All stories by David Cote on BroadwayStars

Friday, March 7, 2025

Review: Whale-Loving Islanders Drown In Fathomless Loss in ‘Deep Blue Sound’ by David Cote

Playwright Abe Koogler's portrait of a group of Pacific Northwesterners is rich, funny and devastating, with a cast that's a tasting menu of acting brilliance.

SOURCE: The New York Observer at 04:30PM
Wednesday, February 26, 2025

Spring Theater Preview: History Sings, Classics Get Twisted and Experiments Explode by David Cote

Broadway has George Clooney and two different shows based on TV series. Downtown has space travel and T.S. Eliot. Brooklyn has Chekhov and an ant invasion. This theater season, there's somet…

SOURCE: The New York Observer at 03:59PM
Monday, February 24, 2025

Review: Half-Brotherly Love Is a Struggle Against Darkness in ‘Grangeville’ by David Cote

This two-hander about estranged half-brothers with a dying mother is painfully gorgeous.

SOURCE: The New York Observer at 09:01PM
Thursday, February 13, 2025

Review: Idina Menzel Goes Out on a Limb in Eco-Musical ‘Redwood’ by David Cote

Menzel remains an indomitable diva in this well-intentioned misfire.

SOURCE: The New York Observer at 08:01PM
Monday, February 10, 2025

Review: Is ‘Urinetown’ Still Good to the Last Drop? by David Cote

Nearly a quarter century after its Broadway debut, the Tony winning musical is back at City Center Encores. Does its ghoulish giddiness still work?

SOURCE: The New York Observer at 12:01PM
Tuesday, February 4, 2025

Review: The Distant Future Is Already Ancient History in AI Drama ‘The Antiquities’  by David Cote

The human race is presented like a museum exhibit—a grimly compelling concept, but one that makes for a glitchy play.

SOURCE: The New York Observer at 09:01PM
Thursday, January 23, 2025

Review: ‘English’ Speaks Eloquently of Language and Loss by David Cote

Pulitzer Prize winner Sanaz Toossi's play about a group of Iranians studying for the Test of English as a Foreign Language transfers to Broadway in an impeccable production.

SOURCE: The New York Observer at 09:31PM
Wednesday, January 15, 2025

Review: Does A Race-Critical ‘Show Boat’ Weather the Winds of History? by David Cote

This minimalist staging strips 'Show Boat' to its bones, scraping away a century of cultural rust and sentimentality to reveal an often deeply sad and frequently funny masterpiece of music-t…

SOURCE: The New York Observer at 08:01PM
Friday, December 20, 2024

Review: Audra McDonald Is One Mother of a Rose in a Stupendous Gypsy by David Cote

Audra McDonald is the first Black actress to play Madame Rose on Broadway, and she and director George C. Wolfe deliver what may be the most heartstopping 'Gypsy' you’ll ever see.

SOURCE: The New York Observer at 12:01AM
Tuesday, December 17, 2024

Review: Libs Own Themselves in the Sharp and Infectiously Funny ‘Eureka Day’ by David Cote

Jonathan Spector’s play, about vaccine politics splintering a school board, is one big Learning Moment that pretty much everyone fails.

SOURCE: The New York Observer at 05:00PM
Friday, November 15, 2024

Review: Kenneth Branagh’s ‘King Lear’ Howls Into A Stormy, Rushed Muddle by David Cote

The great Kenneth Branagh leads and co-directs a decidedly not-great production of the Shakespeare tragedy.

SOURCE: The New York Observer at 03:37PM
Monday, November 11, 2024

Review: ‘Give Me Carmelita Tropicana!’ Is A Crazy Avant-Garde Flashback by David Cote

This absurdist comedy—the final production to run at Soho Rep—has a hallucinogenic plot that brings to mind the days when artistic risk was the norm and downtown performance art was in h…

SOURCE: The New York Observer at 09:00AM
Tuesday, October 29, 2024

Review: ‘In The Amazon Warehouse Parking Lot’ Tries to Think Outside the Box by David Cote

Set about 15 years from now, this future fable takes place in and around a shipping center in Wyoming as rising sea levels are swallowing American states east and west.

SOURCE: The New York Observer at 05:00PM
Thursday, October 24, 2024

Review: Juliet Is Fire, Romeo Got Mad Rizz In This Shakespeare Glowup by David Cote

Characters vape, gender is fluid, desire bi, and death assured in director Sam Gold's hyperpop reimagining of 'Romeo + Juliet.'

SOURCE: The New York Observer at 11:00PM
Sunday, October 20, 2024

Review: Andrew Lloyd Webber’s ‘Sunset Boulevard’ Ready For Its UHD 4K Close-Up by David Cote

This revival of the 1994 Andrew Lloyd Webber musical is full of modern eye-candy and a few surprises. Among them, how Nicole Scherzinger commands her scenes in her Broadway debut.

SOURCE: The New York Observer at 10:00PM
Thursday, October 10, 2024

McNeal by David Cote

It’s hard to tell what’s real in Ayad Akhtar’s play starring Robert Downey Jr. as an alcoholic novelist who turns to AI. Robert Downey Jr. as Jacob McNeal (right) and cast of McNeal. …

SOURCE: 4columns at 08:00PM
Sunday, September 29, 2024

Review: Long, Bumpy Ride to Sisterly Reconciliation Over ‘The Hills of California’ by David Cote

An excellent cast and direction from Sam Mendes keep the action driving in this nearly three hour family drama from playwright Jez Butterworth.

SOURCE: The New York Observer at 11:01PM
Friday, September 20, 2024

Review: Forbidden Broadway Mercilessly Mauls the Hits by David Cote

Now 42 years old, the Forbidden Broadway franchise remains Mad Magazine with jazz hands, and the latest edition, 'Merrily We Stole a Song,' features a cast of wildly talented mimics skewerin…

SOURCE: The New York Observer at 04:23PM
Monday, September 9, 2024

Review: Ex-Lovers Eat Their Hearts Out in Savory Romantic Comedy ‘Table 17’  by David Cote

A couple gropes toward honesty and clarity about how they drifted apart in this fast-moving comic showcase.

SOURCE: The New York Observer at 05:28PM
Wednesday, August 28, 2024

Theater Fall Preview: Women Are Taking Charge, On Broadway And Off by David Cote

Women are center stage this fall in shows that highlight reproductive rights, consent and motherhood or showcase a powerful female lead. It can’t possibly have anything to do with a certai…

SOURCE: The New York Observer at 09:00AM
Thursday, August 1, 2024

Review: The Gaudy, Immersive ‘Life and Trust’ Is Part Theater, Part Stunt by David Cote

This Choose Your Own Adventure fable about American innovation and greed fills six floors and 100,000 square feet, with 24 characters and enough plot lines to drive an HBO season.

SOURCE: The New York Observer at 10:00PM
Tuesday, July 30, 2024

Review: That Internet Can Drive a Person Crazy in the Gimmicky ‘Job’ by David Cote

It's Boomer versus Millennial in this one-act play that involves a gun, life online, and a therapist who's both hostage and hostage negotiator.

SOURCE: The New York Observer at 09:31PM
Thursday, July 11, 2024

‘Oh, Mary!’ Is a Splendidly Nasty Farce You Will Not Want to Miss by David Cote

Cole Escola plays Mary Todd Lincoln in drag in this delightfully campy queer romp, which has moved uptown to goose a sleepy Broadway summer.

SOURCE: The New York Observer at 07:31PM
Wednesday, June 12, 2024

Review: Women’s Work Is A Bloody Business In ‘The Welkin’ by David Cote

Sandra Oh leads a talented cast in this Lucy Kirkwood play—set in 18th century England—that's both a murder mystery and an exploration of the moral rot of misogyny.

SOURCE: The New York Observer at 09:31PM
Thursday, June 6, 2024

Review: At the Roundabout, A Luminous Revival of Samm-Art Williams’ ‘Home’ by David Cote

This rollicking memory play treats one man's life as an epic journey, and this production—starring Tory Kittles, Brittany Inge and Stori Ayers—is epic indeed.

SOURCE: The New York Observer at 03:11PM
Wednesday, June 5, 2024

Review: In ‘Breaking the Story,’ Maggie Siff’s TV War Reporter Lives With Scars by David Cote

A talented cast outshines the material in this examination of a war correspondent's trauma and the ethics of journalism.

SOURCE: The New York Observer at 04:00PM
Wednesday, May 22, 2024

Review: ‘The Lonely Few’ Mixes Bona Fide Rock Concert With Angsty Love Story by David Cote

This rock musical begins in glorious dive-bar grunge mode, and Lauren Patten and Taylor Iman Jones radiate so much charisma you may not care if the story feels a little generic.

SOURCE: The New York Observer at 05:00PM
Monday, May 20, 2024

Review: Pandemic Meltdown Musical ‘Three Houses’ Finds Song in Solitude by David Cote

Dave Malloy juggles book, music, lyrics, and orchestrations in this musical triptych about Covid Times. The score is entertainingly eclectic, but the dramatic tension and character developme…

SOURCE: The New York Observer at 08:01PM
Monday, May 13, 2024

Review: ‘Here There Are Blueberries’ Studies Holiday Photos from Hell by David Cote

This interview-based docu-play revolves around a mysterious photo album donated to the Holocaust Museum that showed the lives of those running Auschwitz.

SOURCE: The New York Observer at 08:01PM
Tuesday, April 30, 2024

Review: Flashy and Fake ‘Great Gatsby’ Caps a Weak Season by David Cote

The jazz-based score ventures into funk, Disney princess ballad, and a touch of Britpop. But none of the songs stick, and the staging is busy yet unfocused.

SOURCE: The New York Observer at 04:53PM
Monday, April 29, 2024

Review: ‘Staff Meal’ Offers Seven Courses of Tasty Disorientation  by David Cote

It’s hard to describe exactly what happens in this show. Scenes zig and zag in dream logic. But the acting and staging are impeccable. Book a table now.

SOURCE: The New York Observer at 11:00AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre