All stories by Arifa Akbar on BroadwayStars

Monday, January 6, 2020

Stop mewling! Cats is no turkey, say our dance and theatre critics by Arifa Akbar and Lyndsey Winship

Film reviewers sank their claws into Cats, but is it really so awful? Our stage reviewers steeled themselves for the caterwauling ... but ended up quite enjoying it It can be very pleasurab…

SOURCE: The Guardian at 11:24AM
Thursday, January 2, 2020

Star debuts and happy returns: theatre, dance and comedy in 2020 by Arifa Akbar, Lyndsey Winship and Brian Logan

Tom Stoppard gets personal, Cush Jumbo does Hamlet, Hollywood names bring everything from tragedy to comedy … plus dance confronts shame and there’s standup open heart surgery Continue r…

SOURCE: The Guardian at 04:36AM
Friday, December 13, 2019

Club 2B review – get down with Zeus and Lady Godiva by Arifa Akbar

Belgrade theatre, CoventryCharacters including The Great Gatsby’s Daisy round on a Greek god in this bewildering Christmas show The setting is a cabaret-style jazz club with saxophonist, d…

SOURCE: The Guardian at 06:12PM
Thursday, December 12, 2019

The Ocean at the End of the Lane – adrenaline-powered Neil Gaiman adaptation by Arifa Akbar

National Theatre, LondonGaiman’s novel turns into a dynamic and quirky stage spectacular, though at the expense of the more nuanced relationships There are some hair-raising monsters in T…

SOURCE: The Guardian at 11:36AM
Wednesday, December 11, 2019

The Duchess of Malfi review – subterfuge and spying in the #MeToo age by Arifa Akbar

Almeida, LondonLydia Wilson is riveting as the strong-willed duchess in Rebecca Frecknall’s arresting update When The Duchess of Malfi was revived in 1945 after falling out of fashion for …

SOURCE: The Guardian at 10:06AM
Monday, December 9, 2019

Little Miss Burden review – trauma, whimsy and 90s girl-bands by Arifa Akbar

Bunker, LondonMatilda Ibini’s autobiographical coming-of-age play mixes serious scenes with underpowered comedy sketches Little Miss Burden begins as a Jackanory-style story, narrated by t…

SOURCE: The Guardian at 06:48PM

A tale of two Carols: Dickens's festive feast served with a twist by Arifa Akbar

This year, the tried-and-tested tale at London’s Old Vic is up against subversive surprises at Wilton’s Music Hall, where Scrooge’s sister takes the lead Charles Dickens knew he had st…

SOURCE: The Guardian at 02:18PM
Wednesday, December 4, 2019

Midnight Movie review – a striking look at online liberation by Arifa Akbar

Royal Court, LondonSaturating the senses with sound, light and sign language, this imaginative experience explores whether the web can free us from our ‘glitching’ bodies In Midnight Mov…

SOURCE: The Guardian at 01:54PM
Monday, December 2, 2019

Gurpreet Kaur Bhatti: 'My family make the Borgias look like the Waltons' by Arifa Akbar

She needed police protection after her play about a rape in a Sikh temple was axed mid-run. The playwright talks about the extraordinary upbringing that drives her Gurpreet Kaur Bhatti was a…

SOURCE: The Guardian at 08:24PM
Monday, November 18, 2019

Stray Dogs review – Russian poet's struggle against Stalin by Arifa Akbar

Park theatre, LondonAnna Akhmatova is forced to choose between artistic integrity and saving her son in Olivia Olsen’s play In 1935, Anna Akhmatova began writing Requiem in Soviet Russia. …

SOURCE: The Guardian at 10:48AM
Friday, November 8, 2019

Shook review – young offenders take forlorn lessons in fatherhood by Arifa Akbar

Southwark Playhouse, LondonSamuel Bailey’s moving play is carried along by its characters’ wisecracking – and reveals the anguish hidden underneath The bored young men in Shook yearn t…

SOURCE: The Guardian at 11:06AM
Wednesday, November 6, 2019

'I needed a new home': how Debris Stevenson left Mormonism for grime by Arifa Akbar

Her musical Poet in da Corner brought raving to the Royal Court. Now the writer and performer is exploring first love. She talks Mormonism, trauma and teen dreams Debris Stevenson’s first …

SOURCE: The Guardian at 01:48PM
Tuesday, November 5, 2019

Frankenstein review – Shelley's story malfunctions under weight of new ideas by Arifa Akbar

Southwark Playhouse, LondonVR headsets and a gender switch give National Youth Theatre’s exuberant production a modern twist, but the storytelling feels gimmicky ‘The human era is coming…

SOURCE: The Guardian at 08:33AM
Thursday, October 31, 2019

God’s Dice review – Baddiel drama has science, spirituality but no spark by Arifa Akbar

Soho theatre, LondonIn his debut play, starring Alan Davies, David Baddiel gambles on a mash-up of physics and midlife crisis Alan Davies emerges on stage to address the room, or so it seems…

SOURCE: The Guardian at 02:03PM
Monday, October 28, 2019

Sex tapes and acid attacks: Anupama Chandrasekhar, the playwright shocking India by Arifa Akbar

Her dramas confront the growing horrors facing women in India today. Now she’s reworked Ibsen’s Ghosts, taking out the syphilis and putting in the Delhi bus gang rape of 2012 Anupama Cha…

