All stories by Lawrence Bommer on BroadwayStars

Sunday, February 18, 2018

Chicago Theater Review: THE BURN (Steppenwolf) by Lawrence Bommer

IN CYBER SPACE NO ONE CAN HEAR YOU SCREAM On the Internet or just IRL, there’s joy in striking back — turning the tables and trolling the bullies. But what’s rotten one way is no b…

SOURCE: Stage and Cinema at 01:33PM
Friday, February 16, 2018

Theater Review: LOVE NEVER DIES (National Tour at the Cadillac Palace Theatre in Chicago) by Lawrence Bommer

THE PHANTOM NEVER DIED, BUT SHOULD HAVE Gaston Leroux knew: The original author of The Phantom of the Opera concluded his horror romance with his disfigured serial-killer as dead as Lon Ch…

SOURCE: Stage and Cinema at 02:20PM
Sunday, February 11, 2018

Chicago Opera Review: ELIZABETH CREE (Chicago Opera Theater) by Lawrence Bommer

A PENNY DREADFUL FOR YOUR THOUGHTS Murder will out, whether in police gazettes or chamber opera. If he hadn’t existed, the still unknown Jack the Ripper could have been invented by penny d…

SOURCE: Stage and Cinema at 01:38PM
Friday, February 9, 2018

Chicago Theater Review: YOU GOT OLDER (Steppenwolf) by Lawrence Bommer

IN TASTING YOUR MORTALITY, YOU GET A LOT OLDER WATCHING THIS In the bleak midwinter — appropriately — comes this dour drama. A Chicago premiere from Steppenwolf Theatre Company, this 201…

SOURCE: Stage and Cinema at 01:05PM
Thursday, February 8, 2018

Chicago Dance Review: MODERN MASTERS (Joffrey Ballet at the Auditorium Theatre) by Lawrence Bommer

MOVEMENTS WITHOUT DEMANDS Modern masters indeed. A splendid showcase for steps and leaps, Joffrey Ballet’s annual winter engagement always brings fresh glory to the state of their art. Mo…

SOURCE: Stage and Cinema at 08:19PM
Monday, February 5, 2018

Chicago Theater Review: JEEVES IN BLOOM (ShawChicago at the Ruth Page Center) by Lawrence Bommer

SAVED BY YOUR SERVANT Like manna from the heavens, it comes when we’ve never needed to laugh more: The invaluable comic master P.G. Wodehouse returns from the Roaring Twenties to the rescu…

SOURCE: Stage and Cinema at 07:12PM
Saturday, February 3, 2018

Chicago Theater Review: SKELETON CREW (Northlight) by Lawrence Bommer

THE DIS-ASSEMBLY LINE Some stories can’t stand on their own and for very good reason: They tell so many others. Much as The Wire dealt with Baltimore’s failing institutions and August …

SOURCE: Stage and Cinema at 01:45PM
Wednesday, January 31, 2018

Chicago Theater Review: NICE GIRL (Raven Theatre) by Lawrence Bommer

THE GIRL OF MY DREAMS “No one will ever love you as much as I do — so shut up and stop looking for more.” A harsher hope-killing “reassurance” should not be imagined. That’s …

SOURCE: Stage and Cinema at 04:49PM
Tuesday, January 30, 2018

Chicago Theater Review: BLIND DATE (Goodman) by Lawrence Bommer

REHABILITATING REAGAN Putting us backstage as history happens, Goodman Theatre’s world premiere Blind Date generously or doggedly tells audiences more than they knew (or perhaps want to)…

SOURCE: Stage and Cinema at 03:13PM
Monday, January 29, 2018

Chicago Theater Review: WE THE PEOPLE: THE ANTI-TRUMP MUSICAL (Flying Elephant at Stage 773) by Lawrence Bommer

AMERICA’S COARSE ‘CORRECTION’ A huge reason that theater counts is that it can carry a club (or, as the situation warrants, a stiletto). Both an agitprop assault on the 46th President…

SOURCE: Stage and Cinema at 01:52AM
Friday, January 19, 2018

Chicago Theater Review: YANK! A WWII LOVE STORY (Pride Films and Plays at the Pride Arts Center) by Lawrence Bommer

