Thursday, September 15, 2022
New works by major German-language dramatists at the Kunstfest Weimar festival tackle ethical questions at a moment of ecological anxiety.
SOURCE: The New York Times Subscription at 06:19AMThursday, August 25, 2022
Thorsten Lensing takes years between shows; Ewelina Marciniak puts on several each season. Both theater makers are presenting new work in Austria.
SOURCE: The New York Times Subscription at 05:54AMThursday, August 4, 2022
Works that once horrified European audiences are now centerpieces of the drama offerings at the tony Austrian festival.
SOURCE: The New York Times Subscription at 04:42AMThursday, June 30, 2022
The Radikal Jung festival transports theatergoers to Russia’s 2014 invasion of eastern Ukraine and an American high school in the Middle Ages.
SOURCE: The New York Times Subscription at 06:07AMThursday, June 9, 2022
Two recent British dramas with Austrian roots made it to Vienna this season: “Leopoldstadt,” by Tom Stoppard, and Robert Icke’s “The Doctor.”
SOURCE: The New York Times Subscription at 05:33AMThursday, May 19, 2022
At Theatertreffen, an annual celebration of the best in German-language performance, music plays a profound, and intelligent, role.
SOURCE: The New York Times Subscription at 06:06AMThursday, May 5, 2022
New productions by the theater titans Krzysztof Warlikowski and Frank Castorf play games with ancient Greek folklore and modern history.
SOURCE: The New York Times Subscription at 03:42AMTuesday, April 26, 2022
Waltz’s dance, born in deep lockdown, embraces the openness and fluidity of Terry Riley’s classic minimalist score. It’s coming to BAM.
SOURCE: The New York Times Subscription at 01:35PMThursday, April 7, 2022
At Berlin’s FIND festival of new international drama, several productions use transcripts to explore questions of state power and identity.
SOURCE: The New York Times Subscription at 08:36AMThursday, March 24, 2022
In Germany, a country with few theater leaders who aren’t men, professional success has often meant becoming one of the guys. Now, a new group of women are developing their own way. d
SOURCE: The New York Times Subscription at 08:36AMThursday, March 3, 2022
A theatrical reworking of Wagner’s “Ring” and a feminist revision of some Greek classics show how ancient legends can illuminate contemporary obsessions.
SOURCE: The New York Times Subscription at 05:42AMThursday, February 10, 2022
Bold takes on classic works defined theater in Germany for decades. But many playhouses are turning to new works by international dramatists.
SOURCE: The New York Times Subscription at 04:18AMFriday, January 21, 2022
Kirill Serebrennikov is living under a three-year travel ban, but to his surprise, Russian authorities approved his request to direct a play in Hamburg.
SOURCE: The New York Times Subscription at 12:18PMThursday, January 20, 2022
The Berliner Ensemble, once known for reverent productions of plays by its founder, Bertolt Brecht, has come roaring into a new decade.
SOURCE: The New York Times Subscription at 04:18AMThursday, December 16, 2021
The Times’s three European theater critics pick their favorite productions of the year — plus a turkey apiece for the festive season.
SOURCE: The New York Times Subscription at 04:18AMThursday, December 9, 2021
In a country where the director is king, it’s the hundreds of full-time players in the many house ensembles who have assured that the lights stayed on during the pandemic.
SOURCE: The New York Times Subscription at 04:06AMFriday, December 3, 2021
René Pollesch is the fourth boss of the Volksbühne in four years. The Berlin theater is pinning hopes of a return to its former vibrancy on his collaborative approach.
SOURCE: The New York Times Subscription at 10:48AMThursday, November 18, 2021
In Kornel Mundruczo’s “Pieces of a Woman” and an Annie Ernaux adaptation, “Memory of a Girl,” stage directors explore post-traumatic psychology and the workings of mental recall.
SOURCE: The New York Times Subscription at 05:42AMFriday, November 12, 2021
With a Black-led production of Shakespeare’s play, an Austrian theater hopes to jump-start a conversation about racism and the need for diversity on the country’s stages.
SOURCE: The New York Times Subscription at 09:54AMThursday, October 28, 2021
Munich is throwing off a provincial reputation to become a global cultural powerhouse. Yet tensions between local and cosmopolitan impulses in the city’s playhouses remain.
SOURCE: The New York Times Subscription at 05:54AMTuesday, October 12, 2021
The American playwright’s first new play since he parted ways with his theater in 2018 during the #MeToo movement finds a stage far from New York.
SOURCE: The New York Times Subscription at 01:32PMThursday, October 7, 2021
At Berlin’s FIND festival of new international drama, some plays tackle big themes while others reject being useful.
SOURCE: The New York Times Subscription at 01:12PMThursday, September 23, 2021
Four interpretations of the Greek myth have been produced in the German capital, all with resonances for our moment.
SOURCE: The New York Times Subscription at 04:42AMThursday, August 26, 2021
The Salzburg Festival and the Ruhrtriennale host a series of theatrical pieces, both old and new, that seem to reflect our troubled time.
SOURCE: The New York Times Subscription at 06:18AMThursday, August 5, 2021
Don’t expect bowler hats and dirty negligees in a new production at the Berliner Ensemble, the theater Bertolt Brecht founded.
SOURCE: The New York Times Subscription at 05:12AMThursday, July 29, 2021
The theater offering at the Alpine festival features reworked classics by Shakespeare and one of the event’s founders.
SOURCE: The New York Times Subscription at 06:42AMThursday, July 1, 2021
At newly reopened playhouses, once-legendary and younger directors take very different approaches to their mammoth productions.
SOURCE: The New York Times Subscription at 05:03AMThursday, April 15, 2021
A German playhouse realizes it’s no longer competing merely against other local venues for audience attention.
SOURCE: The New York Times Subscription at 06:12AMThursday, March 25, 2021
The drama behind the scenes at the Volksbühne in Berlin has surpassed any onstage. A series of premieres involving vengeful gods, inescapable fates and tragic flaws seems apt.
SOURCE: The New York Times Subscription at 06:42AMThursday, March 4, 2021
The directors of the Brecht Festival Augsburg have curated an online-only event that runs the gamut from experimental films to poetry slams and puppetry.
SOURCE: The New York Times Subscription at 04:48AMThursday, February 11, 2021
