Tuesday, November 19, 2024
The most famous French musical has never been popular in Paris. A major new production hopes to change that, reworking it for a contemporary French audience.
SOURCE: The New York Times Subscription at 05:42AMTuesday, November 12, 2024
After Han Kang won the Prize in Literature last month, a stage version of her novel “The Vegetarian” sold out its run at a struggling Paris theater.
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A retrospective in Paris honors Lina Majdalanie and Rabih Mroué, whose theater works have examined the region’s troubles for decades.
SOURCE: The New York Times Subscription at 01:18PMThursday, September 19, 2024
Answering hatred with glitter is a time-honored drag tradition that France’s answer to “RuPaul’s Drag Race” is keeping alive in a new stage spectacle.
SOURCE: The New York Times Subscription at 11:06AMThursday, September 5, 2024
The best-selling, much discussed French novel is now a play. It gives a similarly humanizing view of the Russian leader and his inner circle.
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Olympic gymnastics would be more enjoyable on TV and in the arena if choreography were less of an afterthought, our critic writes.
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Under its new director, the event is shining a spotlight on countries and performers rarely represented on the biggest European stages.
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Tiago Rodrigues said the Avignon Festival, which he leads, would become “a festival of resistance,” juggling activism with the premiere of a new play.
SOURCE: The New York Times Subscription at 12:18PMGrégory Milan, who works with Biles and the French national team, has found a home in gymnastics, though his pure dance background is unusual in the sport.
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The Spanish director and performer Angélica Liddell elicited a standing ovation at the Avignon Festival in spite of her attacks on critics.
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An Arabic production of Wajdi Mouawad’s 1991 work, planned to open in Lebanon, was canceled because of his perceived ties to Israel. It found a home in France.
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The French writer Laurent Gaudé taps into collective trauma from the Nov. 13, 2015 terrorist outrage and channels it into something like catharsis.
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The revival of a 2006 work by Thomas Jolly, the director masterminding the opening ceremony at the Paris Olympics, shows his gift for visual flamboyance.
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New productions of “Macbeth” and “Hamlet” follow a French tradition of adapting familiar works. The results are innovative, and sometimes cryptic.
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After roles dried up, Dominique Blanc reclaimed her artistic agency by taking a one-woman play on the road. Now she’s making a rare appearance in Manhattan.
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Romeo Castellucci’s production of the classic play by Jean Racine is all about the lead performer — and that’s it.
SOURCE: The New York Times Subscription at 10:48AMTuesday, February 6, 2024
A series of events in preparation for the Paris Olympics explores a paradox, since arts and sports rarely mix in France.
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The new show by Alexis Michalik, a star of commercial theater, wades into political battles in France, where immigration restrictions have been at the forefront of the government’s agenda.
SOURCE: The New York Times Subscription at 10:32AMTuesday, January 16, 2024
Krystian Lupa’s latest work had its premiere in Paris after an earlier attempt collapsed. The delay would have been a good time to rethink the four-and-a-half-hour show.
SOURCE: The New York Times Subscription at 09:54AMFriday, January 12, 2024
A new show in Paris by Maëlle Poésy tells the story of the Mercury 13 space program, with choreographed movement and acrobatic sequences.
SOURCE: The New York Times Subscription at 12:12PMThursday, December 7, 2023
In Paris, a new production from Richard Nelson imagines a day on tour with Konstantin Stanislavski’s theater company in 1923, but misses the historical context.
SOURCE: The New York Times Subscription at 12:48PMSaturday, December 2, 2023
For the Scottish Ballet production of Cinderella, titled “Cinders!,” some performances flip the traditional gender roles. The dancers “were all kind of like: ‘OK. How does that work?…
SOURCE: The New York Times Subscription at 05:01AMFriday, December 1, 2023
Rébecca Chaillon’s “Carte Noire Named Desire” provoked harassment in France this summer, leading one actor to pull out of a new run in Paris.
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The provocations in Milo Rau’s stage adaptation, featuring actors with Down syndrome, confuse the production as it grapples with weighty issues.
SOURCE: The New York Times Subscription at 04:42PMTuesday, October 24, 2023
The Théâtre de la Ville, now named for Sarah Bernhardt, reopened after a seven-year renovation. But its once-radical approach to dance is now less of a calling card.
SOURCE: The New York Times Subscription at 10:43AMMonday, October 9, 2023
“Holidays,” the first musical to include the pop icon’s songs, arrives just days before her “Celebration” tour starts. But matching the star’s talents is a challenge.
SOURCE: The New York Times Subscription at 01:55PMWednesday, October 4, 2023
Wednesday, September 20, 2023
The American choreographer has 46 engagements this year, including a monthslong retrospective of his work in Paris. But he is making plans for a “second act” away from the dance world.
SOURCE: The New York Times Subscription at 05:02AMThursday, July 13, 2023
The Avignon Festival’s new director wants to spotlight drama in a different language each year. This year’s first installment had some conventional choices.
SOURCE: The New York Times Subscription at 02:33PMWednesday, July 12, 2023
In an ethically murky show at the Avignon Festival, the Brazilian performer Carolina Bianchi opens up about how she was drugged and abused, then knocks herself out with a spiked cocktail.
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The French choreographer Bintou Dembélé brings her desire to create “a fair ecosystem” to the Avignon Festival, which she opened with “G.R.O.O.V.E.”
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