All stories by Jesse Green on BroadwayStars

Friday, December 3, 2021

Best Theater of 2021 by Jesse Green, Maya Phillips, Laura Collins-Hughes, Scott Heller, Alexis Soloski and Elisabeth Vincentelli

Digital innovation continued this year, but experiencing plays in isolation grew tiring. Then came an in-person season as exciting as a child’s first fireworks.

SOURCE: The New York Times Subscription at 10:48AM
Friday, November 26, 2021

Stephen Sondheim: The Essential Musical Dramatist Who Taught Us to Hear by Jesse Green

With a childlike sense of discovery, Stephen Sondheim found the language to convey the beauty in harsh complexity.

SOURCE: The New York Times Subscription at 09:36PM
Tuesday, November 23, 2021

‘Clyde’s’ Review: Sometimes a Hero Is More Than Just a Sandwich by Jesse Green

In Lynn Nottage’s bright new comedy, cooks at a greasy spoon dream of remaking the menu — and their lives.

SOURCE: The New York Times Subscription at 10:36PM
Thursday, November 18, 2021

Review: ‘Trouble in Mind,’ 66 Years Late and Still On Time by Jesse Green

Alice Childress’s 1955 play about power and race in the theater is a satire and a tragedy that deserves to be a classic.

SOURCE: The New York Times Subscription at 09:32PM
Wednesday, November 17, 2021

‘Diana, the Musical’ Review: Exploiting the People’s Princess by Jesse Green

The tabloid press and the monarchy used the Princess of Wales for their own purposes, and now a new Broadway show does the same.

SOURCE: The New York Times Subscription at 07:54PM
Thursday, November 11, 2021

Review: In ‘Nollywood Dreams,’ a Star and an Industry Are Born by Jesse Green

Jocelyn Bioh’s new comedy about making movies in Nigeria throws some side-eye on Hollywood as well.

SOURCE: The New York Times Subscription at 08:18PM
Wednesday, November 10, 2021

Review: ‘Trevor’ Is a Musical That Dare Not Speak Its Theme by Jesse Green

In this bizarrely cheery adaptation of the Academy Award-winning film, suicide among young gay people proves difficult to sing about.

SOURCE: The New York Times Subscription at 10:03PM
Wednesday, November 3, 2021

Review: Edie Falco Shines as an Everywoman in ‘Morning Sun’ by Jesse Green

A new play by Simon Stephens has hearty performances but a nearly undetectable pulse.

SOURCE: The New York Times Subscription at 09:18PM
Monday, November 1, 2021

Review: Embodying Justice in ‘Twilight: Los Angeles, 1992’ by Jesse Green

Anna Deavere Smith’s one-woman play about the aftermath of the Rodney King case gets a cast of five in an updated Off Broadway revival.

SOURCE: The New York Times Subscription at 10:06PM
Wednesday, October 27, 2021

Review: ‘Caroline, or Change’ Makes History’s Heartbreak Sing by Jesse Green

An electrifying revival of the 2003 musical, featuring a titanic performance by Sharon D Clarke, follows the money to the source of American inequality.

SOURCE: The New York Times Subscription at 09:12PM
Sunday, October 24, 2021

Review: In ‘Fairycakes,’ the Woods Are Campy, Dark and Daft by Jesse Green

Douglas Carter Beane’s winky fantasia finds Pinocchio, Puck and other unlikely characters meeting cute in a storybook setting.

SOURCE: The New York Times Subscription at 08:06PM
Sunday, October 17, 2021

Review: In the Disturbing ‘Dana H.,’ Whose Voice Is It Anyway? by Jesse Green

Deirdre O’Connell brilliantly lip-syncs the testimony of a woman abducted by a white supremacist in a play by Lucas Hnath.

SOURCE: The New York Times Subscription at 08:24PM
Monday, October 11, 2021

‘Is This a Room’ Review: A Transcript Becomes a Thrilling Thriller by Jesse Green

Beneath the dry words of an F.B.I. interview, a new play unearths a world of interior terror.

SOURCE: The New York Times Subscription at 09:06PM
Sunday, October 10, 2021

Review: In ‘Chicken & Biscuits,’ a Sweet but Dated Comedic Recipe by Jesse Green

Squabbling siblings, familiar stereotypes and a chorus of amens: A new play aims for the pleasures of Broadway’s traditional family sitcoms.

SOURCE: The New York Times Subscription at 09:18PM
Sunday, October 3, 2021

Review: In ‘Six,’ All the Tudor Ladies Got Talent by Jesse Green

The exuberant queenhood-is-powerful pageant about the wives of Henry VIII was shut down on opening night by the pandemic. Now it’s back, and it totally rules.

SOURCE: The New York Times Subscription at 09:54PM
Wednesday, September 29, 2021

Review: Tracy Letts Brings Out the Long Knives in Short Plays by Jesse Green

It takes 15 minutes or less in each segment of “Three Short Plays by Tracy Letts” for the bard of male moral decrepitude to skewer his subjects.