A RODGERS & HAMMERSTEIN STYLED MUSICAL THAT ASKS AND TELLS Call it the new nostalgia. In most ways, Yank! A WWII Love Story is an unashamedly conventional book musical, as predictable …

SOURCE: Stage and Cinema at 03:06PM
Thursday, January 18, 2018

Chicago Theater Review: BOY (TimeLine Theatre Co.) by Lawrence Bommer

THE LOST–AND FOUND–BOY What resonates in each of the 90 minutes of TimeLine Theatre Company’s Boy is the play’s total absence of rage or recrimination. As compassionately t…

SOURCE: Stage and Cinema at 08:25PM
Wednesday, January 17, 2018

Chicago Theater Review: THE ANTELOPE PARTY (Theater Wit) by Lawrence Bommer

MY LITTLE (PARANOID) PONY If you believe The Antelope Party, a Theater Wit two-act world premiere, fascism could soon be coming to a neighborhood near you. The “party” reference is poli…

SOURCE: Stage and Cinema at 01:07PM
Monday, January 15, 2018

Chicago Theater Review: FIVE MILE LAKE (Shatter Globe Theatre at Theater Wit) by Lawrence Bommer

YOU STILL CAN’T GO HOME AGAIN Plays about what doesn’t happen feel a lot trickier than the action models: Exhibit A (through Z) is Rachel Bonds’ Five Mile Lake, a group portrait o…

SOURCE: Stage and Cinema at 03:14PM
Sunday, January 14, 2018

Chicago Theater Review: TRAITOR (A Red Orchid) by Lawrence Bommer

GET THE LEAD OUT “The majority is always wrong.” Norwegian disrupter Henrik Ibsen practically carved that credo into his 1882 potboiler An Enemy of the People. In his still-seminal prot…

SOURCE: Stage and Cinema at 07:57PM
Thursday, January 11, 2018

Chicago Theater Review: FLAMINGO & DECATUR (Block St Theatre Co at Theater Wit) by Lawrence Bommer

GOOFBALL GAMBLERS IN SIN CITY A troupe from Fayetteville, Arkansas has come to Chicago’s Theater Wit to showcase a new play about Las Vegas. That’s the download on Flamingo & Decatu…

SOURCE: Stage and Cinema at 12:49PM
Tuesday, January 9, 2018

Chicago Theater Review: FOR THE LOYAL (Interrobang Theatre Project at Athenaeum Theatre) by Lawrence Bommer

TERROR IN TRUTH In For the Loyal headlines become humans. A short but stirring piece of theatrical speculation, this new work by topical playwright Lee (A Walk in the Woods) Blessing conde…

SOURCE: Stage and Cinema at 03:00PM
Tuesday, December 19, 2017

Chicago Theater Review: BLKS (Steppenwolf) by Lawrence Bommer

BLKS — IT’S ABOUT WHTS TOO Nowadays it takes very little “disruption” to make a play a provocation. As Steppenwolf Theatre’s press release tersely puts it, “F**ked up sh*t h…

SOURCE: Stage and Cinema at 05:00PM
Monday, December 18, 2017

Chicago Theater Review: SAMMY: A TRIBUTE TO SAMMY DAVIS, JR. (Black Ensemble Theater) by Lawrence Bommer

WHAT KIND OF STAR AM I? Mr. Wonderful, the Rat Packer, Mr. Bojangles, the Candy Man — there was nothing “junior” about Sammy Davis. The latest retro reclamation by Black Ensemble T…

SOURCE: Stage and Cinema at 01:38PM
Monday, December 11, 2017

Chicago Theater Review: THE CHRISTMAS SCHOONER (Mercury Theater Chicago) by Lawrence Bommer

I SAW TREE SHIPS! Anchors aweigh! Twenty-two years after its advent, this show has become as essential to Chicago’s Christmas as the LEDs on the Magnificent Mile, the parade on State Str…

SOURCE: Stage and Cinema at 12:53PM
Saturday, December 9, 2017

Chicago Theater Review: RED VELVET (Chicago Shakespeare Theater) by Lawrence Bommer

BURNT BY THE TRAIL HE BLAZED What in theater is ever off limits? And, above all, who? Besides the probability of the part, are there bounds to the roles an actor can play? Believing that mer…

SOURCE: Stage and Cinema at 03:27PM
Thursday, December 7, 2017

Theater Review: BEAUTIFUL: THE CAROLE KING MUSICAL (National Tour) by Lawrence Bommer

MAKING YOUR MUSIC MATTER If notes make joy, these 150 minutes are the elixir of happiness. Spanning only 13 years of its creator’s career (1958-1971), Beautiful: The Carole King Musical b…

SOURCE: Stage and Cinema at 02:35PM
Wednesday, December 6, 2017

Chicago Theater Review: GOBSMACKED! (Broadway in Chicago at the Broadway Playhouse) by Lawrence Bommer

FOLLOW THE BOUNCING BEAT Now in a very brief visit to Chicago’s Broadway Playhouse, Gobsmacked! is a good title for a show that slaps sounds out of seven performers’ fertile heads. It …

SOURCE: Stage and Cinema at 03:01AM
Tuesday, December 5, 2017

Chicago Theater Review: ALTAR BOYZ (Theo Ubique) by Lawrence Bommer

HOLY HARMONIC HORMONES! Praise the Lord and pass the parody! Infernally ingratiating and devilishly disarming, Altar Boyz is also sweetly sardonic and packed with pep. This successful 2005…

SOURCE: Stage and Cinema at 01:17PM
Sunday, December 3, 2017

Chicago Theater Review: TWELFTH NIGHT (Midsommer Flight at the Lincoln Park Conservatory) by Lawrence Bommer

THE WHIRLIGIG OF TIME If only by virtue of its title, you could call Twelfth Night a holiday love comedy: Epiphany, the twelfth day of Christmas (January 6) is for many in Europe the rig…

SOURCE: Stage and Cinema at 01:25PM
Tuesday, November 28, 2017

Chicago Theater Review: PUFF: BELIEVE IT OR NOT (Remy Bumppo Theatre Company) by Lawrence Bommer

THE FICTIONS THAT MAKE FACTS This two-act comedy relishes a cruel contradiction: false facts. Rich with rancid exposés, its 150 minutes indict press-agent “puffery,” strategic lies that…

SOURCE: Stage and Cinema at 10:14PM
Wednesday, November 22, 2017

Chicago Theater Review: THE MINUTES (Steppenwolf) by Lawrence Bommer

BLOOD—AND WAR PAINT—WILL OUT Superbly civic, the vast council chamber created by set designer David Zinn reeks of rectitude. With a coffered arched ceiling, it’s festooned with plaques…

SOURCE: Stage and Cinema at 03:01PM
Sunday, November 19, 2017

Chicago Theater Review: WILD BOAR (Silk Road Rising) by Lawrence Bommer

A ‘PERFECT CITY’—AND A MUZZLED PRESS They’re always eager to alert Chicago audiences to dangerous developments here and abroad: Silk Road Rising is a committed company which tell…

SOURCE: Stage and Cinema at 06:10PM
Thursday, November 16, 2017

Theater Review: ESCAPE TO MARGARITAVILLE (pre-Broadway tryout at the Oriental Theatre in Chicago) by Lawrence Bommer

A COUNTRY/CARIBBEAN ROMP AT CLUB JIMMY It’s a jukebox musical that marinates in Gilligan’s Island/South Pacific nostalgia. Plus, it’s got a feel-good love story that’s a creditable e…

SOURCE: Stage and Cinema at 03:17PM
Saturday, November 11, 2017

Chicago Opera Review: THE CONSUL (Chicago Opera Theater at the Studebaker Theater) by Lawrence Bommer

TO THIS WE’VE COME (AGAIN) Playing Chicago t0o briefly at the Studebaker Theatre, historically important and artistically wondrous, this co-production between Chicago and Long Beach Opera …

SOURCE: Stage and Cinema at 04:59AM
Friday, November 10, 2017

Chicago Theater Review: SIGNIFICANT OTHER (About Face Theatre and Theater Wit) by Lawrence Bommer

PASSIONS OF A PITY PARTY We’re born alone. We die alone. But in between we need people—for love or money. That’s searingly so for Jordan Berman. The gay anti-hero of Significant Other…

SOURCE: Stage and Cinema at 02:52AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime