All stories by Lyn Gardner on BroadwayStars

Monday, January 20, 2014

Musicals we love: Sondheim's Follies by Lyn Gardner

Beginning our series of Guardian writers' favourite musicals, Lyn Gardner describes why she loves Stephen Sondheim's 1971 'pas de deux of regret'"Without music, life would be a mistake," sug…

SOURCE: The Guardian at 05:37AM
Friday, January 17, 2014

Babylon – review by Lyn Gardner

Fauconberg Arms, CoxwoldWith some streamlining of the storytelling, this foot-stamping folk musical designed for pubs could be a little crackerSmall, not as yet perfectly formed, but ruddy g…

SOURCE: The Guardian at 09:17AM

Why digital theatre poses no threat to live performance by Lyn Gardner

Did you watch the live-streaming of Howard Brenton's Drawing the Line with us? Have you been to one of the NT Live broadcasts? Will that stop you going to the theatre?The early 20th-century …

SOURCE: The Guardian at 08:28AM
Thursday, January 16, 2014

Cuckoo – review by Lyn Gardner

Unicorn, LondonThis play about a friendship between good girl and bad girl is sparkily written but undermined by a one-dimensional motherJenny's liberal, hippyish mum doesn't like being defi…

SOURCE: The Guardian at 08:40AM
Wednesday, January 15, 2014

The Day Shall Declare It – review by Lyn Gardner

Marylebone Gardens, LondonWork-life tensions are boldly explored in this dreamy immersive dance-theatre piece, but the result is oddly woollyAs Sonya in Chekhov's Uncle Vanya suggests, work …

SOURCE: The Guardian at 08:05AM
Tuesday, January 14, 2014

Great expectations: does a three-star theatre review put you off? by Lyn Gardner

When critics give a show three stars, it may not be great for sales, but nor should it deter audiences from buying a ticketBefore the arrival of star ratings, regular theatregoers would read…

SOURCE: The Guardian at 12:54PM

Bloodshot – review by Lyn Gardner

St James Studio, LondonSimon Slater gives a terrifically versatile performance as a 1950s photographer who allows himself to be blindsidedWhen your eyes are bloodshot, you don't always see c…

SOURCE: The Guardian at 11:45AM

Not I/Footfalls/Rockaby – review by Lyn Gardner

Royal Court, LondonThree late pieces from Samuel Beckett last a bare hour but encompass the agonies of many lifetimesIf Samuel Beckett's plays sometimes feel like an expression of the annihi…

SOURCE: The Guardian at 07:07AM
Monday, January 13, 2014

Lebensraum – review by Lyn Gardner

Purcell Room, LondonThere is something disturbing going on in this tale of identity, gender politics and Frankenstein-style experimentationIt is breakfast time for two men – inventors who …

SOURCE: The Guardian at 12:06PM

King Lear: a YouTube roundup by Lyn Gardner

This week Simon Russell Beale takes on the royal role in a revival by Sam Mendes at the National Theatre. Here's a look back at Lear on filmReading on a mobile? Click here to viewOne of the …

SOURCE: The Guardian at 07:33AM

Women of Twilight – review by Lyn Gardner

White Bear, LondonWomen of Twilight is not a long-neglected classic but it still shines a light on to one of the murkier corners of British lifeSigns declaring "No blacks. No Irish" were oft…

SOURCE: The Guardian at 06:48AM
Friday, January 10, 2014

A Bas Bruit – review by Lyn Gardner

Linbury, LondonThe latest physical theatre piece from Mathurin Bolze does not give up its meanings easily but is brilliantly performed and exquisitely texturedWhen you set out on a walk, is …

SOURCE: The Guardian at 08:16AM
Thursday, January 9, 2014

Vortex – review by Lyn Gardner

Platform, LondonCompagnie Non Nova's figures take flight and a sinister figure provides a brooding presence in this dark and committed showCompagnie Non Nova's enchanting L'Après-Midi d'un …

SOURCE: The Guardian at 09:30AM

Mr and Mrs Moon – review by Lyn Gardner

Stratford Circus, LondonOily Cart tell a simple, profound children's story with the aid of a sandpit in this low-key interactive showA simple storytelling circle is at the heart of this late…

SOURCE: The Guardian at 09:13AM

More than a gesture: why healthy theatre audiences can always grow by Lyn Gardner

The London international mime festival won't have a problem selling tickets, but building new audiences remains a priorityWhatever kind of theatre you make, an audience is crucial. Audiences…

SOURCE: The Guardian at 08:30AM

Who in British theatre should be on an alternative Stage 100 list? by Lyn Gardner

