All stories by Lyn Gardner on BroadwayStars

Tuesday, June 16, 2015

Why it's best to experience Shakespeare in your salad days by Lyn Gardner

Helen Mirren thinks that you need to be a teenager to enjoy Shakespeare, but the sooner children encounter the plays in performance the less likely they will dismiss them as difficult and du…

SOURCE: The Guardian at 06:16PM

Have Your Circumstances Changed? review – Artangel's surreal triptych by Lyn Gardner

Archway Mall, LondonThis experimental show about the relationship between old and young, past and present offers snapshots of ageing and everyday life through a shop windowPeer through a sho…

SOURCE: The Guardian at 09:16AM

Kids Week – London theatre's top 10 summertime family treats by Lyn Gardner

West End shows offer big savings for children in August. Here’s our pick of the hottest stage productions for summer days out in the cityAugust in London, and there are often seats to fill…

SOURCE: The Guardian at 07:21AM
Monday, June 15, 2015

The Famous Victories of Henry V review – energy, clarity and diabolical French accents by Lyn Gardner

Clifton primary school, BirminghamThe RSC’s cleverly pared-down version of Shakespeare’s history plays for schools is full of engaging touches and vivacious performances There is talk of…

SOURCE: The Guardian at 09:39AM

Plan your week’s theatre: top tickets by Lyn Gardner

Kafka is adapted in Manchester and London, National Theatre Scotland takes audiences for a drive in Edinburgh, David Suchet becomes Lady Bracknell and Robert Wilson performs in Beckett at th…

SOURCE: The Guardian at 02:14AM
Sunday, June 14, 2015

Now This Is Not the End review – family-history drama hums with life by Lyn Gardner

Arcola, LondonRose Lewenstein’s heartfelt play – about the pains and surprises of rediscovering the past – is flawed but watchable and well scriptedWhat is history, and how much are ou…

SOURCE: The Guardian at 11:20AM
Friday, June 12, 2015

An Audience with Jimmy Savile review – Alistair McGowan is repellently convincing by Lyn Gardner

Park theatre, LondonJonathan Maitland’s play puts the serial abuser where he wanted to be – in the spotlight – and fails to tackle the difficult question: why we fell for his brazen ac…

SOURCE: The Guardian at 06:10AM
Thursday, June 11, 2015

The Hook review – stylish premiere of Arthur Miller's waterfront drama by Lyn Gardner

Royal & Derngate, NorthamptonJames Dacre’s atmospheric production masks the deficiencies of a politically charged story that rattled early-50s America and caught the attention of the F…

SOURCE: The Guardian at 07:56AM
Wednesday, June 10, 2015

The closure of the Arches in Glasgow will be felt around the world by Lyn Gardner

The much-loved Scottish venue, which nurtured all sorts of brilliant artists, has gone into administration. A great many people will be the poorer for this disasterThe Arches in Glasgow has …

SOURCE: The Guardian at 01:04PM
Tuesday, June 9, 2015

Image of an Unknown Young Woman review – a gripping look at rage and revolution by Lyn Gardner

Gate, LondonChristopher Haydon’s unsettling production of Elinor Cook’s play explores our capacity for violenceEvery picture tells a story, just not always the one that we think it tells…

SOURCE: The Guardian at 08:43AM

Do we need diversity quotas for theatre? by Lyn Gardner

There’s been much talk about the need for theatre to reflect the UK’s cultural diversity. With change so slow to be implemented, are quotas the only way to bring about a transformation?W…

SOURCE: The Guardian at 04:06AM
Monday, June 8, 2015

Lessness review – an intense hit of Beckett performed by Olwen Fouéré by Lyn Gardner

Barbican, LondonThe Irish playwright’s 1969 prose poem is reinvented in a 35-minute staging that wears away at your psycheLessness turns out to be oddly moreish. Samuel Beckett’s brief 1…

SOURCE: The Guardian at 10:50AM

Plan your week’s theatre: top tickets by Lyn Gardner

Debbie Tucker Green has a new play at the Royal Court, there’s new black writing in Talawa Firsts, RashDash talk porn at the National, Constellations is on tour, Hull prepares to Grow and …

SOURCE: The Guardian at 03:08AM
Sunday, June 7, 2015

Waiting for Godot review – a dystopian Laurel and Hardy after an ​apocalypse by Lyn Gardner

Barbican, LondonSydney Theatre Company’s intelligent revival turns Beckett into a performance, playing on the idea of theatre I can’t go on,” cries Richard Roxburgh’s Estragon. “Th…

SOURCE: The Guardian at 10:02AM
Thursday, June 4, 2015

Edinburgh festival 2015: what to see and where to go by Lyn Gardner

New shows from Daniel Kitson, Circa and Mark Thomas, the return of Tim Crouch’s An Oak Tree and a musical based on an Alan Warner novel are among this year’s fringe highlightsSo the 2015…

SOURCE: The Guardian at 03:31AM
Wednesday, June 3, 2015

Shelter Me review – acrobatics in the Guardian's old offices by Lyn Gardner

Theatre Delicatessen, LondonAn experimental young company use our former HQ to stage a promenade-style circus showUK circus has come a long way in recent years, and we are starting to see a …

SOURCE: The Guardian at 04:02PM

Georgian theatre company refused visa to perform in Britain by Lyn Gardner

Theatre should be without borders, but while British companies get to perform around the world – and their work improves because of it – it’s a different story for foreign artists invi…

SOURCE: The Guardian at 08:24AM
Tuesday, June 2, 2015

Circus Geeks: Beta-Testing review – jugglers face fear of failure by Lyn Gardner

Southbank Centre, LondonPerforming at the Udderbelly festival, this trio of jugglers remind us that when you drop everything you simply have to pick it up and carry on Continue reading...

SOURCE: The Guardian at 10:31AM

James Freedman: Man of Steal review – light-fingered tales from the thief with the million-pound hands by Lyn Gardner

Trafalgar Studios, LondonPickpocket performer Freedman fools us with terrifying ease, but too often this feels like a personable Neighbourhood Watch lecture Continue reading...

SOURCE: The Guardian at 10:31AM
Monday, June 1, 2015

Like Mother, Like Daughter review – home truths in Q&A show for parents and children by Lyn Gardner

Battersea Arts Centre, LondonFour sets of mothers and daughters, ranging in age from 15 to their 80s, ask each other about their lives in a compelling theatre piece Continue reading...

SOURCE: The Guardian at 11:01AM

Plan your week’s theatre: top tickets by Lyn Gardner

There’s an Arthur Miller world premiere in Northampton, Chris Goode and co take a Stand in Edinburgh, and a new non-league football play from Patrick Marber kicks off at the NTThere’s lo…

SOURCE: The Guardian at 02:43AM
Friday, May 29, 2015

How would you explain theatre to somebody who's never been? by Lyn Gardner

Manchester’s welcoming new art space Home wants to attract unseasoned audiences. But how does it describe to them the unique pleasures it can offer? Continue reading...

SOURCE: The Guardian at 08:42AM

The Mother review – Gina McKee is ghost-like in haunting empty nest drama by Lyn Gardner

Ustinov, BathA mother’s depression after her son leaves home is brought to life in a play that veers between reality and hallucination Continue reading...

SOURCE: The Guardian at 07:25AM
Tuesday, May 26, 2015

Home is where the heart is: why theatres must be more welcoming by Lyn Gardner

As the new multimillion-pound building in Manchester shows, you can call an arts complex Home – but the challenge is to really make it feel like one Continue reading...

SOURCE: The Guardian at 07:43AM

The Ghost Train review – off the rails on a comedy detour by Lyn Gardner

Royal Exchange, ManchesterIn spite of innovative staging and an uptight spinster played by a man, Told by an Idiot’s version of this 1922 chiller aims for laughs over edge-of-your-seat hor…

SOURCE: The Guardian at 07:43AM
Monday, May 25, 2015

Reports of London fringe theatre's death have been greatly exaggerated | Lyn Gardner by Lyn Gardner

Once just a stepping stone, the fringe has become a vital forum for the realisation of actors' and directors' creative ambitions

SOURCE: The Guardian at 05:58PM

The best theatre companies play many parts by Lyn Gardner

It's no longer enough for companies to put on plays and hope that people turn up. The most exciting theatre at the moment is interactive, collaborative and out there

SOURCE: The Guardian at 05:58PM

Arts cuts mean theatres must learn to share the stage by Lyn Gardner

A 21st-century venue is measured on its relationships as well as its output. Now is our chance to encourage collaboration

SOURCE: The Guardian at 05:58PM

Why do theatres stubbornly refuse to put on their Sunday best? by Lyn Gardner

Plenty of businesses are buzzing on a Sunday. So why do so few theatres open their doors on a day that would suit most normal people?

SOURCE: The Guardian at 05:58PM