All stories by Lyn Gardner on BroadwayStars

Tuesday, April 8, 2014

Banksy: The Room in the Elephant review 'Who owns the story?' by Lyn Gardner

Arcola theatre, LondonThe tale of a man made homeless when the LA water tank he lived in was turned into a Banksy artwork is fascinating and thought-provoking Read our interview with the pla…

SOURCE: The Guardian at 11:20AM

Let the Right One In five-star review 'Exquisitely beautiful staging' by Lyn Gardner

Apollo theatre, LondonThe Swedish horror-drama about a love between a vampire and a bullied schoolboy is brought to life once more in this sensitive, ambiguous adaptation Blood, sex, gore an…

SOURCE: The Guardian at 07:21AM
Monday, April 7, 2014

Another Country review Suffocating study of the spies who betrayed Britain by Lyn Gardner

Trafalgar Studios, LondonThis slow piece's young cast capture the emotional consequences of the cruel and hollow world that produced Burgess, Blunt, Maclean and PhilbyWhy did the cold-war sp…

SOURCE: The Guardian at 12:35PM

Apollo theatre reopening: the West End must be fit for purpose by Lyn Gardner

Heritage should be secondary to safety and practicality when it comes to Theatreland's ailing buildingsWhen John Tiffany's production of Let the Right One In opens at the Apollo theatre in t…

SOURCE: The Guardian at 07:44AM
Thursday, April 3, 2014

Children's theatre grows up at Purni Morell's magical Unicorn by Lyn Gardner

The Unicorn theatre is on a roll with a teenaged Henry the Fifth, adventurous adaptations of kids' books and spellbinding devised work. And now there's talk of banning the adults The Velvete…

SOURCE: The Guardian at 10:22AM
Wednesday, March 26, 2014

CircusFest: meet the jugglers taking the artform to dizzy heights by Lyn Gardner

Gandini Juggling and Compagnie Jerome Thomas don't just keep multiple balls airborne – they explore ideas and emotion, and play with narrativeLuke Hallgarten and Tom Gaskin see the world d…

SOURCE: The Guardian at 06:30AM
Monday, March 24, 2014

Adrian Howells by Lyn Gardner

Pioneering theatrical performer who liked to invite the participation of members of his audienceThere are not many theatrical performers whose engagement with the audience extends to hugging…

SOURCE: The Guardian at 01:45PM
Thursday, March 13, 2014

Spring Awakening review – 'These teens seem out of time' by Lyn Gardner

West Yorkshire Playhouse, LeedsHeadlong and Anya Reiss's update of the Wedekind sexual discovery play has plenty of swagger but a lack of mordant modern wit, despite canny use of YouTubeWhen…

SOURCE: The Guardian at 11:06AM
Wednesday, March 5, 2014

Lyn Gardner: Theatre must look to the future by Lyn Gardner

Theatre has a rich history. But in times of squeezed funding we should place emphasis on what comes next and not just safeguard legacyDance Gazette recently asked international directors fro…

SOURCE: The Guardian at 12:21PM
Tuesday, March 4, 2014

Blithe Spirit and theatre as seance: the lasting appeal of spiritualism on stage by Lyn Gardner

Channelling voices, raising the dead, audiences eager to believe … spiritualism makes great theatre. Noël Coward's Blithe Spirit is a comedy classic haunted by a host of spectres and show…

SOURCE: The Guardian at 01:23PM

The One review – 'A curious little shocker with Phoebe Waller-Bridge' by Lyn Gardner

This zestfully filthy and vicious story of a destructive relationship makes Who's Afraid of Virginia Woolf? look sweetPlaywright Vicky Jones's debut is unapologetically brazen. It hooks you …

SOURCE: The Guardian at 09:00AM
Monday, March 3, 2014

British theatre is default white, middle-class and male. It's time to diversify or die by Lyn Gardner

Only by becoming more inclusive can British theatre fend off accusations that it is an art form made by an elite, for the elite"Theatre is default white," said one of the participants at Dev…

SOURCE: The Guardian at 08:10AM
Friday, February 28, 2014

No Boundaries: theatres must reach out and involve their audiences by Lyn Gardner

Two days of discussion about the arts questioned the role of theatre, where it happens and who can access itIf there were two people who for me summed up No Boundaries – a symposium about …

SOURCE: The Guardian at 12:04PM

Mozart Undone review – 'makes Cirque du Soleil seem radical' by Lyn Gardner

Barbican, LondonCascades of glitter, soap and water drown out the Mozart in Betty Nansen Teatret's madcap Danish 'theatre concert' You may enter the Barbican a reasonably sane person, but th…

SOURCE: The Guardian at 08:04AM
Wednesday, February 26, 2014

As You Like It review – 'Shakespeare goes glamping in the Forest of Arden' by Lyn Gardner

Tobacco Factory, BristolAndrew Hilton's production can't escape Shakespeare's flaws, but there is plenty to enjoy in its portrayal of loveI must confess to a bit of a love-hate relationship …

SOURCE: The Guardian at 07:48AM
Tuesday, February 25, 2014

Page to stage: is it always second best? by Lyn Gardner

Adaptations of novels are rife in theatre. But it's wrong to think of them as inferior – sometimes they are more than a match for the original worksOver the weekend I was in Bristol watchi…

SOURCE: The Guardian at 04:00AM
Monday, February 24, 2014

Jane Eyre – review by Lyn Gardner

Bristol Old Vic An inventive staging of Charlotte Brontë's novel shines thanks to attention to storytelling and Madeleine Worrall's superb JaneSally Cookson's two-part four-and-a-half-hour …

SOURCE: The Guardian at 08:05AM
Friday, February 21, 2014

Is it time to teach theatre manners to children? by Lyn Gardner

An RSC production of Shakespeare's Taming of the Shrew was recently disrupted by some of its young audience. But does the fault in such cases lie with the kids or the company?Do children nee…

SOURCE: The Guardian at 12:42PM

Our Big Land – review by Lyn Gardner

Ovalhouse, LondonThere's a brooding, bloody power in Dan Allum's three-hander about Gypsy life, using music and ritual to hypnotic effectSophie's mum told her that she shouldn't play with th…

SOURCE: The Guardian at 08:50AM
Thursday, February 20, 2014

Lyn Gardner: Arts Council cash must be split wisely between theatre in London and the regions by Lyn Gardner

Yes, theatre outside the capital should get more money, but it's crucial that funding is targeted carefullyAlthough there are some vocal dissenters, many would agree that in the next round o…

SOURCE: The Guardian at 08:38AM

Grandpa's Railway – review by Lyn Gardner

Unicorn, LondonAn understated script about attachment to place picks up steam when a working model railway is unveiled, delighting adults and children alikeA fully working model railway is t…

SOURCE: The Guardian at 08:30AM

Circa: Opus – review by Lyn Gardner

Barbican, LondonDazzling acrobatics build up a jaw-dropping parade of imagery suggesting 20th-century horrors, yet this thrilling show never quite touches the heartThe Australian company Cir…

SOURCE: The Guardian at 07:18AM
Wednesday, February 19, 2014

Him with His Foot in His Mouth – review by Lyn Gardner

Greenwich theatre, LondonThis one-man adaptation of a Saul Bellow story lacks the quiet comedy and messy human warmth of the novelist's workSaul Bellow wrote exquisite prose and memorable ch…

SOURCE: The Guardian at 09:55AM
Monday, February 17, 2014

An August Bank Holiday Lark – review by Lyn Gardner

New Vic, Newcastle-under-LymeThis lyrical, beautifully constructed first world war drama is a reminder not only of lives lost, but of the traditions that made those lives worth living• Rea…

SOURCE: The Guardian at 12:22PM

Hannah – review by Lyn Gardner

Unicorn, LondonWriter Chris Thorpe's customary gift for making the complex riveting and accessible is absent in this contemporary take on Doctor FaustusIt's just an ordinary Saturday morning…

SOURCE: The Guardian at 09:42AM

Lyn Gardner: What makes a decent interval? by Lyn Gardner

Some productions, such as the current Ghosts revival, do away with intervals entirely. But, as in the plays of Harold Pinter, a pause in the action really can matterTheatre critics are almos…

SOURCE: The Guardian at 08:43AM
Sunday, February 16, 2014

Sizwe Banzi Is Dead – review by Lyn Gardner

Young Vic, LondonThis still-relevant revival gifts Fugard, Kani and Ntshona's 1972 play with terrific performancesMr Styles is in the memorial business. A photographer living near Port Eliza…

SOURCE: The Guardian at 11:21AM
Friday, February 14, 2014

If audiences are so well-versed in theatre, why is there so much fuss about poetry onstage? by Lyn Gardner

Blank verse can be wonderfully contemporary, and spoken-word works such as Kate Tempest's sell-out Brand New Ancients prove that theatre producers shouldn't fear poetryWould you attend a pla…

SOURCE: The Guardian at 11:02AM

A Number – review by Lyn Gardner

Nuffield, SouthamptonHuman individuality is at the heart of Caryl Churchill's brilliantly staged, punchy and discomforting look at cloning• Read interview with cast members John and Lex Sh…

SOURCE: The Guardian at 10:25AM
Thursday, February 13, 2014

Secret Theatre: Show 4 – review by Lyn Gardner

Lyric Hammersmith, LondonEllen McDougall brings a seething, messy energy to this fitfully brilliant show of gender politicsDirector Ellen McDougall has a good eye for the best kind of cultur…

SOURCE: The Guardian at 08:30AM
Wednesday, February 12, 2014

Date-night theatre: the best (and worst) plays for Valentine's Day by Lyn Gardner

Loved-up couples should probably give Strindberg and Beckett a miss. And Romeo and Juliet doesn't guarantee a romantic night out. What shows are fit for 14 February?It's Valentine's Day tomo…

SOURCE: The Guardian at 12:17PM

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