All stories by Lawrence Bommer on BroadwayStars

Sunday, September 3, 2017

Chicago Theater Review: BONNIE AND CLYDE (Kokandy Productions at Theater Wit) by Lawrence Bommer

SYMPATHY FOR SCUMBAGS How can two white-trash lovers—“small town nobodies,” as the press release puts it—“search for meaning at the height of the Great Depression”? Patro…

SOURCE: Stage and Cinema at 07:31PM
Thursday, August 31, 2017

Chicago Theater Review: HONEYMOON IN VEGAS (Marriott Theatre in Lincolnshire) by Lawrence Bommer

A PRETTY WOMAN GETS AN INDECENT PROPOSAL— AND IT’S A MUSICAL! Some marriages get tested before they tie the knot. That’s trenchantly the case with naïve fiancés Jack Singer and Bet…

SOURCE: Stage and Cinema at 02:04PM
Tuesday, August 29, 2017

Chicago Theater Review: BARBECUE (Strawdog Theatre Company at Steppenwolf’s 1700 Theatre) by Lawrence Bommer

UNDERCOOKED AND INNUTRITIOUS Yes, disruption continues to roil the stage in 2017. Old-fashioned make-believe dwindles into its opposite: dis-illusionment. The latest test case: Robert O’Ha…

SOURCE: Stage and Cinema at 02:10PM
Friday, August 25, 2017

Chicago Theater Review: THE AUDIENCE (TimeLine Theatre Company) by Lawrence Bommer

TUESDAYS WITH ELIZABETH IN A NOT SO PRIVATE PALACE Peter Morgan is the proverbial fly on the wall: Commanding the realm of royal fiction and other historical speculation, this British writer…

SOURCE: Stage and Cinema at 01:41AM
Monday, August 21, 2017

Chicago Theater Review: THE VEIL (Idle Muse Theatre Company at The Edge Theater) by Lawrence Bommer

TOO MANY SAILS AND NO RUDDER How have the mighty fallen! It’s hard to believe that, 17 years after The Weir fascinated Steppenwolf Theatre audiences, not to mention all-absorbing Chicago…

SOURCE: Stage and Cinema at 06:51PM
Sunday, August 20, 2017

Chicago Theater Review: GYPSY (Music Theater Works) by Lawrence Bommer

TOUGH LOVE GONE HAYWIRE Some people—hey, that could be a song title!—say Gypsy is the greatest Broadway musical ever written. And, calibrators of showbiz greatness, these folks may we…

SOURCE: Stage and Cinema at 11:39PM
Saturday, August 19, 2017

Chicago Theater Review: HIGH FIDELITY: AN OPERETTA FARCE (ColorBox Theatre at Royal George) by Lawrence Bommer

LOVE AS A VERY MOVEABLE FEAST Love may be blind but it can certainly sing up a storm. Not to be confused with the John Cusack film about a Chicago vinyl record shop, High Fidelity: An Opera…

SOURCE: Stage and Cinema at 02:28PM
Tuesday, August 15, 2017

Chicago Theater Review: MACHINAL (Greenhouse Theater Center) by Lawrence Bommer

MURDER—A REFUSAL TO SUBMIT? You could call Machinal a nightmare under stage lights. Still potent after nearly ninety years, Sophie Treadwell’s 1928 drama can’t be dismissed as a …

SOURCE: Stage and Cinema at 08:44PM
Sunday, August 13, 2017

Chicago Theater Review: SHOCKHEADED PETER (Black Button Eyes Productions) by Lawrence Bommer

SCHADENFREUDE GETS ITS SHOW We learn from fear, even if it’s the wrong lessons. Well before Mark Twain’s “Slovenly Peter,” let alone Edward Gorey, Roald Dahl or Tim Burton, there was…

SOURCE: Stage and Cinema at 03:49AM
Friday, August 4, 2017

Chicago Theater Review: HAIR: THE AMERICAN TRIBAL LOVE-ROCK MUSICAL (Mercury Theater) by Lawrence Bommer

WHEN LOVE SEEMED ALL A half century can wreak a ton of change, especially when it takes us from 1967’s Summer of Love to 2017’s Winter of Trump. It’s impossible to imagine two more dif…

SOURCE: Stage and Cinema at 12:48PM
Tuesday, August 1, 2017

Chicago Theater Review: LAST DANCER STANDING (MORE THAN HIP-HOP) (Black Ensemble Theater) by Lawrence Bommer

DRIVEN DANCES FOR JOY AND JUSTICE Their “dance card” is filled to bursting. Departing from Black Ensemble Theater’s usual blast-from-the-past musical reclamations (Nicholas Brothers, J…

SOURCE: Stage and Cinema at 05:27PM
Thursday, July 27, 2017

Theater Review: AN AMERICAN IN PARIS (National Tour reviewed in Chicago) by Lawrence Bommer

PARIS AS A PAS DE DEUX The opening image—a baby grand piano under the Arc de Triomphe—suggests the rest. The hopeful harbinger of a new normality, the beloved 1951 film An American in P…

SOURCE: Stage and Cinema at 02:32PM
Sunday, July 23, 2017

Tour Review: LUZIA (Cirque du Soleil) by Lawrence Bommer

MEMORIES OF MEXICO, LUZIA UNLEASHES A RAIN OF JOY The Cirque du Soleil just made a run for the border—and not the Canadian one. Ignoring the United States (a favorite activity of many now…

SOURCE: Stage and Cinema at 02:22AM
Friday, July 14, 2017

Chicago Theater Review: BEAUTY’S DAUGHTER (American Blues Theater) by Lawrence Bommer

BLUES WITHOUT NOTES It takes a play to raise a village. Here it’s East Harlem, a killing field with 8 homeless shelters, 36 drug and alcohol treatment centers, and 37 mental health treatme…

SOURCE: Stage and Cinema at 12:13PM
Thursday, July 13, 2017

Theater Review: SOMETHING ROTTEN! (National Tour reviewed in Chicago) by Lawrence Bommer

SOMETHING SILLY; NOT QUITE ROTTEN BUT HARDLY FRESH What is it about William Shakespeare that inspires lesser authors (namely, everyone else) to try to take him down? George Bernard Shaw spen…

SOURCE: Stage and Cinema at 02:14PM
Sunday, July 9, 2017

Chicago Theater Review: HIR (Steppenwolf Theatre) by Lawrence Bommer

DOMESTIC DISRUPTION From the start, a classic curtained proscenium conceals the utter disorder that detonates on Steppenwolf Theatre’s sprawling mainstage. Hir, now in a Chicago premiere,…

SOURCE: Stage and Cinema at 06:59PM
Friday, July 7, 2017

Chicago Theater Review: THE NANCE (Pride Films and Plays at the Pride Arts Center) by Lawrence Bommer

BIGOTRY AT THE BURLESQUE Some swan songs will never sound sweet. Take the fade-out of female impersonators in Elizabethan drama. Or the final white thespian to wear blackface. Or—well, wit…

SOURCE: Stage and Cinema at 01:48PM
Tuesday, June 27, 2017

Chicago Theater Review: AH, WILDERNESS! (Goodman) by Lawrence Bommer

HAPPY DAY’S JOURNEY INTO LOVE It’s a dramatic “one-off”: The same Connecticut domicile supplies the site of two enormously different plays by the same author. If Eugene O’Neill ima…

SOURCE: Stage and Cinema at 01:53PM
Sunday, June 25, 2017

Chicago Theater Review: JOHNNY JOHNSON (Chicago Folks Operetta) by Lawrence Bommer

A KURT WEILL COMEBACK Here’s another triumph worth the wait. Recently revived, City Lit’s London Assurance took 120 years to return—hilariously—to a Chicago stage. Even more inexplic…

SOURCE: Stage and Cinema at 12:34PM
Saturday, June 24, 2017

Chicago Theater Review: LONDON ASSURANCE (City Lit at Edgewater Presbyterian Church) by Lawrence Bommer

REST ASSURED: THE LIES LOVE LIVES ON You can’t keep a good comedy down. Wildly popular in its time, Dion Boucicault’s 1841 London Assurance is a mating romp that, inexplicably, has not b…

SOURCE: Stage and Cinema at 01:21PM
Wednesday, June 21, 2017

Chicago Theater Review: LATE COMPANY (Cor Theater) by Lawrence Bommer

IT GETS WORSE TOO Teenage suicide due to cyberbullying deserves its storytelling: In just 70 minutes, Canadian playwright Jordan Tannahill’s Late Company seems to cover the bases in …

SOURCE: Stage and Cinema at 02:57PM
Monday, June 19, 2017

Chicago Theater Review: JACQUES BREL’S LONESOME LOSERS OF THE NIGHT (Theo Ubique Cabaret Theatre) by Lawrence Bommer

SONGS FROM THE BOTTOM OF A BOTTLE Theo Ubique Cabaret Theatre really loves the sad songs of Jacques Brel. First came A Jacques Brel Revue: Songs of War and Love in 2005. Three years later th…

SOURCE: Stage and Cinema at 02:18PM
Sunday, June 18, 2017

Chicago Theater Review: MOBY DICK (remount at Lookingglass Theatre Company) by Lawrence Bommer

THE WHITE WHALE RETURNS! You can’t keep a good cetacean down. Buoyed by the success of their 2015 inaugural production and national tour, Lookingglass Theatre Company (in association with …

SOURCE: Stage and Cinema at 03:20PM
Friday, June 16, 2017

Chicago Theater Review: BETTE DAVIS AIN’T FOR SISSIES (Athenaeum Theatre) by Lawrence Bommer

THE STAR WHO WAS A CONSTELLATION “Stardust” was the name for what made Bette Davis shine. With playwright Jessica Sherr’s solo recreation of more than big eyes and flouncing cigarette…

SOURCE: Stage and Cinema at 03:32PM
Sunday, June 11, 2017

Chicago Theater Review: PASS OVER (Steppenwolf) by Lawrence Bommer

PROVOCATION PLUS DISRUPTION— 2017 GETS ITS PLAY! Ever since artistic director Anna Shapiro took over Steppenwolf Theatre Company, the Chicago mecca hasn’t been afraid to upset an audienc…

SOURCE: Stage and Cinema at 06:58PM
Saturday, June 10, 2017

Chicago Theater Review: NATIVE GARDENS (Victory Gardens Theater) by Lawrence Bommer

IS IT OK FOR PC TO FIGHT BS IN D.C. at the V.G.? (NOT WHEN IT’S TV…) There’s a cable series on the Investigation Discovery channel called Fear Thy Neighbor: It recreates real-life tr…

SOURCE: Stage and Cinema at 01:14PM
Friday, June 9, 2017

Chicago Dance Review: HUBBARD STREET DANCE CHICAGO (Season 39 Summer Series at the Harris) by Lawrence Bommer

DANCE BEGINS AT 40 For Hubbard Street Dance Chicago, it’s time to take stock. This 100-minute evening does it all and well. It’s as much a showcase for seven seminal choreographers (Lou …

SOURCE: Stage and Cinema at 01:07PM
Sunday, May 21, 2017

Chicago Theater Review: GREAT EXPECTATIONS (Remy Bumppo and Silk Road Rising) by Lawrence Bommer

A CLASSIC GOES GLOBAL It’s a marriage made in theater heaven: With a newly great Great Expectations, two very different Chicago theaters find common ground. The result is a cross-cultural …

SOURCE: Stage and Cinema at 02:52PM
Friday, May 19, 2017

Chicago Theatre Review: LITTLE MISS SUNSHINE (Chicago Theatre Workshop) by Lawrence Bommer

NO TRIP TO BOUNTIFUL A broken, cash-challenged clan go on a road trip to California that somehow heals their hurt. It’s not the Joads, colorful Okies in a Ford pick-up, fleeing the dust st…

SOURCE: Stage and Cinema at 05:19PM
Monday, May 15, 2017

Chicago Theater Review: BLACK PEARL: A TRIBUTE TO JOSEPHINE BAKER (Black Ensemble Theater) by Lawrence Bommer

C’EST SI BON! She was infamous for her 1927 “costume” in Un Vent de Folie—a girdle of bananas. In 1934 she became the first African American woman to have a major role in a film. Acq…

SOURCE: Stage and Cinema at 03:09PM
Sunday, May 14, 2017

Chicago Theater Review: TIME STANDS STILL (AstonRep Theatre Company) by Lawrence Bommer

FALLING WHILE RUNNING RISKS Domesticity and danger, it seems, don’t mix. The private and the public, small-scale versus big-issue matters, mingle uneasily in Time Stands Still, now in a p…

SOURCE: Stage and Cinema at 03:04PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime