All stories by Alexis Soloski on BroadwayStars

Tuesday, March 13, 2012

Right now, religion in theatre doesn't have a hope in hell by Alexis Soloski

Despite its roots in ritual, religion gets barely a look-in on stage these days. Why?By all rights, theatre ought to say its prayers. According to most origin stories, theatre emerged out of…

SOURCE: The Guardian at 12:18PM
Thursday, February 9, 2012

Arts & Leisure: Morgan Spector of ‘Russian Transport’ Visits Sheepshead Bay by Alexis Soloski

The actor Morgan Spector is in another high-profile immigrant role, in Erika Sheffer’s “Russian Transport.”

SOURCE: The New York Times Subscription at 12:02PM
Friday, January 27, 2012

John Ford’s ‘Broken Heart’ and ‘ ’Tis Pity She’s a Whore’ by Alexis Soloski

“The Broken Heart” and “ ’Tis Pity She’s a Whore,” blood-soaked dramas by the 17th-century playwright John Ford, are landing in New York in the coming weeks.

SOURCE: The New York Times Subscription at 01:00PM
Tuesday, January 3, 2012

Gob Squad Returns to the Public Theater by Alexis Soloski

The British-German troupe Gob Squad returns to the Public Theater with two shows that rely on the audience or passers-by to work.

SOURCE: The New York Times Subscription at 06:39PM
Thursday, November 24, 2011

Is great theatre just a matter of taste? by Alexis Soloski

If a critic gave a rave review to something generally regarded as awful, would you stop taking them seriously - or admire their iconoclasm?A few months ago I went to the theatre with a frien…

SOURCE: The Guardian at 09:48AM
Wednesday, November 16, 2011

Arts & Leisure: Mr. Rogers’s Very Tough Neighborhood by Alexis Soloski

The playwright J. T. Rogers has found a home writing about geopolitical conflicts.

SOURCE: The New York Times Subscription at 07:56PM
Wednesday, November 2, 2011

What makes a good stage death? by Alexis Soloski

Forget all that tediously realistic convulsing and juddering – a really convincing theatrical death is better left unseenWhen I was small, stage deaths used to upset me – even if I remin…

SOURCE: The Guardian at 08:08AM
Sunday, October 30, 2011

Esther Freud’s ‘Lucky Break’ Explores the Actor’s Life by Alexis Soloski

Esther Freud’s new novel, “Lucky Break,” focuses on three actors as it explores the frustrations and occasional joys of an acting career.

SOURCE: The New York Times Subscription at 12:03AM
Wednesday, October 19, 2011

Domestic violence: why is theatre obsessed with feuding families? by Alexis Soloski

From Oedipus to the Oresteia, ancient plays are full of folk taking out their nearest and dearest – and the theme persists through the centuriesIs there a phenomenon more elusive to the st…

SOURCE: The Guardian at 07:50AM
Wednesday, October 5, 2011

What's the unlikeliest stage adaptation of all? by Alexis Soloski

Intrepid theatremakers have produced versions of everything from Aristotle's Poetics to Das Kapital – but which is the strangest work to make it on to the stage?Last week, I brought a clus…

SOURCE: The Guardian at 07:05AM
Wednesday, September 28, 2011

Does it matter if theatre critics have conflicts of interest? by Alexis Soloski

Should we lay down rules on relationships between critics and artists? Or should reviewers find their own moral compass?An awards committee on which I frequently serve has a long-standing r…

SOURCE: The Guardian at 09:53AM
Wednesday, August 31, 2011

Fiasco Theater Company Rides Shakespeare to Success by Alexis Soloski

A troupe of actors who didn’t want to wait to be cast elsewhere decided to put on a show two years ago, a minimalist production of “Cymbeline” that lives on today.

SOURCE: The New York Times Subscription at 11:59AM
Thursday, August 4, 2011

Where are New York's theatre bars? by Alexis Soloski

London theatreland can serve up a classy cocktail, so why does New York abstain when it comes to booze on – and off – Broadway?The Drunkard, a melodrama that debuted in New York in 1844,…

SOURCE: The Guardian at 06:48AM
Wednesday, August 3, 2011

No Space Too Dilapidated for a Show by Alexis Soloski

The Woodshed Collective’s latest site-specific work is “The Tenant,” to be staged at the West-Park Presbyterian Church.

SOURCE: The New York Times Subscription at 06:38PM
Thursday, July 28, 2011

The mystery of theatre's missing detective plays by Alexis Soloski

Detective fiction is thriving, so why does theatre make do with workmanlike adaptations in place of real stage whodunnits?When I was very young, I used to think that a mystery play must be a…

SOURCE: The Guardian at 09:34AM
Thursday, June 30, 2011

Enter a Royal Ensemble, Preceded by Its Stage by Alexis Soloski

The Royal Shakespeare Company builds an auditorium in New York for its summer run.

SOURCE: The New York Times Subscription at 06:27PM
Tuesday, June 28, 2011

Drama out of disaster: do we need another 9/11 play? by Alexis Soloski

Rupert Goold's 'immersive' retelling of the events of September 11 will mark the 10th anniversary of the tragedy. But are there some places theatre should not tread?Strange as it may sound, …

SOURCE: The Guardian at 08:58AM
Friday, June 10, 2011

Tell us about your worst night at the theatre by Alexis Soloski

In my time as a theatre critic I've been stalked in my seat and groped onstage. What's your lowest theatrical moment?What's your lowest theatrical point? I don't mean the sort of evening whe…

SOURCE: The Guardian at 08:30AM
Tuesday, June 7, 2011

Broadway burnout: how much theatre is too much? by Alexis Soloski

I can handle seven shows a week on a diet of falafel. But keeping oneself fit to sit in the theatre is crucial for survivalRecently, I have found myself beset with a strange predicament: I c…

SOURCE: The Guardian at 11:07AM
Wednesday, May 18, 2011

Is it time for theatre to leave 'avant garde' behind? by Alexis Soloski

Many of the terms we use to define dramatic success belong in the distant past. How to describe the freshest and most exciting work out there?Once upon a time, the "avant garde" didn't refer…

SOURCE: The Guardian at 01:54PM
Wednesday, April 13, 2011

Pop Goes Dad in Born Bad and Urge for Going by Alexis Soloski

He ain't the man in two new productions

SOURCE: Village Voice at 01:11PM
Wednesday, April 6, 2011

My Girlfriend's Boyfriend--Better Off Wed by Alexis Soloski

Is there a comedian cuddlier than Mike Birbiglia? His girth and dress sense suggest a fraternity brother gone to seed, but his pleading eyes and...

SOURCE: Village Voice at 09:55AM

The Tremendous Tremendous Parties Like It's 1939 by Alexis Soloski

The Mad Ones head off to the New York World's Fair

SOURCE: Village Voice at 09:55AM
Saturday, April 2, 2011

The Dream of the Burning Boy Feels Teenage Grief by Alexis Soloski

Marked 'Late'—the Roundabout's new high school drama centers on a dead student

SOURCE: Village Voice at 09:47AM

The Other Place Plays Head Games by Alexis Soloski

MCC mounts Sharr White's look at brain disease and family

SOURCE: Village Voice at 09:41AM
Thursday, March 31, 2011

When did we stop getting dressed up for the theatre? by Alexis Soloski

Once upon a time, going to the theatre was a sartorial event to rival a film premiere. Now, you're lucky if I even comb my hairWhen I was a little girl, I had a uniform for the theatre of bl…

SOURCE: The Guardian at 10:46AM
Monday, March 28, 2011

The Living Newspaper: America's rapid-response drama by Alexis Soloski

Documentary plays with an activist bent originated in the 1930s, but The Heretic and Greenland shows they are here to stayI recently spent a week in London. While walking through Hyde Park a…

SOURCE: The Guardian at 12:56PM
Thursday, March 10, 2011

A Lost Shakespeare? It’s a Mystery by Alexis Soloski

The Classic Stage Company takes on a production of the play “Double Falsehood,” an adaption by Lewis Theobald of “Cardenio,” a very possible collaboration by Shakespeare and John Fle…

SOURCE: The New York Times Subscription at 07:11PM
Tuesday, February 15, 2011

Unhappily ever after: theatre weddings can drive you away from the altar by Alexis Soloski

If I listened to every piece of advice I got from watching plays about marriage, I'd probably never marry my fianceCaroline Bishop may have suggested on this blog yesterday that getting wed …

SOURCE: The Guardian at 09:13AM
Friday, January 28, 2011

No actors. Just robots. Call this a play? by Alexis Soloski

Charming, engaging and they even told jokes ... how two machines made me re-program the way I think about live theatreWhen I was a student, professors would often begin a course on theatre h…

SOURCE: The Guardian at 07:08AM

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