All stories by Gordon Cox on BroadwayStars

Monday, April 15, 2019

London Theater Review: Maggie Smith in ‘A German Life’ by Gordon Cox

How helpful are warnings from history? Two years ago, in February 2017, Amazon briefly sold out its entire stock of Hannah Arendt’s 500-page treatise, “The Origins of Totalitarianism.”…

SOURCE: Variety at 02:26PM
Tuesday, April 9, 2019

Listen: The Biggest Taboo in Broadway’s ‘Beetlejuice’ by Gordon Cox

As “Beetlejuice” gears up for its Broadway opening, the new musical’s creators have spent a lot of time adjusting the dial on the show’s raucous, supernatural comedy, pinpointing jus…

SOURCE: Variety at 03:12PM
Sunday, April 7, 2019

Broadway Review: ‘Oklahoma!’ by Gordon Cox

In Broadway’s new “Oklahoma!,” the audience is just a pounding heartbeat away from Daniel Fish’s revisionist treatment of this iconic American musical. There’s still “a bright go…

SOURCE: Variety at 08:34PM
Thursday, April 4, 2019

Broadway Review: ‘King Lear’ Starring Glenda Jackson by Gordon Cox

Shakespeare nailed it: “Though she be little, she is fierce.” Glenda Jackson may look frail, but the 82-year-old legend performs the noble task of rescuing director Sam Gold’s rickety …

SOURCE: Variety at 08:03PM
Tuesday, April 2, 2019

Listen: How Two Broadway Favorites Play Kids in ‘To Kill a Mockingbird’ by Gordon Cox

Kids are central to the storyline of “To Kill a Mockingbird” — and for a while, child actors were going to be central to Aaron Sorkin’s new Broadway adaptation of Harper Lee’s clas…

SOURCE: Variety at 02:17PM
Sunday, March 31, 2019

Broadway Review: ‘What The Constitution Means To Me’ by Gordon Cox

Call it stealth theater. In the disarming introduction to her play “What the Constitution Means to Me,” Heidi Schreck holds forth in an American Legion hall in her hometown of Wenatchee,…

SOURCE: Variety at 08:10PM
Tuesday, March 26, 2019

Listen: How Phoebe Waller-Bridge Shocked Herself With ‘Fleabag’ by Gordon Cox

Both onstage and onscreen, the title character in “Fleabag” says things that are pretty outrageous — even to Phoebe Waller-Bridge, the woman who created her. Listen to this week’s po…

SOURCE: Variety at 02:30PM

West End Review: ‘Emilia’ by Gordon Cox

We know next to nothing of the “Dark Lady of the Sonnets” — nothing beyond what Shakespeare tells us in 26 stanzas of overblown verse. Her eyes were nothing like the sun, of course –…

SOURCE: Variety at 01:30PM
Thursday, March 21, 2019

Broadway Review: ‘Ain’t Too Proud’ by Gordon Cox

In the wake of the long-running “Jersey Boys” and the short-lived “Summer,” director Des McAnuff is back on Broadway with another show built around the song catalog of a music act �…

SOURCE: Variety at 09:30PM

Off Broadway Review: Daveed Diggs in ‘White Noise’ by Gordon Cox

Any new play by the Pulitzer Prize-winning playwright Suzan-Lori Parks (“Topdog / Underdog”) demands — and deserves — attention. And in its premiere production at the Public Theater,…

SOURCE: Variety at 05:22PM
Tuesday, March 19, 2019

Listen: The ‘Balls-Out Theatricality’ of Sam Mendes by Gordon Cox

If you find yourself directing a Broadway play with a cast so big it includes a goose, two rabbits, more kids than you can count and an actual infant, what do you do? If you’re Sam Mendes,…

SOURCE: Variety at 12:32PM
Monday, March 18, 2019

Off Broadway Review: John Guare’s ‘Nantucket Sleigh Ride’ by Gordon Cox

Anyone who doesn’t have a cottage on the Cape or the Islands, as they say in Massachusetts, might be puzzled by the title of John Guare’s new play.  “Nantucket Sleigh Ride” is no Re…

SOURCE: Variety at 10:00PM
Thursday, March 14, 2019

Broadway Review: ‘Kiss Me, Kate’ by Gordon Cox

No, Kate doesn’t get spanked. And for those wondering how the dicey ending of “Kiss Me, Kate” — that musical mashup of “The Taming of the Shrew” and backstage battling exes — w…

SOURCE: Variety at 09:00PM

West End Review: Tom Hiddleston in ‘Betrayal’ by Gordon Cox

It takes three to tango, and Jamie Lloyd’s “Betrayal” completely grasps that. Having made it his mission to modernize the way we stage Harold Pinter’s plays, his chic, stripped-down …

SOURCE: Variety at 03:12PM
Tuesday, March 12, 2019

Listen: The Secrets of Broadway Sound Design by Gordon Cox

Sound design might be the most thankless job on Broadway — because when you get it right, nobody notices. Besides, a lot of theatergoers — and more than a few Tony voters — don’t qui…

SOURCE: Variety at 01:02PM
Monday, March 11, 2019

Off Broadway Review: Isabelle Huppert in ‘The Mother’ by Gordon Cox

Like “The Father,” which won the 2016 Tony Award for Frank Langella in the titanic lead role, “The Mother,” which features a searing performance by Isabelle Huppert, advances French …

SOURCE: Variety at 10:00PM
Sunday, March 10, 2019

Broadway Review: ‘Be More Chill’ by Gordon Cox

“Be More Chill” is already a Broadway Cinderella story. A tale of nerdy teen angst and technology by songwriter Joe Iconis and bookwriter Joe Tracz, this geek-love, sci-fi, high school m…

SOURCE: Variety at 09:06PM
Thursday, March 7, 2019

Off Broadway Review: Phoebe Waller-Bridge’s ‘Fleabag’ by Gordon Cox

Watching Phoebe Waller-Bridge, as the lead character of “Fleabag,” trying to resist saying something bitingly perceptive, inappropriately funny and completely unexpected is a study of co…

SOURCE: Variety at 10:00PM
Tuesday, March 5, 2019

Off Broadway Review: ‘Daddy’ Starring Alan Cumming by Gordon Cox

Possible spoiler:  The kid ain’t worth it! Some breathtaking design work has gone into the sleek production of Jeremy O. Harris’ “Daddy,” directed by Danya Taymor (“Pass Over”),…

SOURCE: Variety at 10:43PM

Listen: The Producer Bringing ‘Oklahoma!’ and Alanis to Broadway by Gordon Cox

Producer Eva Price has been working on Broadway for years now — but this year, she’s really making her mark, first as the lead producer of this spring’s edgy new revival of “Oklahoma…

SOURCE: Variety at 02:26PM
Thursday, February 28, 2019

Off Broadway Review: ‘Superhero’ by Gordon Cox

A 15-year-old misfit, sitting alone on the fire escape and drawing cartoon dreams of a larger-than-life hero to rescue him from the perils of being a teenager. Haven’t we seen this one bef…

SOURCE: Variety at 10:00PM
Tuesday, February 19, 2019

Listen: Laura Benanti on ‘My Fair Lady’ and the Secret to Her Melania Trump Impersonation by Gordon Cox

Laura Benanti is now playing her dream role on Broadway. At the same time, the Tony winner (“Gypsy”) is also playing her toughest part ever. Listen to this week’s podcast below…

SOURCE: Variety at 05:59PM
Friday, February 15, 2019

London Theater Review: ‘The American Clock’ by Gordon Cox

Time is money. Money is time. Both come unstuck in “The American Clock.” Arthur Miller’s kaleidoscopic account of the Great Depression, part autobiography, part social history, crawls …

SOURCE: Variety at 01:33PM
Thursday, February 14, 2019

Off Broadway Review: Jake Gyllenhaal in ‘Sea Wall/A Life’ by Gordon Cox

Comfy? Okay, let’s talk Death: sudden death, painful death, lingering death, accidental death, and whatever other kinds of death happen to come into the receptive minds of playwrights Simo…

SOURCE: Variety at 10:24PM

West End Review: Gillian Anderson and Lily James in ‘All About Eve’ by Gordon Cox

To adapt a crass old adage: it’s “All About Eve,” not “All About Steve.” Stripping Joseph L. Mankiewicz’s sharp-witted screenplay about a waning theater star of its period trappi…

SOURCE: Variety at 11:26AM
Tuesday, February 12, 2019

Listen: Why Adam Shankman Directs Every Movie Like It’s a Musical by Gordon Cox

Director Adam Shankman’s latest movie, the Taraji P. Henson comedy “What Men Want,” isn’t a musical. But as one of Hollywood’s top director-choreographers of mu…

SOURCE: Variety at 03:52PM
Thursday, February 7, 2019

West End Review: ‘Pinter Seven’ Starring Martin Freeman by Gordon Cox

“Pinter at the Pinter” has been an education — a crash course in Britain’s greatest post-war playwright. Director-producer Jamie Lloyd’s star-studded, six-month sprint through …

SOURCE: Variety at 02:46PM
Tuesday, February 5, 2019

Listen: Rising Broadway Star Jeremy Pope’s Advice for Young Actors by Gordon Cox

Jeremy Pope is having the kind of year most young actors dream of: He’s currently making his Broadway debut in the title role of “Choir Boy,” the play by Oscar winner Tarel…

SOURCE: Variety at 04:06PM

Kiss Me, Kate Is a Valentine’s Day Treat by Gordon Cox

Scott Ellis and Warren Carlyle never thought they’d bring Kiss Me, Kate back to Broadway. The duo behind Roundabout Theatre Company’s recent popular revivals of She Loves Me, On the Twen…

SOURCE: Broadway Direct at 04:18AM
Tuesday, January 29, 2019

Listen: The Politics of Musical Comedy in Broadway’s ‘The Prom’ by Gordon Cox

Back when “The Prom” opened on Broadway in the fall, critics swooned over the musical comedy with a message. But for a while there, the creators had begun to think that their sho…

SOURCE: Variety at 01:54PM

Go Behind the Scenes With Two Stars of Hadestown by Gordon Cox

During its journey to Broadway, the buzzy Hadestown wasn’t just establishing an ardent fan base. It was also growing and developing from a rousing concert staging into a full work of music…

SOURCE: Broadway Direct at 05:34AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic