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Friday, February 24, 2017

Chicago Theater Review: THE COLUMNIST (American Blues Theater at Greenhouse Theatre Center) by Lawrence Bommer

THE SOUR SMELL OF SUCCESS Never confuse fear with respect. During the Cold War, when the Russians were less deniably our enemies, op-ed tyro Joe Alsop rivaled gossip czar Walter Winchell in …

SOURCE: Stage and Cinema at 03:17PM
Thursday, February 23, 2017

Theater Review: THE ILLUSIONISTS – LIVE FROM BROADWAY (North American Tour) by Lawrence Bommer

MATURE MAGIC No spells get cast here, no phantoms materialize. There are no mystical suspension of the laws of physics, just our disbelief. Now in a too-short stop at Chicago’s Oriental T…

SOURCE: Stage and Cinema at 01:47PM
Wednesday, February 22, 2017

Chicago Theater Review: UNCLE VANYA (Goodman) by Lawrence Bommer

SINKING INTO THE STEPPES Running invisible endurance feats, the characters of Anton Chekhov expose what Henry David Thoreau called “lives of quiet desperation.” When the good doc…

SOURCE: Stage and Cinema at 01:17PM
Monday, February 20, 2017

Chicago Theater Review: MY BROTHERS KEEPER—THE STORY OF THE NICHOLAS BROTHERS (Black Ensemble Theater) by Lawrence Bommer

THIS BROTHERS IS A KEEPER This winner really is a blast from the past. Celebrating America’s most explosive and enthralling tap-dancing team, My Brother’s Keeper—The Story of the Nich…

SOURCE: Stage and Cinema at 01:15PM
Saturday, February 18, 2017

Chicago Theater Review: A WONDER IN MY SOUL (Victory Gardens Biograph Theater) by Lawrence Bommer

A SOUTH SIDE WEAVE The setting is a beloved beauty parlor on Chicago’s South Side. It’s seen better times and may soon see none. Hanging over the storefront is a gallery of famous female…

SOURCE: Stage and Cinema at 02:34PM
Thursday, February 16, 2017

Chicago Theater Review: LOVE’S LABOR’S LOST (Chicago Shakespeare) by Lawrence Bommer

NO ADO ABOUT LITTLE Never has a lesser comedy enjoyed a lovelier setting: Embraced by a Rococo balustrade, staircase, and pastoral backdrop worthy of Watteau or Boucher, Chicago Shakespeare …

SOURCE: Stage and Cinema at 06:14PM
Monday, February 13, 2017

Chicago Theater Review: URINETOWN (BoHo Theatre) by Lawrence Bommer

URINE FOR A GOOD TIME I fondly recall the infectiously brilliant Cardiff Giant shows that Greg Kotis and Mark Hollmann perpetrated in the 80s and 90s. After so much success in Chicago, it’…

SOURCE: Stage and Cinema at 03:01PM

Chicago Theater Review: STRAIGHT WHITE MEN (Steppenwolf Theatre Company) by Lawrence Bommer

THE URGE TO BE USEFUL Steppenwolf Theatre is great at stirring things up—on stage and in the minds of its crowds. Nobody does it so well. Exhibit A is their latest offering: There’s good…

SOURCE: Stage and Cinema at 02:18AM
Sunday, February 12, 2017

Chicago Theater Review: THE SCOTTSBORO BOYS (Porchlight Music Theatre at Stage 773) by Lawrence Bommer

THE SONGS AND THE FURY Sardonic, ironic, cheeky, subversive—hip epithets can’t convey the excruciating call-and-response fusion of humor and horror, laughter and tears, that you feel see…

SOURCE: Stage and Cinema at 02:56AM
Friday, February 10, 2017

Chicago Theater Review: DEEP IN THE HEART OF TUNA (New American Folk Theatre at Pride Arts Center) by Lawrence Bommer

TAKING OUT THE (WHITE) TRASH Ever since 1981, small-town souls, Dixie doodles and atavistic Red State rednecks have fueled the fun in the Tuna trilogy. It’s a hilarious perpetration by ada…

SOURCE: Stage and Cinema at 01:04PM
Sunday, February 5, 2017

Chicago Theater Review: THE BOOK OF JOSEPH (Chicago Shakespeare) by Lawrence Bommer

ANATEVKA COMES HOME In this world premiere of a newly commissioned and instantly topical new work, Chicago Shakespeare Theater makes it clear: Karen Hartman’s The Book of Joseph is not jus…

SOURCE: Stage and Cinema at 02:27PM
Friday, February 3, 2017

Chicago Theater Review: I LEFT MY HEART: A SALUTE TO THE MUSIC OF TONY BENNETT (Mercury Theater) by Lawrence Bommer

HE FOUND HIS HEART IN SAN FRANCISCO (AND MORE) I Left My Heart: A Salute to the Music of Tony Bennett totally earns its title. Created in 2005 by David Grapes and Todd Olson, this warmly wr…

SOURCE: Stage and Cinema at 02:25PM
Thursday, February 2, 2017

Theater Review: THE BODYGUARD (U.S. Tour at the Oriental Theatre in Chicago) by Lawrence Bommer

PROTECTING YOUR ASSET The best thing about The Bodyguard, Lawrence Kasdan’s Oscar-nominated 1992 film, was how it put the late Whitney Houston on the map and in our hearts. Despite zero c…

SOURCE: Stage and Cinema at 02:46PM
Wednesday, February 1, 2017

Chicago Theater Review: THE ASSEMBLED PARTIES (Raven Theatre) by Lawrence Bommer

THE DEAD WEIGHT OF RANDOM TALK Richard Greenberg’s better works—Take Me Out, Three Days of Rain, The Violet Hour—stand out by putting enough in play to make us care. Raven Theatre’s …

SOURCE: Stage and Cinema at 01:11PM
Tuesday, January 31, 2017

Chicago Theater Review: THE NETHER (A Red Orchid) by Lawrence Bommer

VISITING THE INTERNET OF ‘SHADES’ Cryptic and fascinating, Jennifer Haley’s 85-minute one-act The Nether takes its name, if not its inspiration, from an allusion to the afterlife. But,…

SOURCE: Stage and Cinema at 03:25PM
Tuesday, January 24, 2017

Chicago Theater Review: GLORIA (Goodman Theatre) by Lawrence Bommer

SPOILER ALERT: THE PLAYWRIGHT DID IT Here’s the warning issued to the press on Monday night. It’s about critiquing Goodman Theatre’s imported New York staging of Gloria: “In the hope…

SOURCE: Stage and Cinema at 02:35PM
Friday, January 20, 2017

Chicago Theater Review: THE TEMPERAMENTALS (About Face Theatre at Theater Wit) by Lawrence Bommer

ANOTHER BAND OF BROTHERS At a certain “tipping point” in the mid-20th century, passing for straight became one lie too many. A generation before the Stonewall riots, a generation after H…

SOURCE: Stage and Cinema at 08:15PM
Thursday, January 19, 2017

Chicago Theater Review: A DISAPPEARING NUMBER (TimeLine Theatre Company) by Lawrence Bommer

THE PURITY OF INFINITY Mathematics can be maddening. Unless reflected in music (as in Bach), the “numbers game” feels stuck in a seemingly sterile realm of abstract entities, perfect in …

SOURCE: Stage and Cinema at 08:29PM
Tuesday, January 17, 2017

Chicago Music Review: MARTIN LUTHER KING TRIBUTE CONCERT (Chicago Sinfonietta) by Lawrence Bommer

A CONSECRATION AND A CONCERT FIT FOR A KING Chicago Sinfonietta’s annual concert to commemorate Martin Luther King—now in its fourth decade—held more relevance and righteousness than u…

SOURCE: Stage and Cinema at 12:51PM
Monday, January 16, 2017

Chicago Theater Review: PRISCILLA, QUEEN OF THE DESERT (Pride Films and Plays at the Pride Arts Center) by Lawrence Bommer

THE HERO JOURNEY OF A DRAG QUEEN Priscilla, Queen of the Desert is, of course, a much-loved 1994 “staying out” film from seemingly straight Australia. It spins the peripatetic tale of t…

SOURCE: Stage and Cinema at 04:02PM
Sunday, January 15, 2017

Chicago Theater Review: EURYDICE (Promethean Theatre Ensemble at Athenaeum Theatre) by Lawrence Bommer

LEARNING TO BE DEAD Orpheus usually gets top billing in the classical Greek legend. He is of course the master of music who literally goes to Hell to retrieve his beloved Eurydice, abducted …

