All stories by Alexis Soloski on BroadwayStars

Thursday, July 12, 2012

13P Theater Collective Set for Its Last Production by Alexis Soloski

With the production of its 13th and last play, the playwrights’ collective 13P is on the cusp of dissolving.

SOURCE: The New York Times Subscription at 12:41PM
Tuesday, July 10, 2012

Why I do love to be all at sea at the theatre by Alexis Soloski

It may not always be deliberate on the part of the playwright, but plays that plunge you into theatrical confusion can be a pleasureLast week, I found myself in familiar environs – in the …

SOURCE: The Guardian at 11:30AM
Thursday, July 5, 2012

ArtsBeat: Theater Talkback: Making An Entrance by Alexis Soloski

The way a character is introduced in the new play "3C" gets Alexis Soloski thinking about the art of the stage arrival.

SOURCE: The New York Times Subscription at 12:52PM
Monday, June 11, 2012

Tony awards 2012: Step aside James Corden, the night goes to Neil Patrick Harris by Alexis Soloski

It was a weak year for musicals but an excellent one for plays, with Corden scooping the best actor award from a remarkable shortlist. But it was host Neil Patrick Harris who stole the showI…

SOURCE: The Guardian at 07:21AM
Friday, April 13, 2012

Peep show: is it wrong to find actors attractive? by Alexis Soloski

Venus in Fur is the latest play to tempt audiences into ogling its scantily clad cast. Now stage stars are being rated on sex appealA woman with long, blonde hair and a heavily lipsticked mo…

SOURCE: The Guardian at 11:40AM
Thursday, April 12, 2012

Should pop stars stay off stage? by Alexis Soloski

From Ricky Martin on Broadway to Ashlee Simpson and Melissa Etheridge, many pop stars struggle in the theatre. Maybe it's time they steered clearRicky Martin has jaunty hair, shockingly whit…

SOURCE: The Guardian at 11:50AM

Should pop stars stay off stage? by Alexis Soloski

From Ricky Martin on Broadway to Ashlee Simpson and Melissa Etheridge, many pop stars struggle in the theatre. Maybe it's time they steered clear Continue reading...

SOURCE: The Guardian at 11:50AM
Wednesday, April 11, 2012

Christina Ricci, Back Onstage by Alexis Soloski

Christina Ricci, a film actor who suffered from stage fright during her first play, has returned to the theater.

SOURCE: The New York Times Subscription at 03:16PM
Wednesday, March 28, 2012

Bring on the understudy! Does it matter if the star isn't in the show? by Alexis Soloski

As James Corden fans waiting to see One Man, Two Guvnors in the West End now know, the big-name actor may not be the one you see on stage. But sometimes these performances are the bestYou've…

SOURCE: The Guardian at 10:28AM
Thursday, March 22, 2012

Amy Herzog’s ‘4000 Miles’ at Mitzi E. Newhouse Theater by Alexis Soloski

The playwright Amy Herzog, whose “4000 Miles” is being remounted at the Mitzi E. Newhouse Theater, draws on her family history and especially her grandmother.

SOURCE: The New York Times Subscription at 03:37PM
Tuesday, March 13, 2012

Right now, religion in theatre doesn't have a hope in hell by Alexis Soloski

Despite its roots in ritual, religion gets barely a look-in on stage these days. Why?By all rights, theatre ought to say its prayers. According to most origin stories, theatre emerged out of…

SOURCE: The Guardian at 12:18PM
Thursday, February 9, 2012

Arts & Leisure: Morgan Spector of ‘Russian Transport’ Visits Sheepshead Bay by Alexis Soloski

The actor Morgan Spector is in another high-profile immigrant role, in Erika Sheffer’s “Russian Transport.”

SOURCE: The New York Times Subscription at 12:02PM
Friday, January 27, 2012

John Ford’s ‘Broken Heart’ and ‘ ’Tis Pity She’s a Whore’ by Alexis Soloski

“The Broken Heart” and “ ’Tis Pity She’s a Whore,” blood-soaked dramas by the 17th-century playwright John Ford, are landing in New York in the coming weeks.

SOURCE: The New York Times Subscription at 01:00PM
Tuesday, January 3, 2012

Gob Squad Returns to the Public Theater by Alexis Soloski

The British-German troupe Gob Squad returns to the Public Theater with two shows that rely on the audience or passers-by to work.

SOURCE: The New York Times Subscription at 06:39PM
Thursday, November 24, 2011

Is great theatre just a matter of taste? by Alexis Soloski

If a critic gave a rave review to something generally regarded as awful, would you stop taking them seriously - or admire their iconoclasm?A few months ago I went to the theatre with a frien…

SOURCE: The Guardian at 09:48AM
Wednesday, November 16, 2011

Arts & Leisure: Mr. Rogers’s Very Tough Neighborhood by Alexis Soloski

The playwright J. T. Rogers has found a home writing about geopolitical conflicts.

SOURCE: The New York Times Subscription at 07:56PM
Wednesday, November 2, 2011

What makes a good stage death? by Alexis Soloski

Forget all that tediously realistic convulsing and juddering – a really convincing theatrical death is better left unseenWhen I was small, stage deaths used to upset me – even if I remin…

SOURCE: The Guardian at 08:08AM
Sunday, October 30, 2011

Esther Freud’s ‘Lucky Break’ Explores the Actor’s Life by Alexis Soloski

Esther Freud’s new novel, “Lucky Break,” focuses on three actors as it explores the frustrations and occasional joys of an acting career.

SOURCE: The New York Times Subscription at 12:03AM
Wednesday, October 19, 2011

Domestic violence: why is theatre obsessed with feuding families? by Alexis Soloski

From Oedipus to the Oresteia, ancient plays are full of folk taking out their nearest and dearest – and the theme persists through the centuriesIs there a phenomenon more elusive to the st…

SOURCE: The Guardian at 07:50AM
Wednesday, October 5, 2011

What's the unlikeliest stage adaptation of all? by Alexis Soloski

Intrepid theatremakers have produced versions of everything from Aristotle's Poetics to Das Kapital – but which is the strangest work to make it on to the stage?Last week, I brought a clus…

SOURCE: The Guardian at 07:05AM
Wednesday, September 28, 2011

Does it matter if theatre critics have conflicts of interest? by Alexis Soloski

Should we lay down rules on relationships between critics and artists? Or should reviewers find their own moral compass?An awards committee on which I frequently serve has a long-standing r…

SOURCE: The Guardian at 09:53AM
Wednesday, August 31, 2011

Fiasco Theater Company Rides Shakespeare to Success by Alexis Soloski

A troupe of actors who didn’t want to wait to be cast elsewhere decided to put on a show two years ago, a minimalist production of “Cymbeline” that lives on today.

SOURCE: The New York Times Subscription at 11:59AM
Thursday, August 4, 2011

Where are New York's theatre bars? by Alexis Soloski

London theatreland can serve up a classy cocktail, so why does New York abstain when it comes to booze on – and off – Broadway?The Drunkard, a melodrama that debuted in New York in 1844,…

SOURCE: The Guardian at 06:48AM
Wednesday, August 3, 2011

No Space Too Dilapidated for a Show by Alexis Soloski

The Woodshed Collective’s latest site-specific work is “The Tenant,” to be staged at the West-Park Presbyterian Church.

SOURCE: The New York Times Subscription at 06:38PM
Thursday, July 28, 2011

The mystery of theatre's missing detective plays by Alexis Soloski

Detective fiction is thriving, so why does theatre make do with workmanlike adaptations in place of real stage whodunnits?When I was very young, I used to think that a mystery play must be a…

SOURCE: The Guardian at 09:34AM
Thursday, June 30, 2011

Enter a Royal Ensemble, Preceded by Its Stage by Alexis Soloski

The Royal Shakespeare Company builds an auditorium in New York for its summer run.

SOURCE: The New York Times Subscription at 06:27PM
Tuesday, June 28, 2011

Drama out of disaster: do we need another 9/11 play? by Alexis Soloski

Rupert Goold's 'immersive' retelling of the events of September 11 will mark the 10th anniversary of the tragedy. But are there some places theatre should not tread?Strange as it may sound, …

SOURCE: The Guardian at 08:58AM
Friday, June 10, 2011

Tell us about your worst night at the theatre by Alexis Soloski

In my time as a theatre critic I've been stalked in my seat and groped onstage. What's your lowest theatrical moment?What's your lowest theatrical point? I don't mean the sort of evening whe…

SOURCE: The Guardian at 08:30AM
Tuesday, June 7, 2011

Broadway burnout: how much theatre is too much? by Alexis Soloski

I can handle seven shows a week on a diet of falafel. But keeping oneself fit to sit in the theatre is crucial for survivalRecently, I have found myself beset with a strange predicament: I c…

SOURCE: The Guardian at 11:07AM
Wednesday, May 18, 2011

Is it time for theatre to leave 'avant garde' behind? by Alexis Soloski

Many of the terms we use to define dramatic success belong in the distant past. How to describe the freshest and most exciting work out there?Once upon a time, the "avant garde" didn't refer…

SOURCE: The Guardian at 01:54PM
Wednesday, April 13, 2011

Pop Goes Dad in Born Bad and Urge for Going by Alexis Soloski

He ain't the man in two new productions

SOURCE: Village Voice at 01:11PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Nov 17, 2024: Elf - Marquis Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime