All stories by Cameron Kelsall on BroadwayStars

Tuesday, May 7, 2019

South Camden Theatre Company presents David Schulner’s ‘An Infinite Ache’ by Cameron Kelsall

‘An Infinite Ache’ at South Camden Theatre Company offers a stale portrait of what it means to be part of a couple. Cameron Kelsall reviews.

Linked From Broad Street Review at 10:45PM

The Resident Ensemble Players present August Wilson’s ‘Fences’ by Cameron Kelsall

A strong season of local August Wilson productions continues with ‘Fences’ at University of Delaware’s Resident Ensemble Players. Cameron Kelsall reviews.

Linked From Broad Street Review at 10:45PM

Curtis Opera Theatre and Opera Philadelphia present ‘Riders to the Sea’ and ‘Empty the House’ by Cameron Kelsall

Two operas written nearly a century apart consider the familial wounds that time doesn’t heal. Cameron Kelsall reviews.

Linked From Broad Street Review at 10:45PM
Sunday, April 28, 2019

Opera Philadelphia presents ‘La Bohème’ by Cameron Kelsall

Extraordinary singing from several locally trained performers salvages Opera Philadelphia’s vulgar, high-concept ‘La Bohème.’ Cameron Kelsall reviews.

Linked From Broad Street Review at 05:48PM
Monday, April 15, 2019

People’s Light presents Sarah Ruhl’s ‘For Peter Pan on Her 70th Birthday’ by Cameron Kelsall

Sarah Ruhl’s moving family dramedy ‘For Peter Pan on Her 70th Birthday’ receives an uneven staging at People’s Light. Cameron Kelsall reviews.

Linked From Broad Street Review at 07:34PM

Broadway Philadelphia presents the national tour of ‘Anastasia’ by Cameron Kelsall

The national tour of ‘Anastasia,’ at the Academy of Music, delivered on spectacle but not coherent storytelling. Cameron Kelsall reviews.

Linked From Broad Street Review at 03:01PM
Friday, April 5, 2019

InterAct Theatre Company presents Gabriel Jason Dean’s ‘Heartland’ by Cameron Kelsall

Gabriel Jason Dean’s ‘Heartland,’ at InterAct Theatre Company, gets awkwardly stuck between kitchen-sink drama and didactic political play. Cameron Kelsall reviews.

Linked From Broad Street Review at 06:51PM
Thursday, April 4, 2019

Classic Stage Company presents Marc Blitzstein’s ‘The Cradle Will Rock’ by Cameron Kelsall

New York’s Classic Stage Company revives the legendary ‘The Cradle Will Rock’, by Philadelphia-born composer Marc Blitzstein. Cameron Kelsall reviews.

Linked From Broad Street Review at 02:00PM
Monday, April 1, 2019

Philadelphia Artists’ Collective presents John Ford’s ‘Tis Pity She’s a Whore’ by Cameron Kelsall

Philadelphia Artists’ Collective’s ‘Tis Pity She’s a Whore’ is revenge tragedy done rippingly right. Cameron Kelsall reviews.

Linked From Broad Street Review at 09:30PM
Friday, March 29, 2019

Philadelphia Theatre Company presents Christina Anderson’s ‘How to Catch Creation’ by Cameron Kelsall

‘How to Catch Creation’ launches an ambitious, important push for greater representation at Philadelphia Theatre Company, but Christina Anderson’s play feels frustrating and predictabl…

Linked From Broad Street Review at 05:45PM
Tuesday, March 26, 2019

Theatre Horizon presents Samuel D. Hunter’s ‘The Few’ by Cameron Kelsall

‘The Few’ considers the desolate lives of long-haul truckers, but Theatre Horizon’s production of Samuel D. Hunter’s play sets an inconsistent tone. Cameron Kelsall reviews.

Linked From Broad Street Review at 07:28PM
Monday, March 25, 2019

EgoPo and Theatre in the X present Censored: A Rotating Repertory of Two Banned South African Plays by Cameron Kelsall

EgoPo Classic Theater concludes its South African season with two perspectives on life under apartheid. Cameron Kelsall reviews.

Linked From Broad Street Review at 06:07PM

Isis Productions presents Scott McPherson’s ‘Marvin’s Room’ by Cameron Kelsall

‘Marvin’s Room,’ presented in a revival by Isis Productions, considers the emotional labor of familial obligation. Cameron Kelsall reviews.

Linked From Broad Street Review at 01:55PM
Friday, March 22, 2019

Inis Nua Theatre Company presents Elizabeth Kuti’s ‘Fishskin Trousers’ by Cameron Kelsall

'Fishskin Trousers,' the latest in Inis Nua’s Pop-Up Play in a Pub series, offers too many dangling threads that never fully coalesce. Cameron Kelsall reviews.

Linked From Broad Street Review at 03:23PM

Broadway Philadelphia presents ‘Miss Saigon’ at the Academy of Music by Cameron Kelsall

The national tour of ‘Miss Saigon’ arrives in Philadelphia awash in dated, Orientalist tropes. Cameron Kelsall reviews.

Linked From Broad Street Review at 02:33PM
Tuesday, March 12, 2019

The Walnut Street Theatre presents Rick Foster’s ‘Kate: An Unexamined Life’ by Cameron Kelsall

A fine central performance lifts ‘Kate: An Unexamined Life,’ at Walnut Street Theatre’s Independence Studio on 3, from the realm of biographical predictability. Cameron Kelsall reviews.

Linked From Broad Street Review at 03:30PM
Monday, March 11, 2019

Curtis Opera Theatre and Opera Philadelphia present ‘Don Giovanni’ by Cameron Kelsall

Curtis Opera Theatre takes a gutsy chance by grappling with the thorny sexual politics of ‘Don Giovanni,’ but R.B. Schlather’s revisionist production often misses the mark. Cameron Kel…

Linked From Broad Street Review at 09:06PM
Sunday, March 10, 2019

The Academy of Vocal Arts presents Mozart’s ‘Cosí fan tutte’ by Cameron Kelsall

Exquisite singing and orchestral playing enlivens a by-the-numbers production of ‘Cosí fan tutte’ at AVA. Cameron Kelsall reviews.

Linked From Broad Street Review at 07:02PM

Arden Theatre Company presents August Wilson’s ‘Gem of the Ocean’ by Cameron Kelsall

Arden Theatre Company’s breathtaking production of August Wilson’s ‘Gem of the Ocean’ honors the past and looks ahead to the present. Cameron Kelsall reviews.

Linked From Broad Street Review at 05:43PM
Monday, February 18, 2019

McCarter Theatre Center presents Elevator Repair Service’s ‘Gatz’ by Cameron Kelsall

In ‘Gatz,’ Elevator Repair Service puts Fitzgerald on stage for eight sometimes fascinating, sometimes frustrating hours. Cameron Kelsall reviews.

Linked From Broad Street Review at 06:42PM
Friday, February 15, 2019

Philadelphia Theatre Company presents ‘The Bridges of Madison County’ by Cameron Kelsall

Philadelphia Theatre Company’s ‘The Bridges of Madison County’ swells with treacly sentimentality. Cameron Kelsall reviews.

Linked From Broad Street Review at 01:52PM
Tuesday, February 12, 2019

Curio Theatre Company presents ‘Three Sisters, by RashDash, After Chekhov’ by Cameron Kelsall

Curio Theatre Company’s ‘Three Sisters, by RashDash, After Chekhov’ interrogates theatrical traditions and gendered expectations. Cameron Kelsall reviews.

Linked From Broad Street Review at 10:19PM

South Camden Theatre Company presents ‘The Duck Variations’ and ‘The Dumb Waiter’ by Cameron Kelsall

South Camden Theatre Company ably pairs ‘The Duck Variations’ and ‘The Dumb Waiter,’ early-career successes for David Mamet and Harold Pinter. Cameron Kelsall reviews.

Linked From Broad Street Review at 08:51PM

Idiopathic Ridiculopathy Consortium presents Elmer Rice’s ‘Dream Girl’ by Cameron Kelsall

The boundaries between fantasy and reality blur too frequently in Idiopathic Ridiculopathy Consortium’s ‘Dream Girl.’ Cameron Kelsall reviews.

Linked From Broad Street Review at 06:11PM
Monday, February 4, 2019

Hella Fresh Theater presents John Rosenberg’s ‘Cana of Galilee’ by Cameron Kelsall

‘Cana of Galilee,’ the latest DIY offering from Kensington’s Hella Fresh Theater, considers growth and grief with surprising power. Cameron Kelsall reviews.

Linked From Broad Street Review at 05:34PM

EgoPo Classic Theater presents Reza de Wet’s ‘Three Sisters Two’ by Cameron Kelsall

EgoPo Classic Theater powerfully explores the doomed Prozorov sisters, and the future of South Africa, in Reza de Wet’s ‘Three Sisters Two.’ Cameron Kelsall reviews.

Linked From Broad Street Review at 04:44PM

Temple Theaters presents Lynn Nottage’s ‘Fabulation’ by Cameron Kelsall

Temple Theaters revives ‘Fabulation, or, the Re-Education of Undine,’ an early Lynn Nottage play that nods to 19th-century sentimental fiction. Cameron Kelsall reviews.

Linked From Broad Street Review at 04:03PM
Saturday, February 2, 2019

InterAct Theatre Company presents Idris Goodwin’s ‘Hype Man: A Break Beat Play’ by Cameron Kelsall

The important themes of ‘Hype Man: A Break Beat Play,’ at InterAct Theatre Company, too often get lost in the musical shuffle. Cameron Kelsall reviews.

Linked From Broad Street Review at 06:20PM
Sunday, January 27, 2019

The Eagle Theatre presents ‘Ragtime’ by Cameron Kelsall

Timeless and timely, ‘Ragtime’ reinforces its status as a great American musical in Eagle Theatre’s fine production. Cameron Kelsall reviews.

Linked From Broad Street Review at 05:19PM

Bristol Riverside Theatre presents Ernest Thompson’s ‘On Golden Pond’ by Cameron Kelsall

Like its octogenarian protagonist, ‘On Golden Pond,’ now onstage at Bristol Riverside Theatre, shows its age. Cameron Kelsall reviews.

Linked From Broad Street Review at 04:34PM
Saturday, January 26, 2019

The Arden Theatre presents Kash Goins’s ‘74 seconds…To Judgment’ by Cameron Kelsall

‘74 Seconds…To Judgment,’ at the Arden Theatre Company, joins the pantheon of political plays that ask tough questions and reject easy answers. Cameron Kelsall reviews.

Linked From Broad Street Review at 06:22PM

All that Chat

2019-2020 BROADWAY SEASON
Oct 06: Slave Play
Feb 01: The Minutes
TBA: Blue