All stories by Kelundra Smith on BroadwayStars

Thursday, August 31, 2017

A Tupac Musical Gets a Second Chance by Kelundra Smith

An Atlanta theater still believes in “Holler if Ya Hear Me,” which makes use of the rapper’s songbook but stumbled on Broadway in 2014.

SOURCE: The New York Times Subscription at 08:42AM
Thursday, July 20, 2017

Review: “Between Riverside and Crazy” at True Colors is uneven but has its meaningful moments by Kelundra Smith

“Don’t be the old black in the new white world.” These words, uttered by Detective Audrey O’Connor, hang in the air in Stephen Aldy Guirgis’ 2015 Pulitzer Prize-winning play Betwee…

SOURCE: artsatl.com at 08:59AM
Wednesday, July 19, 2017

Review: Horizon’s “Blackberry Daze” is a hot, sweet summer treat of a juke joint musical by Kelundra Smith

A lot of people want Herman Camm dead, and no one can really blame them. This devil in a three-piece suit slides into Mae Lou’s bedroom just after her beloved husband dies. But, he also ha…

SOURCE: artsatl.com at 02:01PM
Thursday, May 11, 2017

Preview: Director Martin Damien Wilkins grapples with slavery and freedom in “Father Comes Home” by Kelundra Smith

If offered the opportunity to stab your master in the back, would you? Odysseus, the protagonist of Homer’s Greek epic The Odyssey, certainly would have. When a slave named Hero, however, …

SOURCE: artsatl.com at 01:02PM
Friday, April 21, 2017

Preview: With guitar in hand, the beloved Pete the Cat springs to life at Center for Puppetry Arts by Kelundra Smith

When 24-year-old Anna Claire Walker moved to Atlanta after graduating with a bachelor’s degree in musical theatre from Auburn University, she was determined to get involved with the city�…

SOURCE: artsatl.com at 12:01PM
Tuesday, March 28, 2017

Review: “Selma” star Tara Ochs grapples with racism and white privilege in one-woman show by Kelundra Smith

Viola Liuzzo left her husband and five children in Detroit to assist civil rights workers in Selma, Alabama, and never came back home. Liuzzo was killed on the day that would become known as…

SOURCE: artsatl.com at 01:01PM
Wednesday, March 22, 2017

Review: Weak acting fumbles the strong story in New African Grove’s “A Soldier’s Play” by Kelundra Smith

The song “Boogie Woogie Bugle Boy” is perhaps the quintessential representation of America’s enchantment with World War II. It evokes in the imagination parades of heroes going off to …

SOURCE: artsatl.com at 02:31PM

Preview: Mark Kendall takes on the experience of being black in Alliance’s “The Magic Negro” by Kelundra Smith

The Black Experience obstacle course starts at the Middle Passage and goes through the Civil Rights Movement, but, uh oh, there’s a Flavor Flav moment and the entire race is set back. Bett…

SOURCE: artsatl.com at 09:01AM
Thursday, March 2, 2017

Review: True Colors’ “Exit Strategy” is sound and solid, but yearns for a deeper commitment by Kelundra Smith

The teacher’s lounge is traditionally a place that operates under the Vegas rule, but in Ike Holter’s play Exit Strategy, at True Colors Theatre through March 19, he takes the audience i…

SOURCE: ArtsATL at 01:01PM
Wednesday, February 15, 2017

Review: Alliance’s poignant “Too Heavy For Your Pocket” delivers a story for then . . . and for now by Kelundra Smith

During the summer of 1961, a few months after the Supreme Court ruled that segregation on public transportation violated the Constitution, hundreds of young men and women, both Black and whi…

SOURCE: ArtsATL at 10:59AM
Wednesday, February 8, 2017

Preview: Playwright Georgina Escobar breaks down her feminist fantasia “Sweep” by Kelundra Smith

On January 21, people watched awe struck by women marching all across the world. On every continent, they marched for reproductive rights, to end genital mutilation, stand against domestic a…

SOURCE: ArtsATL at 12:01PM
Wednesday, January 11, 2017

Preview: Aurora Theatre’s “The Mountaintop,” imagines Dr. King’s final hours in Memphis by Kelundra Smith

“Make a career of humanity, commit yourself to the noble struggle for equal rights. You will make a greater person of yourself, a greater nation of your country and finer world to live in.…

SOURCE: ArtsATL at 12:59PM
Wednesday, October 12, 2016

Review: Theatrical Outfit’s “Thurgood” struggles in search of Marshall’s historic persona by Kelundra Smith

When Thurgood Marshall started studying at Howard University Law School, there were 160,000 white lawyers in the United States and less than 1,000 African American ones.

SOURCE: ArtsATL at 01:01PM
Wednesday, July 20, 2016

Review: True Colors’ “Smart People” uses juicy dialogue to evoke race and class by Kelundra Smith

There have been countless times when someone has told the joke about a rabbi, a priest and another random character walking into a bar. But, what about the one where an actress, a neuroscien…

SOURCE: ArtsATL at 11:25AM
Wednesday, June 15, 2016

Review: Despite awkward casting, Serenbe’s “Of Mice and Men” evokes Steinbeck’s spirit by Kelundra Smith

In a time where it seems everyone has a newsfeed, it is hard to imagine a period where living “off the fat of the land” was the American Dream. Less than a century ago, during the Great …

SOURCE: ArtsATL at 12:59PM
Wednesday, April 13, 2016

Review: Full of song and sequins, “Dreamgirls” delivers a glamorous and sweetly nostalgic punch by Kelundra Smith

Whatever happened to glamour?  Glamour is different from The Fabulous Life Of television show or the product placement opportunity that red carpets have become, but

SOURCE: ArtsATL at 02:26PM
Friday, April 8, 2016

Preview: Playwright Lee Nowell digs beneath the headlines for “Beyond Reasonable Doubt” by Kelundra Smith

Troy Anthony Davis had three close calls with death before he was executed via lethal injection on September 21, 2011 at 11:08 p.m. The first

SOURCE: ArtsATL at 03:00PM
Thursday, March 31, 2016

Preview: Playwright Janine Nabers Atlanta’s child murders as catalyst in “Serial Black Face” by Kelundra Smith

Janine Nabers was studying to be an actor with the Royal Shakespeare Company in London and had an intense craving to play iconic roles in

SOURCE: ArtsATL at 01:00PM
Tuesday, March 15, 2016

Review: Playwright Lauren Gunderson reframes “herstory” in “The Revolutionists” at 7 Stages by Kelundra Smith

“Sometimes revolution needs a woman’s touch.”  Playwright Lauren Gunderson, a Decatur native, is emerging as one of the most noted feminist playwrights in the country.

SOURCE: ArtsATL at 01:00PM
Wednesday, December 9, 2015

Review: “Black Nativity” lifts the spirit as it takes the audience to the foundation of American music by Kelundra Smith

The African-American church has served as the inspiration and foundation for American popular music and dance crazes since the 19th century.  During a traditional black

SOURCE: ArtsATL at 04:18PM
Wednesday, October 28, 2015

Preview: Pearl Cleage’s “Tell Me My Dream” brings theatrical message to middle-school kids by Kelundra Smith

Playwright Pearl Cleage’s 13-year-old grandson was getting tired of the theater. He had seen a few too many productions of Charlotte’s Web and was outgrowing

SOURCE: ArtsATL at 01:42PM
Thursday, October 15, 2015

Review: Horizon’s “Informed Consent” takes on the challenges of belief, science and love by Kelundra Smith

All human DNA is 99.9 percent the same, and it is the 0.1 percent that makes everyone unique. For genetic anthropologist Jillian (Bethany Anne Lind),

SOURCE: ArtsATL at 12:42PM
Thursday, October 1, 2015

Q&A: Playwright Mike Lew puts humorous take on tiger parenting in Alliance world premiere by Kelundra Smith

Albert has just been passed over for a promotion at the IT company where he works and Jennifer’s freeloading boyfriend has just broken up with

SOURCE: ArtsATL at 12:30PM
Wednesday, September 23, 2015

Review: “Jar the Floor” smartly chronicles the push and pull of mother-daughter relationships by Kelundra Smith

If resentment is like drinking poison and waiting for the other person to die, then the four generations of women in Cheryl West’s dramatic comedy

SOURCE: ArtsATL at 11:12AM
Wednesday, July 29, 2015

Review: Despite some hits and misses, “Memphis” finds the beat with timeliness and meaning by Kelundra Smith

It’s 1951 and Delray’s juke joint is the hottest place to be on Beale Street, where Felicia Farrell’s voice keeps the crowd swinging to rhythm

SOURCE: ArtsATL at 03:40PM
Wednesday, July 22, 2015

Review: “Chasin’ Dem Blues” celebrates the music but glides past the devil in the details by Kelundra Smith

When most people think of the birthplace of the blues, they may think of the Mississippi Delta or Maxwell Street in Chicago, but they probably

SOURCE: ArtsATL at 10:26AM
Tuesday, July 21, 2015

Preview: Essential Theatre’s annual festival gives voice to emerging Georgia playwrights by Kelundra Smith

What happens to people’s Facebook pages when they die, and who has the right to control that? A young woman named Lillian is confronted with

SOURCE: ArtsATL at 01:45PM
Wednesday, May 20, 2015

Review: The Stage Door Players’ “Sylvia” is dated; finds balance through its moments of humor by Kelundra Smith

Greg and Kate’s children are in college, and their marriage and their Manhattan apartment could both use a little color. A rambunctious, shoe-chewing Labrador-Poodle mix

SOURCE: ArtsATL at 12:34PM
Wednesday, April 29, 2015

Review: Original, irreverent “King of Pops” at Dad’s Garage sets Atlanta’s food truck wars to music by Kelundra Smith

An animated, giant whistling orange popsicle pops up on a screen. Lights come up and inside the offices of AIG, the 2009 banking crisis is

SOURCE: ArtsATL at 10:56AM
Tuesday, April 28, 2015

Preview: Oakland Cemetery will come to life Saturday with sound art of “Cryptophonic Tour” by Kelundra Smith

Seventeen artists will take over Oakland Cemetery on Saturday and create music, sound installations and performances inspired by the musical history of one of Atlanta’s

SOURCE: ArtsATL at 11:22AM
Tuesday, April 14, 2015

Awards a leg-up for young artists Alex Gallo Brown, Meredith Kooi, Amina McIntyre, MaryGrace Phillips by Kelundra Smith

The City of Atlanta Mayor’s Office of Cultural Affairs’ annual Emerging Artist Awards exists to assist artists at a fragile stage of their career with

SOURCE: ArtsATL at 05:11PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards