All stories by Alexis Soloski on BroadwayStars

Thursday, June 23, 2016

Review: In ‘Stet,’ Rape, Journalism and the Elusive Truth by Alexis Soloski

Written by Kim Davies, this play focuses on an apparently brutal rape, its aftermath and the writer for a national magazine who covers the story.

SOURCE: The New York Times Subscription at 11:00PM
Wednesday, June 22, 2016

Is Nothing Secret? Daniel Radcliffe and the Art of ‘Privacy’ by Alexis Soloski

“Privacy,” a British hybrid comedy-documentary remade for an American audience and starring Mr. Radcliffe, ponders the trade-offs of our connected world.

SOURCE: The New York Times Subscription at 09:01AM
Monday, June 20, 2016

Review: ‘I’m Bleeding All Over the Place’ Explores a Psyche (Don’t Get Hurt) by Alexis Soloski

Brooke O’Harra’s work, subtitled “A Living History Tour,” draws on her career and is a meditation on the process of creation and the weirdness of reception.

SOURCE: The New York Times Subscription at 06:09PM
Monday, June 13, 2016

The Taming of the Shrew review – plenty of spunk, but lacking subtlety by Alexis Soloski

Shakespeare in the Park, New YorkAn all-female version of Shakespeare’s problem play starts with a Trump-style announcer at a beauty pageant and ends with a rousing version of Bad Reputati…

SOURCE: The Guardian at 10:40PM

Hamilton: it won 11 Tony awards, but can it win over the West End? by Alexis Soloski

What works on Broadway doesn’t always succeed in London, but despite being a deeply American story, the blockbuster musical has the potential to be universalThe Americans are coming! The A…

SOURCE: The Guardian at 12:07PM

Tonys, James Corden and Hamilton offer balm on a bleak day by Alexis Soloski

Hosting, Corden opened with an uncharacteristically serious monologue as the awards ceremony paid tasteful tribute to the victims of Orlando while demonstrating the consolations of theatreHa…

SOURCE: The Guardian at 02:28AM
Friday, June 10, 2016

Confusions and Hero’s Welcome review – an acid-tinged Ayckbourn double bill by Alexis Soloski

59E59 Theaters, New YorkTwo plays from over 40 years apart show the persistence of Ayckbourn’s themes – the failure of humans to communicate – but offer a faint ray of hopeAlan Ayckbou…

SOURCE: The Guardian at 05:36PM
Thursday, June 9, 2016

Shining City review – ghosts wreak vengeance on two vulnerable men by Alexis Soloski

Irish Repertory Theater, New YorkA therapist and his patient are haunted by guilt and psychic visitations in this poignant revival of Conor McPherson’s ambiguous and shimmering playIt take…

SOURCE: The Guardian at 10:22PM

Hamilton review – founding father gets a hip-hop makeover by Alexis Soloski

Public Theater, New YorkThis exuberant and original new musical mashes up genres from rap to operetta, creating a flawed but glorious portrait of the face on the $10 billIn a letter to Georg…

SOURCE: The Guardian at 09:27PM

Tony awards 2016: who will win – and who should by Alexis Soloski

They’re the biggest awards in theatre – and in 2016, the Hamilton juggernaut looks poised to bury the competition. But who else is likely to get a look-in? This is the year Hamilton blew…

SOURCE: The Guardian at 04:07PM

Anaïs Mitchell Hopes to Change the World With Her First Musical by Alexis Soloski

Ms. Mitchell’s frisky and musically daring “Hadestown” is a version of the Orpheus myth retold in the American vernacular.

SOURCE: The New York Times Subscription at 12:54PM
Tuesday, June 7, 2016

Review: In ‘The Block,’ a Fretful Neighborhood Watch by Alexis Soloski

Dan Hoyle’s play, an affectionate portrait of a South Bronx facing gentrification, is inspired by conversations with borough residents.

SOURCE: The New York Times Subscription at 10:57PM

A Funny Thing Happened on the Way to the Gynecologic Oncology Unit review by Alexis Soloski

MCC, New YorkDespite the raunchy one-liners, comedy about a couple falling in love in a cancer ward is really about the people mask difficult emotions, especially in familiesAs places to mee…

SOURCE: The Guardian at 10:52PM

Review: ‘Suddenly, a Knock at the Door,’ Based on Etgar Keret’s Stories by Alexis Soloski

Theater for the New City’s production, positioned as a cracked “One Thousand and One Nights” of sorts, shows the difficulty of translating prose works to the stage.

SOURCE: The New York Times Subscription at 05:55PM

The great white way: can the diversity Hamilton brought to Broadway last? by Alexis Soloski

Leslie Odom Jr said last week that despite Hamilton’s success, he’s still not being offered the roles a white actor would be. Will things ever change? We speak to actors and casting agen…

SOURCE: The Guardian at 02:19PM

War review – complex and packed play begs the question: what is it good for? by Alexis Soloski

Claire Tow Theater at Lincoln Center, New YorkBranden Jacobs-Jenkins’s latest is his usual mix of complex ideas with impossible time constraints, so expect a series of knots rather than a …

SOURCE: The Guardian at 12:19AM
Thursday, June 2, 2016

Sixteen ways Hamilton transformed theater – and the world by Alexis Soloski

The theater sensation of the decade scooped a record 16 Tony nominations. Here are 16 reasons Lin-Manuel Miranda’s hip-hop musical broke new groundTony awards: Hamilton musical makes histo…

SOURCE: The Guardian at 03:56PM

The Playwright Mac Rogers Explores Robots, Aliens and Allegory by Alexis Soloski

Mr. Rogers, whose play “Universal Robots” is opening at the Sheen Center, said science fiction “makes tackling challenging ideas a lot more fun.”

SOURCE: The New York Times Subscription at 02:18PM
Tuesday, May 31, 2016

Women on Broadway: A Year of Living Dangerously by Laura Collins-Hughes and Alexis Soloski

Roles were spread around this year, but women are often still playing victims. Our critics discuss what worked, what didn’t and what they hope to see.

SOURCE: The New York Times Subscription at 07:57AM

Stephen Karam: 'artsy weirdo' playwright turned Tony nominee for The Humans by Alexis Soloski

A dark take on the family drama in the post-financial crisis era, The Humans has been one of the most critically raved-about plays on Broadway for yearsStephen Karam is of two minds about th…

SOURCE: The Guardian at 05:16AM
Monday, May 30, 2016

Bring on the understudy! Does it matter if the star isn't in the show? by Alexis Soloski

As James Corden fans waiting to see One Man, Two Guvnors in the West End now know, the big-name actor may not be the one you see on stage. But sometimes these performances are the bestYou've…

SOURCE: The Guardian at 09:43AM
Saturday, May 28, 2016

The Spoils review – Jesse Eisenberg's comedy of cringes by Alexis Soloski

Pershing Square Signature Center, New YorkEisenberg is such a skilled practitioner of the comedy of mortification it’s surprising he can talk through all the feet in his mouth – but is i…

SOURCE: The Guardian at 06:18AM
Friday, May 27, 2016

American Psycho review – Patrick Bateman sings, strips and slashes by Alexis Soloski

Gerald Schoenfeld Theatre, New YorkThe Wall Street maniac rides again in a musical rich in synth pop and buff bodies, but the meaning of the original novel slides off the slick surroundingsH…

SOURCE: The Guardian at 02:34PM

A Changing of the Guard for Performance Space 122 by Alexis Soloski

Vallejo Gantner, the artistic director of PS122 who will step down when a replacement is found, said, “You want to leave when the going’s good.”

SOURCE: The New York Times Subscription at 01:01PM

Why did American Psycho get the chop during Broadway's banner year? by Alexis Soloski

The adaptation of Bret Easton Ellis’s modern classic couldn’t survive in a competitive theater landscape where only the very best is good enoughThe Broadway run of American Psycho, the m…

SOURCE: The Guardian at 12:01PM
Thursday, May 26, 2016

Review: In ‘Ross & Rachel,’ Life Isn’t Always a Sitcom by Alexis Soloski

This solo show, part of the Brits Off Broadway festival at 59E59 Theaters, imagines that “Friends” couple struggling in a long-term relationship.

SOURCE: The New York Times Subscription at 06:02PM

Cirque de Soleil’s Paramour review – 'Muddle, miscalculation and mayhem' by Alexis Soloski

Lyric Theatre, New YorkThe popular circus troupe’s first Broadway show is a cacophony of ridiculous extravagance, from an erotic aerial pas de deux to … zombiesFitfully thrilling and con…

SOURCE: The Guardian at 01:44AM
Wednesday, May 25, 2016

Review: ‘The Tear Drinkers,’ Where There’s Little to Separate People and Aliens by Alexis Soloski

The performer, playwright, composer and director Mike Iveson has preoccupied himself with what makes us human in his new sci-fi song cycle, at the Kitchen.

SOURCE: The New York Times Subscription at 06:12PM
Tuesday, May 24, 2016

Incognito review – Nick Payne’s brainteaser is at the top of its class by Alexis Soloski

Manhattan Theatre Club, New YorkThe multi-narrative work sees the cast – including Charlie Cox – shift through neurological oddities. But is the whole thing too cerebral for its own good…

SOURCE: The Guardian at 10:50PM
Monday, May 23, 2016

Josephine and I review – one-woman show goes deeper than hero-worship by Alexis Soloski

Joe’s Pub at the Public Theater, New YorkCush Jumbo performs Jospehine Baker with such passion that it comes to seem less like homage and more like invocationErnest Hemingway called Joseph…

SOURCE: The Guardian at 06:13AM
Sunday, May 22, 2016

Review: ‘Half Moon Bay’ Shows the Hook Up and the Aftermath by Alexis Soloski

In this Dan Moyer play, a man and a woman meet in a bowling alley bar and forge a relationship.

SOURCE: The New York Times Subscription at 06:10PM