All stories by Thom Geier on BroadwayStars

Thursday, April 9, 2026

Nathan Lane and Laurie Metcalf stake their claim in a spare ‘Death of a Salesman’ (Broadway review) by Thom Geier

Some of our very best actors got their start in comedy — so it’s only natural that sitcom veterans Nathan Lane and Laurie Metcalf should arrive on Broadway as that most deadly serious co…

SOURCE: Culture Sauce at 10:00PM
Tuesday, April 7, 2026

‘Cats: The Jellicle Ball’ lets the fur and the freak flags fly (Broadway review) by Thom Geier

If there’s any bygone hit musical that’s ripe for reinvention, it’s Andrew Lloyd Webber’s bombastic furball Cats – a 1981 musical megahit with mostly interchangeable characters cro…

SOURCE: Culture Sauce at 09:00PM
Monday, April 6, 2026

‘Becky Shaw’ presents a riotously epic clash of personality disorders (Broadway review) by Thom Geier

Stop me if you’ve heard this one before: A narcissistic psychopath, an insecure dependent, a borderline, and a perpetual savior walk into a theater… and create one of the funniest and mo…

SOURCE: Culture Sauce at 10:00PM

Nicole Travolta recaps her journey through debt, divorce, and spray tans in ‘Doing Alright’ (Off Broadway review) by Thom Geier

Proximity to fame can do a number on one’s self esteem. That’s the big takeaway from Nicole Travolta Is Doing Alright, a gently comedic one-woman show by a personable and talented thirty…

SOURCE: Culture Sauce at 12:30PM
Tuesday, March 31, 2026

‘Seagull: True Story’ recasts Chekhov for the Putin era (Off Broadway review) by Thom Geier

Alexander Molochnikov was a rising theater director in Moscow until his outspoken denunciation of Russia’s invasion of Ukraine in 2022 forced him to flee to the United States. In Seagull: …

SOURCE: Culture Sauce at 09:00AM

‘Dog Day Afternoon’ Jon Bernthal can’t escape Al Pacino’s long shadow (Broadway review) by Thom Geier

In his Broadway debut, Jon Bernthal struts and frets in a serviceable facsimile of Al Pacino in the new stage adaptation of Dog Day Afternoon — but the new production joins a recent list o…

SOURCE: Culture Sauce at 12:00AM
Sunday, March 29, 2026

‘No Singing in the Navy’ is a goofy but heartfelt throwback (Off Broadway review) by Thom Geier

The program for Milo Cramer’s new musical revue No Singing in the Navy includes a witty and well-researched note from the playwright suggesting that sailors are “*the* True Subject of th…

SOURCE: Culture Sauce at 09:00PM

‘Titus Andronicus’ Patrick Page leads a bloody mess of a revival (Off Broadway review) by Thom Geier

The collected works of William Shakespeare are studded with so-called problem plays. Few are as problematic as Titus Andronicus, the Bard’s first tragedy and generally co-credited to his p…

SOURCE: Culture Sauce at 07:00PM
Wednesday, March 25, 2026

‘Public Charge’ offers a bracing defense of government bureaucrats (Off Broadway review) by Thom Geier

You’ve never seen a procedural drama quite like the one in Public Charge, a fact-based play now running at the Public Theater. The show, by former State Department official Julissa Reynoso…

SOURCE: Culture Sauce at 10:00PM
Monday, March 23, 2026

John Lithgow’s ‘Giant’ boasts towering performances and a timely hook (Broadway review) by Thom Geier

They say that you should never meet your heroes. Fans of the late British children’s author Roald Dahl, creator of Willy Wonka, Matilda, and James and the Giant Peach, are in for a very ru…

SOURCE: Culture Sauce at 11:00PM
Friday, March 20, 2026

‘Jesa’ is a sisterly masterpiece that honors and transcends tradition (Off Broadway review) by Thom Geier

In her stunning playwriting debut, Korean American actress Jeena Yi has managed to create a masterpiece. Jesa, a Ma-Yi Theater Company production now playing at the Public Theater, is an ins…

SOURCE: Culture Sauce at 09:00PM
Thursday, March 19, 2026

A stubbornly old-fashioned ‘Monte Cristo’ musical is down for the count (Off Broadway review) by Thom Geier

In the 180 years since it was first published, Alexandre Dumas’s The Count of Monte Cristo has continued to cast its spell on readers and audiences. The French produced a pricey feature ad…

SOURCE: Culture Sauce at 09:00PM

‘The Wild Party’ cements Jasmine Amy Rogers’ star status (Off Broadway review) by Thom Geier

Musical theater can create stars in virtually no time at all. Consider the remarkable rise of Jasmine Amy Rogers, who scored a Tony nomination last year for her Broadway debut in the flawed …

SOURCE: Culture Sauce at 12:00PM
Tuesday, March 17, 2026

‘My Joy Is Heavy’ finds musical resilience in loss (Off Broadway review) by Thom Geier

The indie folk-rock duo known as the Bengsons have been a regular fixture on Off Broadway stages over the last decade (and even made an appearance on Broadway last year performing Stephen Me…

SOURCE: Culture Sauce at 06:00PM
Monday, March 16, 2026

‘Mother Russia’ is a comedy worth Russian to see (Off Broadway review) by Thom Geier

It’s the early days of perestroika in St. Petersburg and Evgeny (Adam Chanler-Berat), the son of a local Communist Party boss turned budding oligarch, is struggling to please his dad with …

SOURCE: Culture Sauce at 10:00AM
Sunday, March 15, 2026

Matthew Broderick sends up Hollywood narcissism in ‘Ulster American’ (Off Broadway review) by Thom Geier

David Ireland’s Ulster American, now playing at the Irish Rep, is a well-crafted skewering of straight, white, male creative types of a certain age who are desperate to maintain their rele…

SOURCE: Culture Sauce at 08:00PM
Saturday, March 14, 2026

‘The Unknown’ follows Sean Hayes through the delicious bumps in the night (Off Broadway review) by Thom Geier

The theater can be like a campfire from childhood, a place where you gather in the darkness to listen to a story about things that go bump in the night. David Cale’s The Unknown makes the …

SOURCE: Culture Sauce at 10:00PM
Thursday, March 12, 2026

Daniel Radcliffe radiates bemused empathy in ‘Every Brilliant Thing’ (Broadway review) by Thom Geier

It’s not every day that Harry Potter calls you old. To be clearer, it was Daniel Radcliffe, now a bearded young dad in his mid-30s, who approached my partner and me minutes before the star…

SOURCE: Culture Sauce at 11:00PM
Wednesday, March 11, 2026

‘Antigone: This Play I Read in High School’ updates Greek tragedy as pro-choice allegory (Off Broadway review) by Thom Geier

Sophocles is having a moment. Robert Ickes’ Oedipus, recently on Broadway, recast the title character as an Obama-like political upstart facing down birtherism allegations, while Lee Zeldi…

SOURCE: Culture Sauce at 10:00PM

‘Bughouse’ drifts into the Darger zone (Off Broadway review) by Thom Geier

Director/choreographer Martha Clarke made her name with a danced drama inspired by Hieronymus Bosch’s symbolism-heavy 16th century masterpiece “The Garden of Earthly Delights.” It’s …

SOURCE: Culture Sauce at 08:00PM
Tuesday, March 10, 2026

‘Cold War Choir Practice’ looks back at a MAD world (Off Broadway review) by Thom Geier

Ro Reddick’s absurdist historical drama Cold War Choir Practice was inspired by her experience growing up in Syracuse, New York, as one of the only Black members of a Reagan-era children�…

SOURCE: Culture Sauce at 07:00PM
Friday, March 6, 2026

‘You Got Older’ captures Alia Shawkat in her awkward phase, in her 30s (Off Broadway review) by Thom Geier

Millennial anxiety runs deep in Clare Barron’s You Got Older, which is getting an insightful revival at the Cherry Lane Theatre. Alia Shawkat stars as Mae, a thirtysomething who decides to…

SOURCE: Culture Sauce at 01:00PM

‘Night Side Songs’ treats caregiving as a communal singalong (Off Broadway review) by Thom Geier

When receiving a diagnosis of cancer, it’s tempting to retreat into yourself, to shut out all friends and family, and bear the burden of an uncertain future alone. Yasmine (Brooke Ishibash…

SOURCE: Culture Sauce at 10:00AM
Thursday, March 5, 2026

Wallace Shawn’s ‘What We Did Before Our Moth Days’ is all talk (Off Broadway review) by Thom Geier

Wallace Shawn’s best known collaboration with director André Gregory is the 1981 Louis Malle film My Dinner With André, in which the two denizens of the downtown arts scenes engage in a …

SOURCE: Culture Sauce at 09:30PM

‘Burnout Paradise’ whips up a circus for multitaskers (Off Broadway review) by Thom Geier

Organized mayhem is the overriding aesthetic of Burnout Paradise, a celebration of multitasking produced and performed by the Pony Cam theater troupe from Melbourne, Australia. Four performe…

SOURCE: Culture Sauce at 09:00PM
Sunday, March 1, 2026

‘Bigfoot! The Musical’ galumphs onto stage with laughs aplenty (Off Broadway review) by Thom Geier

There are laughs aplenty in the Fringey new musical Bigfoot! — which is perhaps not surprising since the book and score are by veteran comedy writer Amber Ruffin (with an assist from David…

SOURCE: Culture Sauce at 09:30PM

‘The Reservoir’ overflows with feeling and a star turn from Noah Galvin (Off Broadway review) by Thom Geier

Noah Galvin, a former Evan Hansen on Broadway who starred in the TV shows The Real O’Neals and The Good Doctor, delivers a star-making performance in the new dramedy The Reservoir that rec…

SOURCE: Culture Sauce at 07:00PM
Thursday, February 26, 2026

‘Chinese Republicans’ banks on laughs but muddles its message (Off Broadway review) by Thom Geier

Investment banking is not the most welcoming of industries — especially for folks who don’t carry the privilege of being white and male. That familiar truth gets a fresh reworking in Ale…

SOURCE: Culture Sauce at 09:00PM
Monday, February 2, 2026

Jamie Allan is a magical storyteller in ‘Amaze’ (Off Broadway review) by Thom Geier

A thread of Gen X nostalgia runs strongly through British illusionist Jamie Allan’s Amaze, where the walls of the auditorium at New World Stages are lined with posters of ’80s films and …

SOURCE: Culture Sauce at 07:00PM
Wednesday, January 28, 2026

‘Data’ uploads timely high suspense in a high-tech setting (Off Broadway review) by Thom Geier

Who says Silicon Valley techies don’t have a conscience? Matthew Libby’s unbelievably timely drama Data centers on computer scientists at a firm called Athena trying to develop a top-sec…

SOURCE: Culture Sauce at 10:00PM
Tuesday, January 27, 2026

‘Blackout Songs’ is both drunk and disorderly (Off Broadway review) by Thom Geier

You can see why rising Hollywood stars Abbey Lee (Mad Max: Fury Road) and Owen Teague (IT) were drawn to Joe White two-handed drama Blackout Songs, making its New York debut at the MCC Theat…

SOURCE: Culture Sauce at 07:00PM

All that Chat

2025-2026 BROADWAY SEASON
Jun 12, 2025: Call Me Izzy - Studio 54
Sep 16, 2025: Art - Music Box Theatre
Oct 08, 2025: Beetlejuice - Palace Theatre
Nov 13, 2025: Oedipus - Studio 54
Nov 16, 2025: Chess - Imperial Theatre
Mar 23, 2026: Giant - Music Box Theatre
Apr 06, 2026: Becky Shaw - Hayes Theater
Apr 16, 2026: Proof - Booth Theatre
Apr 26, 2026: Drama Desk Cut-Off