Friday, October 22, 2021
After a long pandemic pause, “The Phantom of the Opera” is returning to Broadway with some help from its creator.
SOURCE: The New York Times Subscription at 05:36PMFriday, October 15, 2021
Francesca Zambello, who has overseen a dozen editions of the opera festival in upstate New York, will depart next summer.
SOURCE: The New York Times Subscription at 02:32PMTuesday, September 14, 2021
“Sun & Sea (Marina),” an operatic installation that won the top prize at the Venice Biennale, is being staged at the Brooklyn Academy of Music.
SOURCE: The New York Times Subscription at 02:36PMFriday, September 3, 2021
This summer, three European productions, previously available to American audiences only online, were at last accessible in person.
SOURCE: The New York Times Subscription at 10:18AMWednesday, September 1, 2021
“What Happened?: The Michaels Abroad” is the 12th and final installment in the quiet yet sweeping “Rhinebeck Panorama.”
SOURCE: The New York Times Subscription at 10:24AMSunday, August 15, 2021
Barrie Kosky’s new production for the Berliner Ensemble, at the theater where the famous work premiered, knows where to break the rules.
SOURCE: The New York Times Subscription at 12:42PMTuesday, August 10, 2021
Tuesday, May 25, 2021
Adam Guettel’s genre-clashing song cycle has taken on many forms. The latest: a starry online mini-series.
SOURCE: The New York Times Subscription at 01:18PMThursday, March 25, 2021
Weill’s early, Weimar-era works reveal the qualities that found a natural home in his golden age American musicals.
SOURCE: The New York Times Subscription at 05:42AMWednesday, March 10, 2021
The production, which examines the work’s colonial legacy, opened after the far right accused the Paris Opera of “antiracism gone mad.”
SOURCE: The New York Times Subscription at 02:36PMSunday, October 18, 2020
“Shipwreck,” a fantasia about white liberals and the president’s infamous dinner with James Comey, has been adapted into an audio play.
SOURCE: The New York Times Subscription at 02:48PMSunday, May 24, 2020
Uncertainty about the coronavirus and the challenge of protecting audiences and artists is prompting many prominent presenters to wait till next year.
SOURCE: The New York Times Subscription at 12:32PMMonday, February 3, 2020
Matthew Aucoin and Sarah Ruhl have adapted “Eurydice,” her play about the Orpheus story, for Los Angeles Opera. Next stop: New York.
SOURCE: The New York Times Subscription at 10:36AMWednesday, December 18, 2019
Love it or hate it, Andrew Lloyd Webber’s musical is one of the most popular of all time. Before the new movie adaptation comes out, catch up on its four-decade history.
SOURCE: The New York Times Subscription at 10:36AMThursday, December 5, 2019
A roundup of events in every borough, from the Radio City Christmas Spectacular in Manhattan to the annual Holiday Train Show in the Bronx.
SOURCE: The New York Times Subscription at 07:48PMTuesday, November 12, 2019
Among the highlights are a commission for Bill T. Jones, a staging of Monteverdi by Pierre Audi, and Alex Lawther in “Hamlet.”
SOURCE: The New York Times Subscription at 12:36PMWednesday, November 6, 2019
The French wunderkind’s books have quickly become magnets for the stage. Adaptations of “History of Violence” and “The End of Eddy” will play New York simultaneously.
SOURCE: The New York Times Subscription at 05:36AMFriday, October 25, 2019
The professional and personal have blurred for young cast members of Matthew Lopez’s play, which offers a communion with victims of the AIDS crisis.
SOURCE: The New York Times Subscription at 11:36AMFriday, September 6, 2019
Monday, June 3, 2019
Tuesday, May 21, 2019
David Binder, for his first festival as artistic director, has assembled a roster of Brooklyn Academy of Music newcomers.
SOURCE: The New York Times Subscription at 10:24AMWednesday, May 8, 2019
Tuesday, April 30, 2019
Thursday, April 4, 2019
Tuesday, February 26, 2019
Without missing a beat, the 26-year-old actor is moving from one Broadway show to another — and leaving behind a role he has owned since 2013.
SOURCE: The New York Times Subscription at 12:42PMSunday, February 3, 2019
The director Romeo Castellucci explains some of the striking imagery in his staging of Scarlatti’s “Il Primo Omicidio.”
SOURCE: The New York Times Subscription at 01:04PMMonday, January 28, 2019
The immersive experience, with its frequent problems yet mounting mystique, is beginning to court comparisons with the Fyre Festival.
SOURCE: The New York Times Subscription at 03:18PMSunday, January 20, 2019
On Friday, as the beloved store’s shelves approached emptiness before it relocates, it brought in the playwrights Annie Baker and Amy Herzog for a reading.
SOURCE: The New York Times Subscription at 01:42PMTuesday, January 8, 2019
For its first season, beginning in April, the Shed has commissioned more than a dozen exhibitions, performances and lectures across disciplines.
SOURCE: The New York Times Subscription at 06:48PMThursday, December 6, 2018
The Rockettes at Radio City Music Hall, a site-specific “Christmas Carol” and more concerts, plays and events this holiday season.
SOURCE: The New York Times Subscription at 12:54PMMonday, November 26, 2018
The venue has announced its 2019 season, which will include a new play by Christopher Shinn, art by Hito Steyerl and concerts by Barbara Hannigan.
SOURCE: The New York Times Subscription at 12:18PM 
