All stories by Alexis Soloski on BroadwayStars

Monday, May 25, 2015

Half Straddle Runs a Trick Play by Alexis Soloski

In the Pony Palace/FOOTBALL would confuse Vince Lombardi

SOURCE: Village Voice at 05:58PM

Apple Cove Bears Little Fruit by Alexis Soloski

The Women's Project stages a busy satire

SOURCE: Village Voice at 05:58PM

The Diary of a Madman Brings Some Pleasing Derangement to BAM by Alexis Soloski

Geoffrey Rush flips out in a Gogol adaptation

SOURCE: Village Voice at 05:58PM

A Lost Shakespeare? It’s a Mystery by Alexis Soloski

The Classic Stage Company takes on a production of the play “Double Falsehood,” an adaption by Lewis Theobald of “Cardenio,” a very possible collaboration by Shak…

SOURCE: The New York Times Subscription at 05:58PM
Thursday, May 21, 2015

Permission review - spanking comedy makes its mark by Alexis Soloski

Lucille Lortel Theater, New YorkChristian Domestic Discipline, in which a wife submits to being spanked by her husband, is the subject of a slyly poignant play that packs a wallop Continue r…

SOURCE: The Guardian at 09:11AM
Wednesday, May 20, 2015

Review: ‘Macbeth,’ Accelerated, at Public Theater by Alexis Soloski

The Public’s Mobile Shakespeare Unit, which usually performs at places like prisons, returns home with its brisk production of Shakespeare’s tragedy.

SOURCE: The New York Times Subscription at 10:00PM

The Way We Get By review – Neil LaBute's inarticulate characters irritate by Alexis Soloski

Second Stage, New YorkAmanda Seyfried and Thomas Sadoski star in a morning-after drama where they talk endlessly without saying anything of substance Continue reading...

SOURCE: The Guardian at 07:14AM
Monday, May 18, 2015

Review: Ensemble Studio Theater’s ‘35th Marathon of One-Act Plays’ by Alexis Soloski

In just two hours, Series A of the marathon races from Manhattan to Brooklyn, from a port town in Kenya to the capital of Idaho, from the 1950’s to right now.

SOURCE: The New York Times Subscription at 10:00PM

Review: ‘The Flatiron Hex,’ a Delirious Tale With Puppets and Ickiness by Alexis Soloski

Created by the puppeteer James Godwin, this show centers on an I.T. expert and shaman trying to protect a city amid a toxic swamp.

SOURCE: The New York Times Subscription at 06:11PM
Thursday, May 14, 2015

Review: In ‘Heartbreak,’ Talk Is Complicated by Alexis Soloski

Ariel Stess’s play at the Bushwick Starr, centered on the family of a building company owner, abounds in wordplay.

SOURCE: The New York Times Subscription at 05:56PM

Safely Costuming ‘Permission,’ a High-Impact Comedy From Robert Askins by Alexis Soloski

Paloma Young, a Tony Award-winning costume designer, assembled clothing that could cushion the spanks in “Permission,” a comedy about spousal corporal punishment.

SOURCE: The New York Times Subscription at 12:29PM
Sunday, May 10, 2015

Review: ‘Major Barbara’ at Brave New World Repertory in Brooklyn by Alexis Soloski

George Bernard Shaw’s 1905 play pits a Salvation Army officer’s “blood and fire” and against her munitions manufacturer father’s “money and gunpowder.”

SOURCE: The New York Times Subscription at 05:52PM
Thursday, May 7, 2015

Review: In ‘Cool Hand Luke,’ the Ultimate Escape by Alexis Soloski

The Godlight Theater Company brings a hero back to life at 59E59 Theaters.

SOURCE: The New York Times Subscription at 10:00PM
Wednesday, May 6, 2015

Lydia Leonard Talks About ‘Wolf Hall’ by Alexis Soloski

The actress, who plays Anne Boleyn in the plays, has been nominated for a Tony for her role.

SOURCE: The New York Times Subscription at 01:03PM
Tuesday, May 5, 2015

Review: ‘Let Us Now Praise Susan Sontag,’ by Sibyl Kempson by Alexis Soloski

The inaugural production by Ms. Kempson’s company, 7 Daughters of Eve Thtr. & Perf. Co., is a consideration of how stories are told and who gets to tell them.

SOURCE: The New York Times Subscription at 10:25PM

Review: ‘The Floatones,’ Making Song and Sense of Life and Nonsense by Alexis Soloski

Jim Neu’s musical about four characters who form a doo-wop group based on nonattachment.

SOURCE: The New York Times Subscription at 05:18PM
Sunday, May 3, 2015

Review: ‘Six Rounds of Vengeance,’ in Vegas, No Actual Boxers Necessary by Alexis Soloski

This Vampire Cowboys show relies on westerns, samurai stories, action movies, blaxploitation flicks and vampire chillers.

SOURCE: The New York Times Subscription at 06:21PM
Thursday, April 30, 2015

Review: ‘Your Blues Ain’t Sweet Like Mine’ Takes On Race by Alexis Soloski

Ruben Santiago-Hudson’s drama, at Two River Theater in New Jersey, is less a play than a poignant, often powerful polemic.

SOURCE: The New York Times Subscription at 05:32PM
Tuesday, April 28, 2015

Tony nominations aren’t kind to new American plays by Alexis Soloski

British imports dominated the awards announcement, with The Curious Incident or Wolf Hall likely to win best play. But where is Hugh Jackman’s nomination? Continue reading...

SOURCE: The Guardian at 11:41AM
Monday, April 27, 2015

Grounded review – Anne Hathaway goes full throttle in one-woman show by Alexis Soloski

The Public theater, New YorkHathaway gives a heightened performance as a drone pilot and director Julie Taymor turns up all the dials, in a chilling play about the effects of killing by remo…

SOURCE: The Guardian at 06:25AM
Sunday, April 26, 2015

Review: ‘Yokohama Rosa,’ With Michiko Godai, at Japan Society by Alexis Soloski

A homeless Japanese woman inspired Ms. Godai’s performance in this play.

SOURCE: The New York Times Subscription at 05:31PM
Friday, April 24, 2015

Airline Highway review – down and out in New Orleans and on Broadway by Alexis Soloski

Samuel J Friedman theatre, New YorkLisa D’Amour’s play about life in a hopeless motel is an orgy of tinsel and beer with no sight of a story Continue reading...

SOURCE: The Guardian at 08:59AM

The Visit review – vengeful Chita Rivera sharpens Kander and Ebb’s dark vision by Alexis Soloski

Lyceum theatre, New YorkThis musical treatment of Dürrenmatt’s revenge satire has star turns from Rivera and Roger Rees, but a romanticised plot plays weakly beside its macabre twists Con…

SOURCE: The Guardian at 06:46AM
Thursday, April 23, 2015

Something Rotten! review – Shakespeare musical is comfortable but not clever by Alexis Soloski

Though it features a twerking Bard and a song called I Hate Shakespeare, this new comedy about his rival playwrights is too nice to be truly iconoclastic Continue reading...

SOURCE: The Guardian at 12:10AM
Tuesday, April 21, 2015

Doctor Zhivago review – a mega-musical sprinkled with inadvertent comedy by Alexis Soloski

The Broadway Theater, New YorkMore overblown than overwhelming, this melodramatic musical has minimal impact despite some good songs – and Lara’s wig is ridiculous Continue reading...

SOURCE: The Guardian at 09:00PM
Monday, April 20, 2015

Review: In ‘Emily Climbs (Machine Méchant),’ a Botched Rebirth by Alexis Soloski

“Emily Climbs” seems like a singular story, but it’s actually two stories told by three actors playing the same character.

SOURCE: The New York Times Subscription at 06:03PM

Fun Home review – Alison Bechdel's childhood trauma revisited with songs by Alexis Soloski

Circle in the Square Theater, New YorkBased on a graphic novel memoir about growing up gay in a funeral home, this smart, sophisticated Broadway musical includes one astonishing performance …

SOURCE: The Guardian at 11:53AM
Sunday, April 19, 2015

Review: ‘The Tailor of Inverness,’ a Father-Son Tale at Brits Off Broadway by Alexis Soloski

In this solo show at 59E59 Theaters, Matthew Zajac returns to Poland to spool back the lost threads of his father’s life.

SOURCE: The New York Times Subscription at 08:58PM
Friday, April 17, 2015

Review: ‘Revenge of the Popinjay’ at Dixon Place by Alexis Soloski

A killer who has been hacking straight people’s arms off is the villain in this Animal Parts production.

SOURCE: The New York Times Subscription at 06:28PM

Review: ‘Se Llama Cristina,’ a Search for Identity, at the Intar Theater by Alexis Soloski

“Se Llama Cristina,” by Octavio Solis at the Intar Theater, puts its two main characters through a series of flashbacks to reveal more of their calamitous pasts.

SOURCE: The New York Times Subscription at 05:16PM

The King and I review – a glorious Siamese dream by Alexis Soloski

Lincoln Center, New YorkIt takes a while to get to know the saturnine King, but this rapturous revival will have the audience whistling a happy tune Continue reading...

SOURCE: The Guardian at 10:36AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime