Fleabag to Flying Lovers: 15 surefire Edinburgh festival shows by Lyn Gardner

Maddie Rice performs Phoebe Waller-Bridge’s filthy smash, Stacey Gregg delivers a scorching study of gender fraud and there are life lessons at a wakePauline Goldsmith resurrects her alter…

SOURCE: The Guardian at 01:12AM
Monday, July 17, 2017

Lyn Gardner: David Mamet’s attempt to silence debate risks turning theatre into pointless masturbation by Lyn Gardner

So, David Mamet doesn’t want any post-show discussions of his plays. Companies staging his work are liable to a $25,000 fine if

SOURCE: The Stage Registration at 02:00AM
Friday, July 14, 2017

1972 and Latitude festival: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

The Wardrobe Ensemble looks back at the sexual fumblings of the baby boomers, while Matthew Bourne, Sisters Grimm and others visit Suffolk’s arts jamboree1 1972: The Future of SexThe Wardr…

SOURCE: The Guardian at 05:42AM
Thursday, July 13, 2017

Touch review – Fleabag follow-up is a glorious cocktail of sex and self-discovery by Lyn Gardner

Soho theatre, LondonVicky Jones directs her own cringe-inducing drama of wine, bedsits and Tinder calamities, featuring a delightful lead performance by Amy MorganVicky Jones’s new play is…

SOURCE: The Guardian at 08:06PM
Tuesday, July 11, 2017

Cotton Panic! review – Jane Horrocks sings out for solidarity in tribute to Manchester mills by Lyn Gardner

Upper Campfield Market Hall, ManchesterThe folk songs of Lancashire workers combine with the gospel tunes of black slaves in a show linking the histories of England’s north and America’s…

SOURCE: The Guardian at 04:24PM

World Fringe Day: 70 years of risky, revolutionary theatre by Lyn Gardner

Edinburgh fringe was born in 1947 and its spirit is felt at festivals across the world, where talent is spotted and careers are forgedIf you’ve been lamenting that you somehow overlooked I…

SOURCE: The Guardian at 01:36AM
Monday, July 10, 2017

The One review – 'A curious little shocker with Phoebe Waller-Bridge' by Lyn Gardner

This zestfully filthy and vicious story of a destructive relationship makes Who's Afraid of Virginia Woolf? look sweetPlaywright Vicky Jones's debut is unapologetically brazen. It hooks you …

SOURCE: The Guardian at 04:18PM

The Welcoming Party review – immersive show charts fear and hope in Fortress Britain by Lyn Gardner

Museum of Science and Industry, Manchester In Theatre-Rites’ remarkable, rackety promenade piece, staged in the world’s first railway warehouse, actors tell their own stories of migratio…

SOURCE: The Guardian at 11:36AM

Lyn Gardner: As audiences, we need to step out of our comfort zones by Lyn Gardner

“I know what I like and I like what I know,” goes the old saying. It’s a cliche, but like many cliches

SOURCE: The Stage Registration at 02:00AM
Friday, July 7, 2017

Bat Out of Hell and Available Light: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Revel in the over-the-top wackiness of the new Meat Loaf musical and take in Lucinda Childs’s poetic classic of minimalist dance1 Bat Out of HellRomeo and Juliet meets Peter Pan in this dy…

SOURCE: The Guardian at 06:18AM
Wednesday, July 5, 2017

And Here I Am review – Remarkable true story of a Jihadist-turned-actor by Lyn Gardner

Arcola, LondonThis powerful real-life account of life in Jenin in the West Bank, is a raw and sharply comic production, asking if the stage can be as powerful as an AK47Ahmed lives in the Je…

SOURCE: The Guardian at 04:54PM
Monday, July 3, 2017

Lyn Gardner: Using NPO funding to compete, not collaborate, is perverse by Lyn Gardner

It was right and proper that Arts Council England’s announcement of those who would be getting NPO funding over the four years

SOURCE: The Stage Registration at 02:00AM
Sunday, July 2, 2017

Party Skills for the End of the World review – Armageddon meets Blue Peter by Lyn Gardner

Centenary Building, Salford This Manchester foray into disaster survival, perhaps tamed by recent events, emphasises fun and craftwork rather than posing serious existential questionsWhat ar…

SOURCE: The Guardian at 07:06AM
Friday, June 30, 2017

Kiss Me and Voices of the Amazon: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Richard Bean’s tale of war, loss and reproduction enters its final week, while Sadler’s Wells hosts Sisters Grimm’s river-inspired production1 Kiss MeRichard Bean is best known for the…

SOURCE: The Guardian at 05:48AM
Wednesday, June 28, 2017

Dirty Work (The Late Shift) review – Forced Entertainment face up to life and death by Lyn Gardner

Battersea Arts Centre, LondonThe experimental troupe’s revival of their 1998 show catalogues disasters and failures to probe the ethics of entertainment“Nothing will come of nothing,” …

SOURCE: The Guardian at 06:04PM
Tuesday, June 27, 2017

Diversity is the real winner in Arts Council England's new round of funding by Lyn Gardner

ACE has given a boost to theatres and companies, from the Bush to Talawa, that put diversity at the heart of their artistic policiesA greater emphasis on diversity in its many forms is refle…

SOURCE: The Guardian at 12:18PM
Monday, June 26, 2017

Lyn Gardner: Should we really bemoan the death of old-style rep? by Lyn Gardner

What’s the best way to train actors to give them an opportunity to develop and still serve the needs of audiences in

SOURCE: The Stage Registration at 02:00AM
Friday, June 23, 2017

An Octoroon and Nicht Schlafen: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Race fuels the drama behind the Orange Tree’s latest hit, while Alain Platel of Les Ballets C de la B returns with a darkly surreal performance1 RotterdamAlice has been living in Rotterdam…

SOURCE: The Guardian at 06:04AM
Wednesday, June 21, 2017

Hir review – Taylor Mac throws the kitchen sink at the American dream by Lyn Gardner

Bush theatre, LondonGender roles and domestic politics are the targets for fierce satire in this savagely funny drama about a soldier who returns to a broken home A marine returning weary fr…

SOURCE: The Guardian at 09:04AM
Monday, June 19, 2017

These Trees Are Made of Blood review – Argentina's dirty war becomes a cabaret by Lyn Gardner

Arcola, LondonA satire set in a seedy nightclub turns a revealing spotlight on the evil trickery of the 1970s junta and the scandal of the ‘disappeared’During Argentina’s rightwing dic…

SOURCE: The Guardian at 08:54AM

Lyn Gardner: Well done, David Lan – knowing when to step aside is the sign of a great leader by Lyn Gardner

“There is never an easy time to slip away, but I wanted to leave at a time of our greatest strength and

SOURCE: The Stage Registration at 02:00AM
Friday, June 16, 2017

Mighty Atoms review – female boxing champ inspires anti-austerity fight by Lyn Gardner

Hull Truck theatreAmanda Whittington pulls no punches with this rousing tale of solidarity that invokes the triumphs of 1950s fighter Barbara ButtrickBarbara Buttrick was a Hull pioneer: a f…

SOURCE: The Guardian at 08:54AM

Fatherland: look back in anger, love and pride by Lyn Gardner

Simon Stephens grew up in Stockport, and couldn’t wait to leave. Now he has built a verbatim show, with Underworld musician Karl Hyde and director Scott Graham, about returning home – an…

SOURCE: The Guardian at 08:54AM

Persuasion and Elixir festival: this week’s best UK theatre and dance by Lyn Gardner and Judith Mackrell

Jane Austen’s novel is transported to a foam party in Lyme Regis, while the season that celebrates older dancers returns with an ambitious programme1 GolemSly wit and brilliant use of anim…

SOURCE: The Guardian at 06:24AM
Thursday, June 15, 2017

Julius Caesar review – populism's power reverberates in modern Rome by Lyn Gardner

Bristol Old VicJulian Glover’s ruler faces down youthful conspirators in a smart staging by Simon Dormandy that brings together veteran and student actorsWith the rise of populist movement…

SOURCE: The Guardian at 08:36AM
Wednesday, June 14, 2017

Kiss Me review – Richard Bean's tender two-hander keeps you guessing by Lyn Gardner

Trafalgar Studios, LondonThe One Man, Two Guvnors playwright has crafted a quietly funny, postwar drama about fertility, sex and survivalThere is the kiss of death and there is the kiss of l…

SOURCE: The Guardian at 08:12AM
Monday, June 12, 2017

Lyn Gardner: The excellence of experience in community theatre by Lyn Gardner

In early career interviews with the wonderful Juliet Stevenson, the tale was often regurgitated of how she was working with a children’s theatre

SOURCE: The Stage Registration at 05:59AM