All stories by Charles McNulty on BroadwayStars

Saturday, December 12, 2015

Idina Menzel is radiant in the flawed 'If/Then' at the Pantages by Charles McNulty

Idina Menzel is such a beloved Broadway talent that it only makes sense that a show built around her would give us two Menzels for the price of one. "If/Then," the 2014 Broadway musical now …

SOURCE: Los Angeles Times at 12:35PM

The best theater of 2015 highlights transformation and enduring power from L.A. to Broadway by Charles McNulty

Here, in alphabetical order, are my 2015 theater highlights. "Amélie," Berkeley Repertory Theatre: An enchanting act of theatrical translation that brought the French film to the stage in a…

SOURCE: Los Angeles Times at 12:35PM

In L.A. theater, Martin Luther King and privileged white men helped drive points home by Charles McNulty

"Identity politics" has an old-fashioned ring, the banner of the academic culture wars of the 1990s, but the conflicts over race, religion, sexuality, gender, nationality and, let us not for…

SOURCE: Los Angeles Times at 12:35PM
Thursday, December 10, 2015

'Color Purple' musical on Broadway has a divine, moving spirit by Charles McNulty

What a difference a director makes. Having seen the original Broadway staging of "The Color Purple" in New York and then the touring production at the Ahmanson Theatre, I was in no rush to r…

SOURCE: Los Angeles Times at 10:57PM
Tuesday, December 8, 2015

Security concerns jangle Broadway, but not enough to keep audiences away by Charles McNulty

The crowds in the theater district here have been as large and unwieldy as they typically are this time of year. Walk along Broadway or 8th Avenue between 42nd and 50th streets around 7:30 i…

SOURCE: Los Angeles Times at 09:05PM
Sunday, December 6, 2015

Broadway's 'School of Rock' is saved by the students by Charles McNulty

NEW YORK — The youngsters from the new musical "School of Rock" are on a rescue mission. Not only are they trying to salvage their wacko teacher's dream of transforming their nerdy selves …

SOURCE: Los Angeles Times at 10:42PM
Friday, December 4, 2015

In David Mamet's perplexing 'China Doll,' Al Pacino can only roar weakly by Charles McNulty

With his gray mane and gravelly roar, Al Pacino skulks around the stage like an old lion in "China Doll," David Mamet's yakking character study of an aging oligarch still trying to intimidat…

SOURCE: Los Angeles Times at 06:56PM
Saturday, November 28, 2015

'Macbeth' succeeds in avoiding its onstage curse when it's on-screen by Charles McNulty

Thespians, a superstitious lot, insist that "Macbeth" should never be directly referred to inside a theater. If an actor accidentally forgets to call Shakespeare's malevolent masterpiece "th…

SOURCE: Los Angeles Times at 03:59PM
Friday, November 20, 2015

A new, fearless generation makes this a revolutionary moment in American playwriting by Charles McNulty

This fall season has provided Los Angeles theatergoers the opportunity to become better acquainted with the most exciting generation of playwrights to have burst onto the scene since I becam…

SOURCE: Los Angeles Times at 06:52PM

John Patrick Shanley's 'Outside Mullingar' is just the thing for a happy cry by Charles McNulty

When the drizzle outside is as continuous as the chatter inside, you can be sure the play you're watching is set in Ireland. Such is the case in John Patrick Shanley's gentle dramatic comedy…

SOURCE: Los Angeles Times at 07:34AM
Tuesday, November 10, 2015

The inventive 'Love and Information' reminds us that you can't Google wisdom by Charles McNulty

Knowledge has been a central subject of Western drama since Oedipus went on a manhunt and discovered that he himself was the culprit. Who are we? What are we doing here? And how shall we car…

SOURCE: Los Angeles Times at 10:50PM
Monday, November 2, 2015

'Breaking Through' falls into cliched musical traps at Pasadena Playhouse by Charles McNulty

An appealing cast and some gorgeous singing enliven "Breaking Through," a new musical about an old subject — the music industry's uncanny knack for destroying the talent it packages for fl…

SOURCE: Los Angeles Times at 10:30PM
Saturday, October 31, 2015

'Hamilton's' revolutionary power is in its hip-hop musical numbers by Charles McNulty

"Hamilton," which began off-Broadway at the Public Theater and is now happily ensconced at Broadway's Richard Rodgers Theatre, where tickets are fetching a Russian oligarch's ransom, is the …

SOURCE: Los Angeles Times at 09:28AM
Tuesday, October 20, 2015

'Kansas City Choir Boy,' with Courtney Love, is more staged concert than a musical by Charles McNulty

Courtney Love wears her ghostliness with a rock star's swagger. When she enters the playing area that has been set up at the Kirk Douglas Theatre, where "Kansas City Choir Boy" opened Sunday…

SOURCE: Los Angeles Times at 10:50AM
Thursday, October 15, 2015

Geffen Playhouse's 'Guards at the Taj' has elements of 'Godot' and gallows humor by Charles McNulty

Rajiv Joseph, the boldly adventurous author of “Bengal Tiger at the Baghdad Zoo,” begins “Guards at the Taj” on a Beckettian note. The play, which opened Wednesday at the Geffen Play…

SOURCE: Los Angeles Times at 10:50PM

'In Your Arms' a pleasing, sketch-heavy dance-musical at the Old Globe by Charles McNulty

"In Your Arms," the audience-pleasing new dance musical receiving its world premiere at the Old Globe, seems designed, packaged and market-tested for Broadway.

SOURCE: Los Angeles Times at 12:09PM

Eccentric French 'Dragons' exhibits commendable humility by Charles McNulty

The most tantalizing aspect of "La Mélancolie des Dragons," an eccentric performance work by French artist and director Philippe Quesne, is the gentle camaraderie of the longhaired heavy-me…

SOURCE: Los Angeles Times at 12:09PM

It's a tame 'One Man, Two Guvnors' at South Coast Repertory by Charles McNulty

Commedia dell'arte meets British farce: In "One Man, Two Guvnors," Richard Bean gives Carlo Goldoni's 18th century comedy "The Servant of Two Masters" the Benny Hill treatment.

SOURCE: Los Angeles Times at 12:09PM

'Amélie's' magical bread crumbs lead to storybook ending in musical's Berkeley premiere by Charles McNulty

"Amélie," the new musical based on the offbeat 2001 French film that made a star out of a pixieish Audrey Tautou, does more than translate for an American audience the tale of a minor mirac…

SOURCE: Los Angeles Times at 12:09PM

'Vietgone' is a journey of intersecting lives after the fall of Saigon by Charles McNulty

The program for South Coast Repertory's production of Qui Nguyen's "Vietgone," which is having its world premiere in Costa Mesa, has some interesting biographical tidbits about the author th…

SOURCE: Los Angeles Times at 12:08PM

Toni Morrison's ghostly 'Desdemona' blends words and music in lyrical revision of Shakespeare by Charles McNulty

From the merest suggestion in Shakespeare's "Othello" that Desdemona may have had an African maid as a girl, Toni Morrison imagines hidden dimensions in the mind and heart of the Senator's d…

SOURCE: Los Angeles Times at 12:08PM

Clive Owen and Sam Rockwell hit Broadway in 'Old Times' and 'Fool for Love' with different results by Charles McNulty

Funny the way success renders yesterday's avant-garde palatable to today's mainstream. Harold Pinter and Sam Shepard, once bewildering to theatergoers addicted to stories with a beginning, m…

SOURCE: Los Angeles Times at 11:26AM

Tony Awards show a new maturity in theater scene by Charles McNulty

Broadway went big this year. Big box office, big attendance, big flops and big statements. The biggest statement by far was "Fun Home" winning five Tonys, including the best musical award, t…

SOURCE: Los Angeles Times at 10:52AM
Friday, August 21, 2015

Fountain Theatre celebrates its first 25 years as a vital, intimate L.A. stage by Charles McNulty

The Fountain Theatre, established 25 years ago, began, as many things used to do, with a fateful phone call.

SOURCE: Los Angeles Times at 08:01PM
Tuesday, August 11, 2015

'Frozen' team premieres 'Up Here,' a quirky, pleasing, undercooked musical by Charles McNulty

On the outside, Dan, the 31-year-old computer guy with a fleshy middle, knows he comes off as "unassuming and plain." Good at math, he tells us he's 5-foot-10, 200 pounds and that 52 is the …

SOURCE: Los Angeles Times at 08:57PM
Friday, August 7, 2015

Character development counts in bringing plays to life onstage by Charles McNulty

Shortly after savoring Rogue Machine Theatre's scrupulously acted production of Samuel D. Hunter's "A Permanent Image" and just before attending the much-praised Antaeus Company revival of W…

SOURCE: Los Angeles Times at 04:36PM
Monday, August 3, 2015

'Spamalot' a summer treat at Hollywood Bowl by Charles McNulty

It's hard to go wrong with "Spamalot" at the Hollywood Bowl. The Tony-winning show, based on the cult movie comedy "Monty Python and the Holy Grail," leaves no silliness unturned as it affec…

SOURCE: Los Angeles Times at 03:45AM
Monday, July 20, 2015

A big 'like' for Caryl Churchill's 'Love and Information' by Charles McNulty

It's only fitting that American Conservatory Theater should inaugurate the Strand, its new second stage in the city's tech corridor, with a recent play by the inexhaustibly original British …

SOURCE: Los Angeles Times at 07:05AM
Tuesday, July 14, 2015

Old Globe's 'Kiss Me, Kate' steals a smile if not a heart by Charles McNulty

"Kiss Me, Kate," the 1948 backstage musical comedy with the matchless Cole Porter score, seems made for blissed-out summer nights - a classic to be savored with gelato and Prosecco for those…

SOURCE: Los Angeles Times at 09:45AM
Saturday, June 27, 2015

'Larry Kramer in Love & Anger': At 80, the film's subject reveals a complex heart by Charles McNulty

How does it feel seeing your life pass before your eyes in a documentary?

SOURCE: Los Angeles Times at 04:25PM
Monday, June 15, 2015

Generosity overcomes terrorism in unpretentious 'Come From Away' by Charles McNulty

Terrorists make the covers of newspapers while those who selflessly give comfort and support in times of crisis are usually relegated to the back pages.

SOURCE: Los Angeles Times at 10:51PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime