Tuesday, March 27, 2018
There’s weird fun to be had in mash-ups of classical and rock music. But this show sticks to an overly familiar playlist.
SOURCE: The New York Times Subscription at 09:30PMMonday, March 26, 2018
A French cook demonstrates the art of living in the moment in this adaptation of an Isak Dinesen short story.
SOURCE: The New York Times Subscription at 01:58PMMonday, March 19, 2018
A new show draws on the art and writings of Leonora Carrington and Alejandro Jodorowsky, and gives viewers a peek into an expansive world.
SOURCE: The New York Times Subscription at 01:27PMSunday, March 18, 2018
In an overstuffed one-man show, Modesto Jimenez recalls a personal journey that includes gang life, a liberal-arts college and experimental theater.
SOURCE: The New York Times Subscription at 09:45PMTuesday, March 13, 2018
Monday, March 5, 2018
Wednesday, February 28, 2018
Joël Pommerat’s visually abstract, sonically sophisticated adaptation will be performed this weekend as part of the three-week Tilt Kids Festival.
SOURCE: The New York Times Subscription at 02:30PMMonday, February 26, 2018
“Sound House” and “This Is the Color Described by the Time” explore a sense that too often falls by the wayside onstage — sound.
SOURCE: The New York Times Subscription at 01:07PMTuesday, February 20, 2018
Ms. O’Connell delivers a heartbreaking performance as an older woman struggling with dementia in this drama infused with Southern Gothic horror.
SOURCE: The New York Times Subscription at 09:45PMThursday, February 8, 2018
A couple in Pakistan are always “listening to the sky,” while an American captain becomes too invested in their lives.
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The 2016 election changed the course of Nina Hoss’s career. You may know this film and stage actress from TV, where she played Astrid on “Homeland.”
SOURCE: The New York Times Subscription at 10:34AMThursday, January 18, 2018
Paul Calderon’s play, about a robbery gone wrong, is almost nostalgic for the poetic theater of masculine bravado.
SOURCE: The New York Times Subscription at 09:45PMFriday, January 12, 2018
Rock is underexplored onstage, but two Under the Radar shows, “How to Be a Rock Critic” and “The Hendrix Project,” grapple with its transformative power.
SOURCE: The New York Times Subscription at 01:49PMTuesday, January 9, 2018
The psychedelic work of Bruce Haack, an electronic-music pioneer who died in 1988, is coming to the stage.
SOURCE: The New York Times Subscription at 01:58PMMonday, January 8, 2018
The longtime feminist duo Split Britches sets its new play in a situation room with “Dr. Strangelove” vibes and a general calling the shots.
SOURCE: The New York Times Subscription at 10:56AMWednesday, January 3, 2018
Repertory companies have largely disappeared on American stages. But with an eye on Europe, and highly physical training, the Wilma Theater is going against the grain.
SOURCE: The New York Times Subscription at 11:47AMMonday, January 1, 2018
Dane Terry grew up wanting to be a magician and came to New York to play his songs. But the downtown cabaret scene came calling.
SOURCE: The New York Times Subscription at 10:00AMThursday, December 28, 2017
There are still goosebump-worthy moments in this Tony-winning Four Seasons bio-musical, but the show feels rushed and formulaic in a smaller theater.
SOURCE: The New York Times Subscription at 01:04PMMonday, December 11, 2017
The choice lines and the soundtrack hits are there in this enjoyable adaptation of the movie. Now it’s time to make a full-fledged show out of a quasi concert.
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Cindy Lou Who has grown up bad in Matthew Lombardo’s profane, rhyme-filled holiday-season take on Dr. Seuss.
SOURCE: The New York Times Subscription at 06:06PMTuesday, November 21, 2017
Despite the presence of “American Idol” winner Candice Glover, this limp revue of carols and pop songs isn’t likely to bring much Yuletide cheer.
SOURCE: The New York Times Subscription at 10:18PMMonday, November 20, 2017
Streaming services have more stage offerings than ever — from great actors in early roles to recent Broadway musicals, captured live. Plus “Hamlet” in Lithuanian.
SOURCE: The New York Times Subscription at 02:18PMFriday, November 17, 2017
Life and death, joy and poverty coexist in Emma Dante’s wondrous show about a family in Palermo. And it only costs $20 to see it.
SOURCE: The New York Times Subscription at 02:18PMThursday, November 9, 2017
Monday, November 6, 2017
The latest ambitious effort by the Czechoslovak-American Marionette Theater is both highly detailed and hard to follow.
SOURCE: The New York Times Subscription at 02:48PMMonday, October 30, 2017
While the jukebox musical has a cartoonish plot, songs like “Friend of the Devil” and “Box of Rain” work smartly on stage.
SOURCE: The New York Times Subscription at 03:18PMThursday, October 19, 2017
In a Keen Company revival of Steven Dietz’s play, the comic actors Arnie Burton and Matt McGrath trade quips to keep the fear at bay.
SOURCE: The New York Times Subscription at 10:36PMMarc Bamuthi Joseph’s dance-theater show considers racism, colonialism and aging as refracted through the world’s most popular sport.
SOURCE: The New York Times Subscription at 12:36PMTuesday, October 10, 2017
Thursday, September 21, 2017
In a visit to BAM, the stage director Olivier Py introduces his drag alter-ego and talks about plans for the Avignon Festival he runs.
SOURCE: The New York Times Subscription at 03:54PM 
