Monday, November 5, 2018
This is quite the achievement. Writer Chris Thorpe and director Sam Pritchard have toured six towns and cities in the North, and
SOURCE: The Stage Registration at 06:02AMFriday, November 2, 2018
Remember the name: Alice Vilanculo. She’s a brilliant, naturally comedic actor, and easily the best thing about Victoria’s Knickers, the second instalment
SOURCE: The Stage Registration at 11:01AMThursday, November 1, 2018
Rosana Cade is Barry, a moustachioed radio presenter in a boxy grey suit. Ivor MacAskill is Barry, a moustachioed radio presenter in
SOURCE: The Stage Registration at 09:07AMWednesday, October 31, 2018
Martin Crimp’s 1988 play Dealing With Clair is, in some ways, more relevant than ever in 2018. In others, it’s awkwardly old-fashioned.
SOURCE: The Stage Registration at 09:49AMFriday, October 26, 2018
Brace yourself. Martin McDonagh returns to playwriting for the first time since Hangmen, his phenomenally successful, darkly hilarious 2015 hit. He’s not
SOURCE: The Stage Registration at 11:40AMEvan Placey’s 2015 play for the National Youth Theatre, revived here by the NYT Rep Company as part of their 2018 West
SOURCE: The Stage Registration at 10:19AMThursday, October 25, 2018
Following the announcement that the NT's Travelex sponsorship is coming to an end, Fergus Morgan writes on the trouble with cheap ticket schemes.
The post The Trouble with Ticket Schemes app…
SOURCE: exeuntmagazine.com at 04:59AMFriday, October 19, 2018
Emma Rice is back. After her acrimonious departure from Shakespeare’s Globe earlier this year, the former artistic director of Kneehigh returns with
SOURCE: The Stage Registration at 11:40AMA Guide for the Homesick is yet another one of those 80-minute, one-act American two-handers. You know the formula: tightly written, clinically
SOURCE: The Stage Registration at 04:49AMThursday, October 18, 2018
At last: after a long, long wait, Marianne Elliott’s production of George Furth and Stephen Sondheim’s much-loved musical Company has opened in
SOURCE: The Stage Registration at 12:13PMMonday, October 15, 2018
There’s a certain, old-style schoolboy thrill about this Australian import. A play about Charles Darwin’s legendary round-the-world voyage on the HMS Beagle,
SOURCE: The Stage Registration at 06:39AMThursday, October 11, 2018
In 2014, Florian Zeller was introduced to British theatre. The French playwright’s Moliere Award-winning work The Father arrived in the West End,
SOURCE: The Stage Registration at 10:25AMWednesday, October 10, 2018
Here we go, here we go, here we go: Kwame Kwei-Armah’s hotly anticipated first season as artistic director of the Young Vic
SOURCE: The Stage Registration at 11:54AMThough it’s something of a muddle, there’s a coherent conceit behind Leo Butler’s new comedy All You Need Is LSD. It’s a
SOURCE: The Stage Registration at 05:22AMTuesday, October 9, 2018
The Enemy’s 2007’s platinum-selling album We’ll Live and Die in These Towns definitely had something. An angsty, aggressive edge that catapulted the
SOURCE: The Stage Registration at 08:27AMMonday, October 8, 2018
Six years after the Italian Theatre Institute was abolished, theatremakers from the south are taking matters into their own hands to bring
SOURCE: The Stage Registration at 07:30AMFriday, October 5, 2018
In many ways, ITV’s latest Friday night reality offering covers well-worn ground. The Big Audition, as the title suggests, offers hopefuls the
SOURCE: The Stage Registration at 05:01PMPro-Brexit journalist Julie Burchill and pro-Brexit writer Jane Robins have teamed up to write a new play about Brexit – a supposedly
SOURCE: The Stage Registration at 05:13AMThursday, October 4, 2018
There’s admirable scope to Memoirs of an Asian Football Casual, Dougal Irvine’s fresh adaptation of Riaz Khan’s 2010 autobiography of the same
SOURCE: The Stage Registration at 08:18AMMonday, October 1, 2018
A decade after his death, and Harold Pinter is receiving a salutation to remember at the West End theatre that bears his
SOURCE: The Stage Registration at 01:40PMWith a CV spanning Olivier and Tony award-winning productions, Sian Williams has forged a career in an often misunderstood role. She tells
SOURCE: The Stage Registration at 08:05AMFriday, September 28, 2018
The National has had a patchy period when it comes to Shakespeare. The theatre’s community-focused musical adaptation of Pericles met with widespread
SOURCE: The Stage Registration at 11:36AMMonday, September 24, 2018
People have played around with Sarah Kane’s 4.48 Psychosis before – it was adapted by Philip Venables for the Royal Opera two
SOURCE: The Stage Registration at 06:52AMMonday, September 17, 2018
This is kind of cool. Over nine days of watery September sunshine, Dorset’s Inside Out Festival offers a varied roster of arts
SOURCE: The Stage Registration at 08:34AMFriday, September 14, 2018
American high school movies don’t come much more iconic than Daniel Waters and Michael Lehmann’s 1988 comedy Heathers. The film gradually grew
SOURCE: The Stage Registration at 12:20PMThursday, September 13, 2018
If you go down to The Woods today, you’re in for a big surprise. Robert Alan Evans’ new play is certainly not
SOURCE: The Stage Registration at 06:28AMYou must have a heart of stone if you’re not moved by Once. This co-production between Ipswich’s New Wolsey Theatre and the
SOURCE: The Stage Registration at 06:06AMWednesday, September 12, 2018
Fergus Morgan writes on the Kiln's controversial rebrand, and the message the backlash against it sends.
The post There’s a lot in a name, actually appeared first on Exeunt Magazine.
SOURCE: exeuntmagazine.com at 02:43AMFriday, August 24, 2018
There has been no shortage of gig theatre up in Edinburgh this year. There’s been gig romcoms, gig documentaries, gig dramas, and
SOURCE: The Stage Registration at 01:15PMFor a moment, it seems like Stuart Laws’ The Journey might be the worst thing ever – a lame, loosely structured romcom
SOURCE: The Stage Registration at 06:19AMFor every gram of cocaine snorted on the UK’s streets, criminals profit, communities suffer, ecosystems are destroyed, and people die. That’s the
SOURCE: The Stage Registration at 06:08AM 
