All stories by Alexis Soloski on BroadwayStars

Sunday, April 3, 2016

'I'm not damaged': Ben Whishaw on sexuality, privacy and playing troubled heroes by Alexis Soloski

With his troubled air and tousled hair, the actor has made his name with anguished characters – from Hamlet to Danny in London Spy. Now on Broadway in The Crucible, he talks about coming o…

SOURCE: The Guardian at 10:04AM
Friday, April 1, 2016

Review: ‘House Rules’ and All Kinds of Games by Alexis Soloski

In A. Rey Pamatmat’s play at Here, two Filipino families living in New York try to master Monopoly, mah-jongg, affection, aversion and assimilation.

SOURCE: The New York Times Subscription at 08:01PM

The Crucible review – a probing yet flawed revival of Miller’s tale by Alexis Soloski

Ivo van Hove’s production – set in a gloomy classroom and starring Ben Whishaw and Saoirse Ronan – doesn’t reach the highs of his version of A View from the Bridge and feels overly r…

SOURCE: The Guardian at 09:34AM
Tuesday, March 29, 2016

Richard Nelson's Gabriel family plays: reflecting the anxieties of liberal America by Alexis Soloski

With Hungry, the first in a planned election-year trilogy opening at New York’s Public Theater, Trump’s rise is a dubious gift: ‘I’m a citizen before I’m a writer’The plot of Hun…

SOURCE: The Guardian at 11:50AM
Monday, March 28, 2016

Review: ‘Pioneers!#goforth,’ Presented From the Ceiling by Alexis Soloski

Actors in William Burke’s play describe futile searches for authenticity and originality, while dangling in a rope net.

SOURCE: The New York Times Subscription at 05:34PM
Friday, March 25, 2016

'Writers have to take risks': is this really a new Broadway golden age? by Alexis Soloski

Musical theater had a bumper year in 2015, with breakout hits such as Hamilton drawing in new crowds and renewed excitement. But is this really a new dawn or has the hype clouded the much mo…

SOURCE: The Guardian at 01:32PM
Thursday, March 24, 2016

Bright Star review – sweet, bluegrass-tinged story fails to hit high notes by Alexis Soloski

Cort Theatre, New YorkDespite its impressive cast and soundtrack, Steve Martin’s tale of an editor in the American south who takes a young writer under her wing lacks Broadway lustreFinall…

SOURCE: The Guardian at 11:42PM

He Knows the Drill: Benjamin Walker Works to Make ‘American Psycho’ Sing by Alexis Soloski

In this adaptation of Bret Easton Ellis’s novel, Mr. Walker is working out and absorbing his character, a smooth banker who sidelines as a killer.

SOURCE: The New York Times Subscription at 10:09AM
Friday, March 18, 2016

She Loves Me review – a show to fall head over heels for by Alexis Soloski

Studio 54, New YorkThis joy of this musical, about two warring shop workers unwittingly conducting an epistolary romance, is how the songs deepen and contradict the conversationHungarian pas…

SOURCE: The Guardian at 06:36PM
Monday, March 14, 2016

Hold on to Me Darling review – troubles of a pampered country star by Alexis Soloski

Atlantic Theatre Company, New YorkKenneth Lonergan once again explores the hypocrisy of likable characters in a play starring Timothy Olypahant that veers between farce, comedy and dramaStri…

SOURCE: The Guardian at 10:26PM

Review: In ‘Fly,’ Tuskegee Airmen Are Deployed to Defend Freedoms They Don’t Fully Share by Alexis Soloski

This play at the New Victory Theater, set during World War II, shows the heroism of these black Army pilots and the discrimination they faced back home.

SOURCE: The New York Times Subscription at 06:22PM

Southern Comfort review – touching trans-themed bluegrass musical by Alexis Soloski

Public Theatre, New YorkThough the plot falters, this is an important show in its conviction that transgender people’s social and romantic lives are as worthy of interest and empathy than …

SOURCE: The Guardian at 12:16PM
Thursday, March 10, 2016

Boy review – transgender drama is brisk and fascinating but too tidy by Alexis Soloski

Clurman Theater, New York, NYBased on a real-life case of a boy raised as a girl after a dire surgical mishap, this play is sensitively acted but could go deeper into the issuesIs biology de…

SOURCE: The Guardian at 11:01PM

Blackbird review – Michelle Williams and Jeff Daniels stun in abuse drama by Alexis Soloski

Belasco Theater, New YorkA distressing, nuanced two-hander about the dangerous influence and magnetism of traumatic events, this is the most lacerating play on BroadwayIt is hard to imagine …

SOURCE: The Guardian at 10:00PM

Andrew Schneider Now Embraces Glitches in ‘Youarenowhere’ by Alexis Soloski

The performer’s work, which is having an encore run at 3LD Art & Technology Center, is continually being refined.

SOURCE: The New York Times Subscription at 10:20AM
Wednesday, March 9, 2016

Disaster! review – sounds of the 70s return in all their tacky glory by Alexis Soloski

Nederlander Theatre, New YorkSet on a floating casino hit by an earthquake (among other things), this knowingly awful musical seems more suited to a bar than BroadwayWho among us has not lon…

SOURCE: The Guardian at 12:20AM
Tuesday, March 8, 2016

White Rabbit Red Rabbit review – Nathan Lane at odds with the script by Alexis Soloski

Westside Theater, New YorkNassim Soleimanpour’s play has a different performer every night, each handed the script upon arriving onstage. Lane took up the challenge, and his performance ha…

SOURCE: The Guardian at 11:27AM
Friday, March 4, 2016

Red Speedo review – a poolside doping drama with hidden depths by Alexis Soloski

New York Theatre Workshop, New York, New YorkBeginning with the discovery of performance enhancing drugs in a locker-room, this play comes to the boil – and the lead actor deserves a medal…

SOURCE: The Guardian at 10:51AM

Familiar review – African wedding in the midwest prompts trouble and strife by Alexis Soloski

Playwrights Horizons, New YorkThe tensions between assimilation and honoring ancestry and tradition provide the subject for Danai Gurira’s inconsistent but engaging playDanai Gurira’s of…

SOURCE: The Guardian at 10:51AM
Friday, February 26, 2016

Review: ‘City of Glass,’ Down a Rabbit Hole of Meta-Noir by Alexis Soloski

Untitled Theater Company No. 61 presents an adaptation of the first novel in Paul Auster’s enigmatic “New York Trilogy.”

SOURCE: The New York Times Subscription at 06:27PM

Review: ‘Women Without Men,’ a Learning Experience of Sorts by Alexis Soloski

The minutiae of the pressures and games among female teachers living in close quarters at a boarding school are revealed in this Irish play from 1938.

SOURCE: The New York Times Subscription at 06:06PM

Pericles review – a fabulous fairytale production by Alexis Soloski

Polonsky Shakespeare Center, New YorkTrevor Nunn turns one of Shakespeare’s least-loved plays into something sumptuous and spectacular – though the seafaring plot remains ridiculousPeric…

SOURCE: The Guardian at 11:08AM
Thursday, February 25, 2016

Hughie review – Forest Whitaker plays for low stakes in slight O'Neill play by Alexis Soloski

Booth Theater, New YorkThe actor does not entirely inhabit the part of Erie, a melancholy gambler, in this lavish Michael Grandage production of a minor Eugene O’Neill workWhat small bliss…

SOURCE: The Guardian at 09:42AM
Wednesday, February 24, 2016

Review: ‘The Body of an American’: Ties Created by War by Alexis Soloski

Dan O’Brien’s play examines his friendship with the photojournalist Paul Watson after Mr. Watson won a Pulitzer for images of a dead American soldier.

SOURCE: The New York Times Subscription at 12:25AM
Monday, February 22, 2016

Trevor Nunn, British Shakespeare Master, Tries Something New: Directing Americans by Alexis Soloski

With “Pericles” at Theater for a New Audience, Mr. Nunn is directing his 35th play out of 37 by Shakespeare.

SOURCE: The New York Times Subscription at 05:06PM
Sunday, February 21, 2016

Nice Fish review – Mark Rylance mesmerizes in icy absurdist drama by Alexis Soloski

St Ann’s Warehouse, New YorkLike a folksy Waiting for Godot, this play, co-written by Rylance with the poet Louis Jenkins, is intensely charming in its cock-eyed humanityIf Samuel Beckett …

SOURCE: The Guardian at 10:09PM

A Word With: Jack O'Brien: Chats That Led to ‘Becoming Mike Nichols’ on HBO by Alexis Soloski

The stage director Jack O’Brien reflects on his friendship with Mr. Nichols and the interviews for this documentary, which runs Monday on HBO.

SOURCE: The New York Times Subscription at 08:27PM
Thursday, February 18, 2016

The Humans review – Thanksgiving tensions give rise to great drama by Alexis Soloski

Helen Hayes Theater, New YorkThe pressures of family, work and keeping a roof over one’s head simmer slowly in this superbly acted play about a beleagered family meeting in a tumbledown ap…

SOURCE: The Guardian at 10:31PM

Review: In ‘The Cherry Orchard,’ the Myopia of an Aristocratic Family by Alexis Soloski

This Russian production at the Brooklyn Academy of Music plants actors amid the audience to heighten a sense of trepidation and exasperation.

SOURCE: The New York Times Subscription at 04:39PM
Wednesday, February 17, 2016

Review: ‘Twelfth Night’ by Filter Theater, Set at the Frat by Alexis Soloski

Shakespeare’s comedy gets a party setting by an English troupe that specializes in wild versions of classic texts.

SOURCE: The New York Times Subscription at 06:10PM

Zainab Jah, ‘Eclipsed’ Star, Is Ready for Battle by Alexis Soloski

Ms. Jah is slim and not quite 5-foot-2, but on stage she looms larger. Especially when she’s holding a machine gun.

SOURCE: The New York Times Subscription at 04:49PM