All stories by Thom Geier on BroadwayStars

Wednesday, April 23, 2025

‘Hold Me in the Water’: Does a walker slow the search for love? (Off Broadway review) by Thom Geier

Ryan J. Haddad’s new monologue/play Hold Me in the Water, which opened Wednesday at Off Broadway’s Playwrights Horizons, has the confessional energy of an overdue catch-up session with a…

SOURCE: Culture Sauce at 08:30PM
Tuesday, April 22, 2025

Netflix goes for broke with ‘Stranger Things: The First Shadow’ (Broadway review) by Thom Geier

Netflix’s sci-fi series Stranger Things, which is expected to stream its fifth and (supposedly) final season later this year, has developed a rabid following since its 2016 debut for its s…

SOURCE: Culture Sauce at 08:00PM
Monday, April 21, 2025

‘Floyd Collins’ excavates a musical oddity (Broadway review) by Thom Geier

America has always found a place in its heart for dreamers, however flawed or misguided. Almost exactly a century ago, the story of a Kentucky cave enthusiast and natural risk-taker named Fl…

SOURCE: Culture Sauce at 10:00PM
Wednesday, April 16, 2025

Whitney White’s ‘Macbeth in Stride’ reimagines the Bard’s femme fatale (Off Broadway review) by Thom Geier

There’s nothing particularly new about reframing William Shakespeare’s Scottish play around the hero’s notoriously ruthless and manipulative wife, Lady Macbeth. Zinnie Harris’s Macbe…

SOURCE: Culture Sauce at 11:59PM

Caryl Churchill explores life’s absurdities in ‘Glass. Kill. What If If Only. Imp’ (Off Broadway review) by Thom Geier

Caryl Churchill may be the best living playwright in the English language. And at 86, she’s still producing work of remarkable vigor and nuance in her quintessentially absurdist style. Her…

SOURCE: Culture Sauce at 10:00PM
Monday, April 14, 2025

‘John Proctor Is the Villain’ puts Gen Alpha through a modern crucible (Broadway review) by Thom Geier

There’s something refreshing about seeing a Broadway theater packed with Gen Alpha patrons. Many of them flocked to the recent Romeo + Juliet with barely-twentysomething stars Kit Connor a…

SOURCE: Culture Sauce at 11:00PM
Sunday, April 13, 2025

‘Irishtown’ roasts the clichés of Irish theater over a peat fire (Off Broadway review) by Thom Geier

If you’ve had the pleasure of attending performances at the Irish Repertory Theatre, you’ve grown accustomed to certain recurring themes and tropes in the grand tradition of Irish drama:…

SOURCE: Culture Sauce at 08:00PM
Saturday, April 12, 2025

‘Purpose’ grills a boujee Black family to perfection (Broadway review) by Thom Geier

Even before winning the Tony Award last year for his pointed dramedy Appropriate, Branden Jacobs-Jenkins had emerged as one of the brightest lights in the current American theater scene with…

SOURCE: Culture Sauce at 12:30PM
Thursday, April 10, 2025

‘Smash’ is a bombshell misfire of a musical (Broadway review) by Thom Geier

The first episode of Smash — a backstage look at the making of a Broadway biomusical about Marilyn Monroe — was one of the most perfect TV pilots produced in the new millennium. Playwrig…

SOURCE: Culture Sauce at 10:00PM

Wole Soyinka’s ‘The Swamp Dwellers’ depicts a Nigerian family at a crossroads (Off Broadway review) by Thom Geier

Wole Soyinka is a seminal figure in world literature and drama, but the 90-year-old Nigerian Nobel Prize winner’s works are seldom performed in New York. That’s particularly true of his …

SOURCE: Culture Sauce at 09:00PM
Tuesday, April 8, 2025

‘Stephen Sondheim’s Old Friends’: Let them entertain you (Broadway review) by Thom Geier

Even four years after his death at age 91, Stephen Sondheim remains a towering figure in American musical theater. The breadth of his talents as a composer, lyricist, and storyteller get a l…

SOURCE: Culture Sauce at 09:00PM
Monday, April 7, 2025

‘Boop!’ brings a forgotten Jazz Age cartoon to full and glorious life (Broadway review) by Thom Geier

Betty Boop, the baby-voiced Jazz Age flapper from black-and-white Max Fleischer cartoons of the 1930s, is not the most obvious piece of ancient IP to become the center of a new Broadway musi…

SOURCE: Culture Sauce at 09:00PM

Sarah Snook goes fully Wilde in ‘The Picture of Dorian Gray’ (Broadway review) by Thom Geier

Sarah Snook, the Australian actress best known for her Emmy-winning turn as Siobhan “Shiv” Roy on Succession, goes more than a little Wilde in the spellbindingly high-tech adaptation of …

SOURCE: Culture Sauce at 01:00PM
Sunday, April 6, 2025

Nick Jonas and Adrienne Warren star in a mismatched ‘The Last Five Years’ (Broadway review) by Thom Geier

Composer Jason Robert Brown was something of a wunderkind, winning a Tony Award before the age of 30 for his rapturous, symphonic score for the 1999 musical Parade. He followed that critical…

SOURCE: Culture Sauce at 11:00PM
Saturday, April 5, 2025

Kieran Culkin mixes up the rat-a-tat rhythms of an uneven ‘Glengarry Glen Ross’ (Broadway review) by Thom Geier

The Chicago salesmen cursing and scheming in David Mamet’s 1983 drama Glengarry Glen Ross are just as small (and petty) as ever, but to invert the words of Norma Desmond in Sunset Boulevar…

SOURCE: Culture Sauce at 12:00PM
Thursday, April 3, 2025

George Clooney leads a timely but unnecessary ‘Good Night, and Good Luck’ (Broadway review) by Thom Geier

Nearly two decades have passed since George Clooney directed and co-wrote Good Night, and Good Luck, a black-and-white drama depicting beloved CBS newsman Edward R. Murrow’s challenge to S…

SOURCE: Culture Sauce at 11:59PM

Denzel Washington and Jake Gyllenhaal lead a brisk, befuddling ‘Othello’ (Broadway review) by Thom Geier

Star power can be a curious thing, especially when it’s the driving force behind the revival of a problematic play like Othello. Shakespeare’s drama famously centers on a Black antihero …

SOURCE: Culture Sauce at 12:00PM
Thursday, March 20, 2025

‘Operation Mincemeat’ sends up history with humor, harmony, and heart (Broadway review) by Thom Geier

It’s been a decade since Hamilton exploded the possibilities of what musical theater could do with historical subject matter, jam-packing a lot of narrative and footnote-worthy tangents in…

SOURCE: Culture Sauce at 10:00PM
Wednesday, March 19, 2025

‘Buena Vista Social Club’ is a pulsing celebration of the Cuban soul (Broadway review) by Thom Geier

You don’t have to be a fan of Cuban music, or even understand Spanish, to get caught up in the infectious, rhythmic joy that is Buena Vista Social Club, the new musical based on Wim Wender…

SOURCE: Culture Sauce at 10:00PM

‘We Had a World’ depicts the artist as a young man torn between two domineering women (Off Broadway review) by Thom Geier

Like many a gay man, playwright Joshua Harmon has been shaped at least in part by the dynamic of, dare-I-say-it, domineering women in his life. As he demonstrates in his remarkable but spare…

SOURCE: Culture Sauce at 09:00PM
Tuesday, March 11, 2025

Paul Mescal and Patsy Ferran heat up ‘A Streetcar Named Desire’ (Off Broadway review) by Thom Geier

The British director Rebecca Frecknall has unearthed new depths in Tennessee Williams’s A Streetcar Named Desire, turning a classic that can be played as maudlin melodrama into a kinetic p…

SOURCE: Culture Sauce at 10:00PM
Monday, March 10, 2025

Lily Rabe radiates in a disappointing ‘Ghosts’ (Off Broadway review) by Thom Geier

Lily Rabe, the gifted actress last seen on the New York stage in the 2015 Shakespeare in the Park production of Cymbeline, is a natural choice to play Helena Alving, the wealthy, long-suffer…

SOURCE: Culture Sauce at 10:00PM

‘The Jonathan Larson Project’: a well-sung revue for completists (Off Broadway review) by Thom Geier

In the three decades since the premiere of Rent and the sudden death of its 35-year-old creator, Jonathan Larson has become an almost mythic figure in the musical theater world. The admirati…

SOURCE: Culture Sauce at 10:00PM

‘The Great Privation’ digs up the bones of one family’s history (Off Broadway review) by Thom Geier

Nia Akilah Robinson, a recent Juilliard grad now at the Yale School of Drama, stakes a claim as a major playwright to watch with her genre-bending drama The Great Privation, which premiered …

SOURCE: Culture Sauce at 09:00PM
Sunday, March 9, 2025

‘All Nighter’ hilariously binges on the contradictions of college students (Off Broadway review) by Thom Geier

There are not many plays that truly capture the liminal period when young adults are in the thick of that awkward, exhilarating process of becoming. Natalie Margolin’s one-act dramedy All …

SOURCE: Culture Sauce at 10:30PM
Saturday, March 8, 2025

Review:‘Deep Blue Sound’ updates ‘Our Town’ for the modern age of isolation @ the Public thru April 5th by Thom Geier

Date: March 6, 2025 Author: Thom Geier 1 Comment For nearly three decades, the theater company Clubbed Thumb has nurtured some of the finest new plays to hit the New York stage, from the …

SOURCE: Culture Sauce at 12:37PM
Wednesday, March 5, 2025

‘Sumo’ updates the sports drama with a hefty display of athleticism (Off Broadway review) by Thom Geier

There is much to admire in Lisa Sanaye Dring’s Sumo, a deep dive into Japan’s national sport by way of a conventional Karate Kid-style framework. We follow an orphaned teenage apprentice…

SOURCE: Culture Sauce at 10:00PM
Sunday, March 2, 2025

Critic’s picks: The best of Broadway and Off Broadway right now by Thom Geier

From 'Maybe Happy Ending' to 'Oh, Mary!' here are critic's picks of the best shows currently on the New York stage

SOURCE: Culture Sauce at 11:30AM
Friday, February 28, 2025

Why Off Broadway is the final destination for many hit shows these days by Thom Geier

Adapted from my Broadway Bulletin column in the March issue of U.K.-based Musicals magazine. New York theatre doesn’t just happen on Broadway. These days, there are plenty of commercial Of…

SOURCE: Culture Sauce at 11:30AM
Thursday, February 27, 2025

‘Dakar 2000’ is an absorbing story of spies and seduction (Off Broadway review) by Thom Geier

Is there a dark secret in the past of Rajiv Joseph, the playwright best known for his 2009 Iraq war parable Bengal Tiger at the Baghdad Zoo and the recent sports-themed dramedy King James (o…

SOURCE: Culture Sauce at 09:00PM
Wednesday, February 26, 2025

‘On the Evolutionary Function of Shame’ sets a trans origin story in the Garden of Eden (Off Broadway review) by Thom Geier

D.A. Mindell’s On the Evolutionary Function of Shame is a timely, trenchant, and often funny new play that explores the issue of trans visibility. Mindell initially sets the scene in the b…

SOURCE: Culture Sauce at 09:00PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre