All stories by Thom Geier on BroadwayStars

Monday, November 24, 2025

‘Initiative’ taps into turn-of-the-millennium teen anxiety in an epic way (Off Broadway review) by Thom Geier

It’s apt that Else Went’s epic theater piece Initiative is opening at the Public Theater just as Netflix prepares to roll out the final season of Stranger Things. Both projects are binge…

SOURCE: Culture Sauce at 10:00PM
Sunday, November 23, 2025

‘Gruesome Playground Injuries’: Kara Young and Nicholas Braun embrace a world of hurt (Off Broadway review) by Thom Geier

Kara Young and Nicholas Braun make an engaging odd couple as emotionally (and physically) damaged young people in a decades-long situationship in Gruesome Playground Injuries, which opened S…

SOURCE: Culture Sauce at 04:00PM
Thursday, November 20, 2025

‘Two Strangers Carry a Cake Across New York’ is a sweet musical confection (Broadway review) by Thom Geier

Every now and then, an enchanting new musical classic comes along out of nowhere. Two Strangers Carry a Cake Across New York, which opened Thursday at Broadway’s Longacre Theatre, is a mod…

SOURCE: Culture Sauce at 10:00PM
Wednesday, November 19, 2025

‘Chess’ checks back into Broadway but winds up a draw (Review) by Thom Geier

Chess, which began its life as an early 1980s concept album, has always been an unwieldy stage project — a blend of some of ABBA’s best music with an overly convoluted story (by frequent…

SOURCE: Culture Sauce at 11:30PM
Tuesday, November 18, 2025

Tom Hanks gets stuck in a time loop in ‘This World of Tomorrow’ (Off Broadway review) by Thom Geier

Over a career that has spanned nearly half a century, Tom Hanks has established himself as a successor to James Stewart, an avatar of aw-shucks regular-guyness that is distinctly American in…

SOURCE: Culture Sauce at 10:30PM
Monday, November 17, 2025

‘Meet the Cartozians’ keeps up with Armenian history — including the Kardashians (Off Broadway review) by Thom Geier

Kim Kardashian may be the most famous Armenian American to ever live — and a character very much modeled on the ubiquitous reality TV star and entrepreneur makes a noteworthy cameo toward …

SOURCE: Culture Sauce at 10:00PM

‘The 25th Annual Putnam County Spelling Bee’ spells delight (Off Broadway review) by Thom Geier

William Morris Barfée and his “magic feet” are back, and that spells a whole lot of fun for fans of The 25th Annual Putnam County Spelling Bee, which arrives at Off Broadway’s New Wor…

SOURCE: Culture Sauce at 08:00PM
Friday, November 14, 2025

‘Rob Lake Magic With Special Guests The Muppets’ makes the audience disappear (Broadway review) by Thom Geier

There’s more than a bit of sleight of hand behind the awkwardly titled new show Rob Lake Magic With Special Guests the Muppets. Lake, an America’s Got Talent finalist, has made the appea…

SOURCE: Culture Sauce at 09:00AM
Thursday, November 13, 2025

‘Oedipus’: The mother of all tragedies gets a mesmerizing update (Broadway review) by Thom Geier

The most contemporary, trenchant new play on Broadway is Robert Ickes’ searing new adaptation of Sophocles’ Oedipus, which opened Thursday in a mesmerizing production that stands as one …

SOURCE: Culture Sauce at 11:59PM

‘The Seat of Our Pants’ sets Thornton Wilder to song (Off Broadway review) by Thom Geier

It takes a truly oddball sensibility to try to make a musical out of Thornton Wilder’s Finnegan’s Wake-inspired three-act dramedy The Skin of Our Teeth. Betty Comden, Adolph Green, Leona…

SOURCE: Culture Sauce at 10:15PM
Wednesday, November 12, 2025

‘Archduke’ offers a drunk history lesson on recruiting young terrorists (Off Broadway review) by Thom Geier

Rajiv Joseph’s Archduke, a comedic retelling of the recruitment of the anarchist whose 1913 assassination of Austro-Hungarian ruler Franz Ferdinand triggered World War I, is like a contemp…

SOURCE: Culture Sauce at 10:30PM
Tuesday, November 11, 2025

Ariana DeBose charms in a reimagined ‘The Baker’s Wife’ (Off Broadway review) by Thom Geier

After nearly half a century, Stephen Schwartz’s 1976 musical The Baker’s Wife can finally claim a proud place in the American musical pantheon. Best known for the cabaret-standard ballad…

SOURCE: Culture Sauce at 09:00PM
Monday, November 10, 2025

Michael Urie leads a wan ’80s-style ‘Richard II’ (Off Broadway review) by Thom Geier

There are good reasons why Richard II, the first play in William Shakespeare’s Henriad tetralogy, is less frequently performed than its successors, the two Henry IV plays (revived this pas…

SOURCE: Culture Sauce at 07:00PM
Sunday, November 9, 2025

Kristin Chenoweth squandered in tone-deaf ‘The Queen of Versailles’ (Broadway review) by Thom Geier

Jackie Siegel, the buxom pageant queen turned billionaire’s wife who was the subject of Lauren Greenfield’s 2012 documentary The Queen of Versailles, was present at the performance of th…

SOURCE: Culture Sauce at 11:59PM

‘The Burning Cauldron of Fiery Fire’ peters out after an intriguing premise (Off Broadway review) by Thom Geier

Anne Washburn is one of our most gifted young playwrights, often interested in the nature of storytelling and the sense of community that can be built from shared public narratives. The Burn…

SOURCE: Culture Sauce at 08:00PM
Wednesday, November 5, 2025

‘Queens’ unearths the basement of the immigrant experience (Off Broadway review) by Thom Geier

Martyna Majok’s ensemble drama Queens, which debuted in 2018 in the early years of the first Trump administration, remains a timely exploration of marginalized immigrant women forced into …

SOURCE: Culture Sauce at 09:30PM
Monday, November 3, 2025

‘Kyoto’: The devil’s in the details. He’s also the narrator (Off Broadway review) by Thom Geier

International negotiations about climate change do not seem like the most promising subject for theater and yet Kyoto defies the odds in ways that are both surprising and utterly riveting. C…

SOURCE: Culture Sauce at 10:30PM
Thursday, October 30, 2025

Laurie Metcalf shines in ‘Little Bear Ridge Road’ (Broadway review) by Thom Geier

All the lonely people, where do they all come from? Samuel D. Hunter grapples with this question in his heartfelt one-act drama Little Bear Ridge Road, which opened on Broadway Thursday afte…

SOURCE: Culture Sauce at 10:00PM
Tuesday, October 28, 2025

‘Liberation’ is an instant-classic memory play bursting with life-affirming power (Broadway review) by Thom Geier

In the last decade, Bess Wohl has emerged as one of the most talented and eclectic voices in American theater — whose work ranges from historical pieces (Camp Siegfried) to broad domestic …

SOURCE: Culture Sauce at 10:00PM

‘Romy & Michele: The Musical’ is a wan mimeograph of the Gen X cult movie (Off Broadway review) by Thom Geier

Not every semipopular movie from the last half century needs to get the stage musical treatment. That’s the takeaway from the lukewarm mess that is Romy & Michele: The Musical, which t…

SOURCE: Culture Sauce at 07:00PM
Monday, October 27, 2025

‘Beau’ sets a gay coming-of-age story to a country-pop beat (Off Broadway review) by Thom Geier

The producers of the big-hearted new country-pop musical Beau have turned the subterranean black-box space at Off Broadway’s St. Luke’s Theater into a Nashville tavern/concert space, com…

SOURCE: Culture Sauce at 09:00PM
Friday, October 24, 2025

‘Did You Eat?’ explores a Korean immigrant’s Dickensian childhood (Off Broadway review) by Thom Geier

Early on in her brave and bravura solo performance piece Did You Eat? ((밥 먹었니?), Zoë Kim lulls you into thinking that hers will be a typical immigrant’s yarn about generational di…

SOURCE: Culture Sauce at 09:30PM
Wednesday, October 22, 2025

‘The Art of Leaving’ is a retrograde comedy that’s best left behind (Off Broadway review) by Thom Geier

There are throwbacks and then there’s The Art of Leaving, a new one-act comedy that could pass for a middling revival of a Neil Simon knockoff from a half century ago. The characters in An…

SOURCE: Culture Sauce at 08:00PM

Aubrey Plaza sizzles as a sexy siren in Ethan Coen’s ‘Let’s Love!’ (Off Broadway review) by Thom Geier

Ethan Coen, whose best known for his Oscar-winning film work with his older brother, Joel, brings his distinct sensibility to Let’s Love!, a collection of three short playlets that are les…

SOURCE: Culture Sauce at 05:55PM
Monday, October 20, 2025

‘Not Ready for Prime Time’ is haunted by the ghosts of classic ‘SNL’ (Off Broadway review) by Thom Geier

We’re all familiar with the sketches that air during the final half hour of Saturday Night Live, the ones that start with a half-decent premise but outstay their welcome and only cling to …

SOURCE: Culture Sauce at 09:00PM
Sunday, October 19, 2025

Ari’el Stachel sweats through his competing identities in ‘Other’ (Off Broadway review) by Thom Geier

There’s an old adage that actors should work hard to make their performance seem effortless. Ari’el Stachel doesn’t do that — but he offers a solid excuse in his labor-intensive one-…

SOURCE: Culture Sauce at 10:00PM
Thursday, October 16, 2025

‘Ragtime’ revisits a great musical and the promise of the American dream (Broadway review) by Thom Geier

When Ragtime was first staged in the mid-1990s, it embodied a certain post-Reagan excess with producer Garth Drabinksy’s elaborate, budget-busting staging (fireworks! a working Model T!) a…

SOURCE: Culture Sauce at 11:00PM
Wednesday, October 15, 2025

Jordan E. Cooper’s ‘Oh Happy Day!’ offers a queer update of Tyler Perry gospel plays (Off Broadway review) by Thom Geier

Jordan E. Cooper, who delivered a satirical wake-up call to the theater world with his extended sketch comedy Ain’t No Mo’, is back with a new play. Oh Happy Day!, which is billed as a �…

SOURCE: Culture Sauce at 09:15PM
Monday, October 13, 2025

André De Shields camps it up as ‘Tartuffe’ in a classic setting (Off Broadway review) by Thom Geier

The appeal of classics is how they continue to speak to us across the centuries. Molière’s 1664 comedy Tartuffe is a telling example, offering both acute insights into religious hypocrisy…

SOURCE: Culture Sauce at 09:00PM
Tuesday, October 7, 2025

Dylan Mulvaney romps through ‘The Least Problematic Woman in the World’ (Off Broadway review) by Thom Geier

Dylan Mulvaney, the transgender performer best known for an ill-fated 2023 branding deal with Bud Light that created a media firestorm that led to boycotts of the beer, embraces all of her m…

SOURCE: Culture Sauce at 10:00PM
Sunday, October 5, 2025

‘Torera’ celebrates Mexican bullfighting as an intimate telenovela-style saga (Off Broadway review) by Thom Geier

Monet Hurst-Mendoza’s Torera, which opened Sunday at the WP Theater, simulates the experience of binge-watching a telenovela-style saga set in the world of a Mexican bullfighting. The twis…

SOURCE: Culture Sauce at 04:00PM

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