SOURCE: The Guardian at 02:24PM
Sunday, October 27, 2019

Botticelli in the Fire review – audacious Renaissance romp by Arifa Akbar

Hampstead theatre, LondonThe painter resembles a drunken YBA in a flawed but timely show that veers from camp humour to political intrigue ‘This is not just a play, it’s an extravaganza,…

SOURCE: The Guardian at 10:36AM
Thursday, October 24, 2019

Ages of the Moon review – Sam Shepard bromance laughs in the face of death by Arifa Akbar

Vaults, LondonShepard picks apart the frailties of two men tormented by unspoken emotions, from marital meltdown and armchair priapism to the existential crisis of mortality The men in Sam S…

SOURCE: The Guardian at 10:12AM
Sunday, October 20, 2019

Lungs review – Claire Foy and Matt Smith shine in climate crisis drama by Arifa Akbar

Old Vic, LondonDuncan Macmillan’s two-hander is a frenetic portrait of flawed love in a flawed world, exposing the neuroses of a modern couple who struggle to put their principles aside �…

SOURCE: The Guardian at 08:48AM
Friday, October 18, 2019

For All the Women Who Thought They Were Mad review – a great unravelling by Arifa Akbar

Hackney Showroom, LondonZawe Ashton aims high with an intricate dissection of race and gender but a smart ending can’t save this muddled show Zawe Ashton has described her play as both an …

SOURCE: The Guardian at 09:12AM
Tuesday, October 15, 2019

Out of Sorts review – deeply tender drama about belonging by Arifa Akbar

Theatre 503, LondonDanusia Samal’s complex drama explores the double life of a young Muslim millennial heading for marriage Zara is a British-Arab millennial who feels the strain of her do…

SOURCE: The Guardian at 04:36PM
Sunday, October 13, 2019

Hottest ticket in town: the mega sauna hosting a Euro theatre contest by Arifa Akbar

A drama competition for 200 naked people in a giant sauna? Our writer gets a sweaty taste of ‘aufgass’ in the Netherlands I am standing behind a partition rope, waiting for the theatre t…

SOURCE: The Guardian at 11:03AM
Monday, October 7, 2019

Shuck ‘n’ Jive review – racism still has a lead role in the audition room by Arifa Akbar

Soho theatre, LondonThis fearless production uses intelligent humour to expose racial typecasting in the entertainment industry How diverse is theatre? Are there more roles for BAME actors …

SOURCE: The Guardian at 10:36AM

Frankenstein review – monster-maker overeggs the horror by Arifa Akbar

Belgrade theatre, CoventryPlacing Mary Shelley alongside the characters she created undermines the extraordinary power of her classic story The real-life tale behind the creation of Frankens…

SOURCE: The Guardian at 05:06AM
Friday, September 27, 2019

The Night Watch review – Sarah Waters' sorrowful story speaks to the pain of war by Arifa Akbar

Yvonne Arnaud theatre, Guildford Set during and after the blitz, the lives of five characters and the scars left behind are movingly explored Sarah Waters writes historical novels that seem …

SOURCE: The Guardian at 11:06AM
Thursday, September 26, 2019

Blood Wedding review – bold and beautiful tale of doom by Arifa Akbar

Young Vic, LondonYaël Farber’s visceral production, relocating the action to rural Ireland, retains all the potency of Lorca’s play about tribal vengeance How to stage Lorca’s Blood W…

SOURCE: The Guardian at 10:18AM
Wednesday, September 25, 2019

Mother of Him review – unflinching crime drama with Tracy Ann Oberman by Arifa Akbar

Park theatre, LondonOberman stars as the mother of a teenage rapist in this revival of Evan Placey’s rich exploration of family conflict Matthew Kapowitz is a Canadian teenager under house…

SOURCE: The Guardian at 11:42AM
Thursday, September 12, 2019

Amsterdam review – actors squabble over story of Nazi occupation by Arifa Akbar

Orange Tree, LondonMaya Arad Yasur’s complex play about the consequences of war is obscured by a series of comic games Amsterdam is billed as an “audacious thriller” and the mystery at…

SOURCE: The Guardian at 05:24PM
Friday, September 6, 2019

Anahera review – deft satire of class, race and family values by Arifa Akbar

Finborough, LondonAfter a boy runs away, a Maori social worker is sent to investigate the parents in Emma Kinane’s engaging if overlong New Zealand drama A young Maori social worker is sen…

SOURCE: The Guardian at 04:03PM
Tuesday, August 27, 2019

Theatre and #MeToo: 'There's a new anger in women's stories' by Arifa Akbar

The Weinstein scandal has inspired several new plays ranging from sharp satire to crass comedy. As the mogul heads to trial, we gauge theatre’s response Katie Arnstein tells a story of a d…

SOURCE: The Guardian at 01:54AM
Friday, August 9, 2019

Evita review – Argentina's queen of hearts as a high-school mean girl by Arifa Akbar

Regent’s Park Open Air theatre, LondonAndrew Lloyd Webber’s epic gets a rock-concert revival that features pom-poms and twerking but lacks central chemistry It is no surprise that Evita …

SOURCE: The Guardian at 08:42AM
Thursday, August 1, 2019

Shackleton's Carpenter review – forgotten hero tells his own tale by Arifa Akbar

Jermyn Street theatre, LondonMalcolm Rennie is stunning as Harry McNish, a carpenter on Shackleton’s ill-fated voyage, whose key part in the famous story has been overlooked The lights go …

SOURCE: The Guardian at 01:36PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 15, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
TBA: Titanic