SOURCE: Stage and Cinema at 11:52AM
Friday, January 13, 2017

Chicago Theater Review: WHAT OF THE NIGHT? (Cor Theater and Stage Left Theatre at Theater Wit) by Lawrence Bommer

WHAT OF OUR SUFFERING IN THE NIGHT? Ambition should be made of smarter stuff. Nearly three hours of unfocused agitation, What of the Night? begs its own incoherent question. It’s not the …

SOURCE: Stage and Cinema at 03:14PM
Thursday, January 12, 2017

Chicago Theater Review: HER AMERICA (Greenhouse Theater Center) by Lawrence Bommer

CATHARSIS IN A BASEMENT It’s not easy for actors to lose control without losing the role as well. A master of concentrated dread and systematic despair, Kate Buddeke haunts this solo show.…

SOURCE: Stage and Cinema at 02:06PM
Wednesday, January 11, 2017

Chicago Theater Review: THE SUNDIAL (City Lit) by Lawrence Bommer

A VERY DISPENSABLE DOOM Famed for her sardonic 1948 short story “The Lottery” and the scary novels We Have Always Lived in the Castle and The Haunting of Hill House, Shirley Jackson was …

SOURCE: Stage and Cinema at 12:58PM
Sunday, December 18, 2016

Chicago Theater Review: MR. AND MRS. PENNYWORTH (Lookingglass Theatre Company) by Lawrence Bommer

FIXING FICTION It’s not your usual detective story: A quaint couple works to restore a villain suddenly lost from countless fairy tales. Mr. and Mrs. Pennyworth depicts a very proper Edwar…

SOURCE: Stage and Cinema at 06:59PM
Saturday, December 17, 2016

Theater Review: THE PHANTOM OF THE OPERA (2016 North American Tour; Cadillac Palace Theatre, Chicago) by Lawrence Bommer

DROPPING THE DROPPING CHANDELIER Andrew Lloyd Webber’s mega-musical wants to be an opera about opera to end opera. Ironically, “Hannibal,” its first-act spoof of a 19th-century grand …

SOURCE: Stage and Cinema at 03:25PM
Wednesday, December 14, 2016

Chicago Dance Review: Christopher Wheeldon’s THE NUTCRACKER (The Joffrey Ballet) by Lawrence Bommer

TCHAIKOVSKY MEETS THE WORLD’S FAIR: A PERFECT NUTCRACKER RECIPE It was a marvel of the ages and the crowning achievement of the 19th century (except maybe the Eiffel Tower). Now, happily, …

SOURCE: Stage and Cinema at 05:26PM
Tuesday, December 13, 2016

Chicago Theater Review: HONKY TONK ANGELS (Theo Ubique Cabaret Theatre) by Lawrence Bommer

NASHVILLE NIGHTINGALES If winter needs warming, Honky Tonk Angels should heat up happy crowds at the No Exit Café in Chicago’s Rogers Park. The bubbly good time delivers a mix of downhome…

SOURCE: Stage and Cinema at 01:59PM
Sunday, December 11, 2016

Chicago Theater Review: THE CHRISTIANS (Steppenwolf) by Lawrence Bommer

HEAVEN MEANS HELL In King Charles III, now playing Chicago Shakespeare Theater, Mike Bartlett imagines what would happen if a king dares to act like one—and opposes a Parliamentary proposa…

SOURCE: Stage and Cinema at 06:55PM
Saturday, December 10, 2016

Chicago Theater Review: THE WINNER…OF OUR DISCONTENT (The Second City’s 105th Revue) by Lawrence Bommer

PICKING UP OUR PIECES The neatly punning title of The Second City’s 105th Mainstage Revue, The Winner…of Our Discontent, implies an anti-Trump evening. But, unlike SNL, there’s little …

SOURCE: Stage and Cinema at 03:39PM
Friday, December 9, 2016

Chicago Theater Review: TWIST YOUR DICKENS (The Second City at the Goodman) by Lawrence Bommer

A SWEET AND SOUR “TWIST” In the month of December, Goodman Theatre simply goes schizoid. On one end of its block-long Dearborn Street lobby is the Albert Theatre, where the sacre…

SOURCE: Stage and Cinema at 02:25PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime