All stories by Fergus Morgan on BroadwayStars

Friday, December 21, 2018

The Tragedy of King Richard the Second at Almeida Theatre, London – review round-up by Fergus Morgan

Uh-oh. What’s he done this time? In recent years, Joe Hill-Gibbins has earned himself a reputation as a director unafraid to stage

SOURCE: The Stage Registration at 10:02AM

Nativity! The Musical starring Danny Dyer and Dani Dyer review at Eventim Hammersmith Apollo, London by Fergus Morgan

Here’s a late contender for the theatrical event of the year. Danny Dyer and Dani Dyer – the Dannies Dyer to give

SOURCE: The Stage Registration at 04:51AM
Thursday, December 20, 2018

The Fenland Screamers and Other Boggy Tales review at Sir John Mills Theatre, Ipswich – ‘unashamedly silly’ by Fergus Morgan

Ipswich is enjoying a surfeit of cracking shows this Christmas. The New Wolsey’s yearly Rock ‘n’ Roll panto is predictably excellent, but

SOURCE: The Stage Registration at 06:25AM

2018 show reports: Not quite alright on the night… by Fergus Morgan

Stage managers’ show reports detail every aspect of a performance from technical info to the running time. Fergus Morgan takes his pick

SOURCE: The Stage Registration at 05:00AM

2018: Alternative awards of the year – Beasts, babies, bin bags and Brexit by Fergus Morgan

It may not have been a vintage year for the theatre, but there were plenty of memorable moments. Fergus Morgan gives his

SOURCE: The Stage Registration at 05:00AM
Wednesday, December 19, 2018

The Convert at the Young Vic, London – review round-up by Fergus Morgan

Danai Gurira isn’t a particularly well-known name in British theatre, but it soon will be. The Zimbabwean-American writer and actor rose to

SOURCE: The Stage Registration at 11:22AM

Review: The Tragedy of King Richard the Second, at Almeida Theatre by Fergus Morgan

"This is Shakespeare as petty playground squabble, rather than stately struggle for the throne" - Fergus Morgan writes on Joe Hill-Gibbins' punchy, political Richard II. The post Review: The…

SOURCE: exeuntmagazine.com at 09:37AM

Meet The Stage Scholarship winners 2018 by Fergus Morgan

Eighty aspiring performers, from ages 11 to 26, have been granted awards to attend training courses across the country as part of

SOURCE: The Stage Registration at 07:00AM
Tuesday, December 18, 2018

Jack and the Beanstalk review at Luton Library Theatre – ‘energetic and accessible’ by Fergus Morgan

Not many fairytales stand up ethically when you judge them by modern-day values. Red Riding Hood is guilty of cruelty to animals.

SOURCE: The Stage Registration at 08:36AM
Monday, December 17, 2018

Cinderella: A Wicked Mother of a Night Out review at Bethnal Green Working Men’s Club – ‘raucous and riotous’ by Fergus Morgan

Not Too Tame’s touring, immersive adaptation of Cinderella is a godsend for the less pantomime-inclined theatregoer. Written by Luke Barnes, and put

SOURCE: The Stage Registration at 08:32AM
Friday, December 14, 2018

Snow White starring Dawn French and Julian Clary at the London Palladium – review round-up by Fergus Morgan

The Palladium Pantomime is back for the third year in a row. Reinstated after a 30-year absence in 2016, panto production giant

SOURCE: The Stage Registration at 11:08AM
Thursday, December 6, 2018

True West starring Kit Harington and Johnny Flynn at Vaudeville Theatre – review round-up by Fergus Morgan

It might be panto season, but there’s nothing remotely festive about this. The late Sam Shepard’s 1980 play True West – with

SOURCE: The Stage Registration at 11:04AM

Director Raz Shaw: ‘Cancer drove me into theatre, and still drives me today’ by Fergus Morgan

For Raz Shaw, cancer proved a turning point in his life, prompting him to leave his job in telesales and gambling addiction

SOURCE: The Stage Registration at 02:00AM
Tuesday, December 4, 2018

True West starring Kit Harington and Johnny Flynn review at Vaudeville Theatre – ‘a wickedly funny revival’ by Fergus Morgan

Matthew Dunster’s production of True West,the first major London revival of Sam Shepard’s work since his death last July, demonstrates that not

SOURCE: The Stage Registration at 06:02PM
Monday, December 3, 2018

The Night Before Christmas review at Southwark Playhouse, London – ‘riotously enjoyable’ by Fergus Morgan

This is the Christmas show for people who hate Christmas shows. Anthony Neilson’s one-act 1995 comedy The Night Before Christmas, revived confidently

SOURCE: The Stage Registration at 05:37AM
Monday, November 26, 2018

An Honourable Man review at White Bear Theatre, London – ‘confusing play set in post-Brexit Britain’ by Fergus Morgan

Bring on James Graham’s Brexit play, because it seems few other people are up to the task. Certainly not former Tory parliamentary

SOURCE: The Stage Registration at 12:13PM

Macbeth review at Garrick Theatre, London – ‘refreshingly inventive’ by Fergus Morgan

The National Youth Theatre’s Macbeth – the third and final instalment of the company’s 2018 West End season – is the third

SOURCE: The Stage Registration at 09:18AM
Thursday, November 22, 2018

Appetite for destruction: How Ovalhouse will mark its relocation with help from an artistic wrecking crew by Fergus Morgan

Ovalhouse is regenerating. In 2020, the south London theatre will open a new, £15 million building in Brixton as part of Lambeth

SOURCE: The Stage Registration at 11:39AM

Heart of Darkness review at Birmingham Repertory Theatre – ‘cinematic and ambitious’ by Fergus Morgan

How do you solve a problem like Heart of Darkness? Leeds-based company Imitating the Dog’s solution is to take Joseph Conrad’s troublesome

SOURCE: The Stage Registration at 02:56AM
Wednesday, November 21, 2018

Macbeth starring Michelle Terry and Paul Ready at the Sam Wanamaker Playhouse, London – review round-up by Fergus Morgan

“When shall we three meet again?” ask the three witches at the beginning of Macbeth. Probably quite soon is the answer this

SOURCE: The Stage Registration at 05:18AM
Tuesday, November 20, 2018

Medea review at Festival de Otono, Madrid – ‘Simon Stone’s electrifying reworking’ by Fergus Morgan

Internationaal Theater Amsterdam – formerly Toneelgroep Amsterdam – has been a regular fixture at the Barbican in recent years. Ivo van Hove’s

SOURCE: The Stage Registration at 10:20AM
Thursday, November 15, 2018

Anais Mitchell’s Hadestown at the National Theatre, London – review round-up by Fergus Morgan

Is this the next globe-trotting, all-conquering, chart-topping US musical sensation? Anais Mitchell’s Hadestown has taken a long time to reach the big

SOURCE: The Stage Registration at 06:19AM

Macbeth review at Sam Wanamaker Playhouse, London – ‘tediously trad’ by Fergus Morgan

You can’t move for Macbeths at the moment. There’s the Royal Shakespeare Company’s horror-infused staging at the Barbican. There’s the National Youth

SOURCE: The Stage Registration at 04:57AM
Wednesday, November 14, 2018

Pinter Three and Pinter Four starring Tamsin Greig, Keith Allen and Meera Syal – review round-up by Fergus Morgan

Pinter at the Pinter, Jamie Lloyd’s star-studded West End season of one-act Harold Pinter plays at the theatre named after the legendary

SOURCE: The Stage Registration at 06:09AM
Monday, November 12, 2018

Video designer Simon Wainwright: ‘It’s like making a collage – we develop work all at the same time’ by Fergus Morgan

After starting out as a performer, Imitating the Dog’s Simon Wainwright has moved to a career in video design. He tells Fergus

SOURCE: The Stage Registration at 12:00PM

Chutney review at the Bunker, London – ‘surprisingly toothless comedy’ by Fergus Morgan

Reece Connolly’s Chutney concerns a frustrated young couple embark on a spree of animal killings to alleviate their boredom. But this idea

SOURCE: The Stage Registration at 08:53AM
Friday, November 9, 2018

The Pit and the Pendulum review at Omnibus, London – ‘inventive retelling of Poe’s short story’ by Fergus Morgan

Christopher York’s one-woman adaptation of The Pit and the Pendulum for Oxford-based Creation Theatre isn’t a straightforward page-to-stage reworking of Edgar Allan

SOURCE: The Stage Registration at 08:45AM
Thursday, November 8, 2018

White Teeth at Kiln Theatre, London – review round-up by Fergus Morgan

White Teeth is sacred ground for some. Zadie Smith’s debut novel, published 18 years ago now, is arguably the best British novel

SOURCE: The Stage Registration at 11:27AM
Tuesday, November 6, 2018

A Pupil review at Park Theatre, London – ‘melodrama and cliché’ by Fergus Morgan

Jesse Briton’s new play A Pupil, tells the story of Ye, once a great violinist, now a jaded tutor, as she struggles

SOURCE: The Stage Registration at 10:43AM

The Gunpowder Plot: the immersive theatre network keeping the form’s flame alive by Fergus Morgan

As interactive shows have hit the mainstream in the past 20 years, their success has sometimes been tempered with failure. Specifiq’s Oscar

SOURCE: The Stage Registration at 07:30AM
Monday, November 5, 2018

The Mysteries review at Royal Exchange Theatre, Manchester – ‘perceptive and penetrating’ by Fergus Morgan

This is quite the achievement. Writer Chris Thorpe and director Sam Pritchard have toured six towns and cities in the North, and

SOURCE: The Stage Registration at 06:02AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic