Heavy Is The Hand: A Review of Fade at Victory Gardens Theater and Teatro Vista by Hugh Iglarsh

Based in Los Angeles and making its local debut at Victory Gardens, Tanya Saracho's behind-the-curtain entertainment industry drama doesn't travel well.

Impressive Arrival: A Review of Yerma at Theatre Y and Red Tape Theatre    by Hugh Iglarsh

This co-production with Red Tape Theatre marks a mature and invigorating new phase for Theatre Y.

Sans Sancho: A Review of Quixote: On the Conquest of the Self at Writers Theatre by Hugh Iglarsh

Written and directed by Claudio Valdés Kuri, "Quixote" stumbles in its attempt to connect history's most infamous knight errant with contemporary audiences.

Red Menace: A Review of Foxfinder at Interrobang Theatre Project by Hugh Iglarsh

A literal fox hunt finds deep allegorical resonances in this Midwestern premiere with echoes of "The Crucible"

The Music of Diminished Expectations: A Review of I Love You, You’re Perfect, Now Change! at Quest Theatre Ensemble by Hugh Iglarsh

Joe DiPietro and Jimmy Roberts' popular musical comedy stretches thin in its second act.

Full Irish: A Review of Deirdre of the Sorrows at City Lit Theater by Hugh Iglarsh

John Synge's mythic epic receives its first Chicago production in over a century.

Shattering Stereotypes About Muslims: Playwright Rohina Malik Discusses “Yasmina’s Necklace” by Hugh Iglarsh

AKA “Islamic rom-com” according to director Ann Filmer.

Painful With Purpose: A Review of Who’s Afraid of Virginia Woolf at Pulse Theatre by Hugh Iglarsh

Oddly Old-Fashioned: A Review of Lela & Co. at Steep Theatre by Hugh Iglarsh by Hugh Iglarsh

Sweet Fleeting Youth: A Review of “Ah, Wilderness!” at Goodman Theatre by Hugh Iglarsh

Uneasy Endings: A Review of Going to a Place Where You Already Are at Redtwist Theatre by Hugh Iglarsh

Hymns to Narcissus: A Review of St. Jude at Victory Gardens Theater by Hugh Iglarsh

Shades of Things to Come: A Review of Not about Nightingales at Raven Theatre by Hugh Iglarsh

Truth Through Fakery: A Review of Six Characters in Search of an Author at Ghostlight Ensemble by Hugh Iglarsh

Wash the Pain Away: A Review of By the Water at Northlight Theater by Hugh Iglarsh

Power as Truth: A Review of The Scullery Maid at Idle Muse Theatre Company by Hugh Iglarsh

Contact, Conflict and Connection: David Chack and ShPIeL Explore What it Means to be a Jew at This Moment in History by Hugh Iglarsh

Making the Galaxy Great Again: A Review of A Wrinkle in Time at Lifeline Theatre by Hugh Iglarsh

More Labor Than Love: A Review of Love’s Labor’s Lost at Chicago Shakespeare Theater by Hugh Iglarsh

A Very Corporate Christmas: A Review of The Assembled Parties at Raven Theatre by Hugh Iglarsh

Buried Alive by Hugh Iglarsh

A Life in Boxes by Hugh Iglarsh

A Tragic Production by Hugh Iglarsh

Second Skin by Hugh Iglarsh

Hell on Ice by Hugh Iglarsh

Plumbing the Depths by Hugh Iglarsh

A Real Horror Show by Hugh Iglarsh

Shakespeare Unplugged by Hugh Iglarsh

Too Much, Too Late by Hugh Iglarsh

Politically (and Artistically) Incorrect by Hugh Iglarsh

Fractured Founding by Hugh Iglarsh