Business talks in theatre as the Stage 100 proves, but who do you rate as the people who are making a difference in British theatre?Everyone loves a list, me included. Often it's so we can d…

SOURCE: The Guardian at 04:25AM
Wednesday, January 8, 2014

The Brontës of Dunwich Heath … and Cliff – review by Lyn Gardner

Sir John Mills theatre, IpswichEastern Angles's seasonal literary spoof has a game cast, but they cannot redeem a witless script full of rotten innuendoJane Brontë of Dunwich wants to be a …

SOURCE: The Guardian at 08:42AM

Cirque du Soleil – review by Lyn Gardner

Royal Albert Hall, LondonQuidam displays grace, daring and astonishing levels of perfection but its creative vision is too safeIt has not been a happy 12 months for Cirque du Soleil, the Can…

SOURCE: The Guardian at 08:19AM

Cirque du Soleil – review by Lyn Gardner

Royal Albert Hall, LondonQuidam displays grace, daring and astonishing levels of perfection but its creative vision is too safeIt has not been a happy 12 months for Cirque du Soleil, the Can…

SOURCE: The Guardian at 08:19AM
Tuesday, January 7, 2014

The Hundred and One Dalmatians – review by Lyn Gardner

New Vic, Newcastle-under-LymeThe humans can't compete with the canine charm in this stylish if underpowered adaptationThere's oodles of stylish retro charm and fun in Theresa Heskins's adap…

SOURCE: The Guardian at 07:48AM
Monday, January 6, 2014

Gove v the arts: let battle commence by Lyn Gardner

Michael Gove's outburst against the way artists portray the first world war is unsurprising, but reminds theatremakers of the need to respond to current Tory cuts to arts funding• Labour c…

SOURCE: The Guardian at 08:49AM

That Day We Sang – review by Lyn Gardner

Royal Exchange, Manchester Music runs through Victoria Wood's hymn to the city of Manchester like an unstoppable river of emotionFirst seen at Manchester international festival in 2011, Vict…

SOURCE: The Guardian at 07:45AM
Sunday, January 5, 2014

Lost Boy – review by Lyn Gardner

Finborough, LondonDespite fantastical touches, the magic of Peter Pan becomes lost in this musical spin-off set in the first world warHow do you recover from an enchanted childhood? In the e…

SOURCE: The Guardian at 08:43AM
Thursday, January 2, 2014

Open thread: which shows will you be booking for in 2014? by Lyn Gardner

Maxine Peake playing Hamlet in Manchester? Hairspray at the Curve or Urinetown at the St James? The latest from Tim Crouch? Tell us which productions you want to see – and whyYesterday's 2…

SOURCE: The Guardian at 10:06AM
Monday, December 30, 2013

Who were the best theatre actors of 2013? by Lyn Gardner

Which thespians stood out in the theatre this year? Tell us about the new faces you spotted and the performances you lovedSome of the gongs of the year have already been handed out, and in t…

SOURCE: The Guardian at 08:03AM
Friday, December 27, 2013

Clowns? Don't let that sad expression give you the wrong impression by Lyn Gardner

Clowns might be getting a bad press just now, but clowning has long been an essential part of British theatre traditionEverybody loves to hate a clown, and news of sightings of clowns on str…

SOURCE: The Guardian at 08:37AM
Thursday, December 26, 2013

Best theatre of 2013, No 5: Grounded by Lyn Gardner

Lyn Gardner: George Brant's searing monologue about an ace US pilot now flying drones, was a gripping analysis of 21st-century warfareLyn Gardner

SOURCE: The Guardian at 04:00AM
Monday, December 23, 2013

Lessons from the Apollo: we must kick theatres into the 21st century by Lyn Gardner

After the roof collapse at London's Apollo theatre, it's high time the West End followed the world of football and modernisedCould it be curtains for London's West End theatres? That was the…

SOURCE: The Guardian at 12:57PM
Friday, December 20, 2013

No sex please, we're in the theatre by Lyn Gardner

Stephen Ward has an orgy on stage and Beauty and Beast lets it all hang out, but it's suggestion rather than the act that's most eroticEven Virginia Woolf was afraid of sex on stage. Writing…

SOURCE: The Guardian at 10:07AM

Protest Song – review by Lyn Gardner

Rhys Ifans brings a whiff of danger to a heartfelt solo piece on the Occupy movement and homelessnessOn your way to the National Theatre you will almost certainly spot some of London's rough…

SOURCE: The Guardian at 08:15AM
Thursday, December 19, 2013

Get Happy – review by Lyn Gardner

Barbican, LondonChildren just want to laugh at this type of play, or at least believe in the characters, but there's not much chance of either hereMaking theatre for children is not child's …

SOURCE: The Guardian at 11:47AM

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