SOURCE: The New York Times Subscription at 02:54PM
Monday, September 27, 2021

For a Broadway Torn by a Pandemic, a Split-Personalities Tonys by Jesse Green, Elisabeth Vincentelli and James Poniewozik

The streaming part of the ceremony actually did a better job conveying the electricity of being in a theater than the CBS special billed as “Broadway’s Back!”

SOURCE: The New York Times Subscription at 02:18PM

The Best and Worst Moments of the Tony Awards by Jesse Green, Stella Bugbee, Maya Salam, Sarah Bahr and Nancy Coleman

Despite an evening split between streaming and TV, the message on Sunday night was clear: Broadway is back.

SOURCE: The New York Times Subscription at 06:42AM
Tuesday, September 21, 2021

Review: In ‘Sanctuary City,’ Slamming the Door on the Dream by Jesse Green

For the undocumented immigrant teenagers in Martyna Majok’s unsparing, unsentimental new play, home is a heartbreaking lesson in betrayal.

SOURCE: The New York Times Subscription at 06:18PM
Monday, September 13, 2021

Review: In ‘The Last of the Love Letters,’ Passion Is Inescapable by Jesse Green

If you think Ngozi Anyanwu’s new play is a straightforward romance, think again.

SOURCE: The New York Times Subscription at 10:18PM
Thursday, September 9, 2021

Review: In ‘What Happened?,’ a Questioning Farewell to Rhinebeck by Jesse Green

In the last installment in his 12-play series, Richard Nelson asks how his characters, and the theater, got where they are today.

SOURCE: The New York Times Subscription at 04:18PM
Wednesday, September 8, 2021

How Surreal! How Radical! How Avant-Garde! How Broadway? by Jesse Green

Three new plays in experimental styles test the uptown possibilities of truly downtown theater.

SOURCE: The New York Times Subscription at 10:06AM
Sunday, August 22, 2021

Review: ‘Pass Over’ Comes to Broadway, in Horror and Hope by Jesse Green

Antoinette Chinonye Nwandu’s play about young Black men in peril inaugurates the new season with unexpected joy.

SOURCE: The New York Times Subscription at 06:06PM
Wednesday, August 18, 2021

He Invited Us Into His Closet for Theater. And It Was Astonishing. by Jesse Green

Joshua William Gelb turned a small space in his small apartment into a blueprint for streaming during the pandemic. But what happens as real venues open again?

SOURCE: The New York Times Subscription at 10:06AM
Monday, August 9, 2021

Review: Shakespeare’s ‘Merry Wives,’ Now in South Harlem by Jesse Green

Jocelyn Bioh reshapes a comedy of clever women, frail men and harsh revenge into one of love and forgiveness, just when New York needs it.

SOURCE: The New York Times Subscription at 10:06PM
Sunday, August 8, 2021

‘The Most Happy Fella,’ Sliced, Diced and Not Very Happy by Jesse Green

Having revamped “Oklahoma!” into a dark X-ray of itself, Daniel Fish rethinks another Golden Age classic with “Most Happy in Concert.”

SOURCE: The New York Times Subscription at 03:12PM
Tuesday, August 3, 2021

Where Do Theater Artists Go to Ask Questions? Poughkeepsie. by Jesse Green

New York Stage and Film provides an unlikely haven for inquiring writers of new plays and musicals.

SOURCE: The New York Times Subscription at 03:12PM
Wednesday, July 28, 2021

Onstage, the Pen Is Usually Duller Than the Sword by Jesse Green

Plays about writers, including “Mr. Fullerton,” a new potboiler probing Edith Wharton’s love life, too often undermine the real brilliance of their subjects.

SOURCE: The New York Times Subscription at 02:32PM

Sunday in the Trenches With George by Jesse Green

James Lapine’s book shows how he and Stephen Sondheim invested two years of work to burnish their musical from an avant-garde near-disaster to a mainstream classic.

SOURCE: The New York Times Subscription at 05:12AM
Wednesday, July 7, 2021

From the Schlump With the Shiv, Two Plays Turned Podcasts by Jesse Green

In new versions of “The Designated Mourner” and “Grasses of Many Colors,” Wallace Shawn brings moral horror right to your ear.

SOURCE: The New York Times Subscription at 06:32PM
Thursday, July 1, 2021

Review: In ‘Enemy of the People,’ Water and Democracy Are Poisoned by Jesse Green

Ann Dowd stars in a contemporary rewrite of Ibsen’s play that forces a community, played by the audience, to make a series of fateful choices.

SOURCE: The New York Times Subscription at 02:32PM

All that Chat

2023-2024 BROADWAY SEASON
May 30, 2023: Grey House - Lyceum Theatre
Jun 26, 2023: Just For Us - Hudson Theatre
Jul 24, 2023: The Cottage - Hayes Theater
Nov 16, 2023: Spamalot - St. James Theatre
Dec 18, 2023: Appropriate - Hayes Theater
Mar 07, 2024: Doubt - Todd Haimes Theatre
Apr 14, 2024: Lempicka - Longacre Theatre
Apr 17, 2024: The Wiz - Marquis Theatre
Apr 18, 2024: Suffs - Music Box Theatre
Apr 25, 2024: Mother Play - Hayes Theater
Jun 10, 2024: The Drama Desk Awards