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Saturday, August 6, 2022

Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part II by Yana Meerzon

This is Part 2 of the bipartite report. To read Part 1, click here. Anais Nin au Miroir, written by Agnès Desarthe and directed by Élise Vigier,[1] was another production at the 2022 fes…

SOURCE: thetheatretimes.com at 08:00PM

Theatre After COVID: The 2022 Avignon Theatre Festival in Search for Theatrical Magic and Forms of Philosophical Transgressions – Part I by Yana Meerzon

I arrived at the 2022 Avignon Theatre Festival seeking emotional rejuvenation after two years of COVID related isolation, working on screens, and deprived of live encounters in theatre; but …

SOURCE: thetheatretimes.com at 07:47PM

Thursday, May 12, 2022

“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part II by Yana Meerzon

This is Part II of the two-part interview. To read Part I, click here. Yana Meerzon: Should we assume that with the change of government and the end of Medvedev’s modernization, the state …

SOURCE: thetheatretimes.com at 11:46AM

“Russia Is My Country, Who Better Than Me to Clean Up the Ruins of Our Humanity”: Interview with Elena Kovalskaya – Part I by Yana Meerzon

Russia is my country, who better than me to clean up the ruins of our humanity. – Elena Kovalskaya Elena Kovalskaya is a theater critic, curator, and producer. She was born in Kerch, Crime…

SOURCE: thetheatretimes.com at 11:29AM

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