All stories by Thomas Hescott on BroadwayStars

Friday, September 30, 2016

How Trinity Laban’s Transitions is helping students make the leap to professional life by Thomas Hescott

Once you have finished your  training in contemporary dance, where do you go to start your career? Like all performers, dancers are

SOURCE: The Stage Registration at 05:00AM
Monday, September 26, 2016

The Green Room: What makes for good dialogue? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, September 19, 2016

The Green Room: What plays and playwrights inspire you and why? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Friday, September 16, 2016

How drama schools are preparing students for TV and film by Thomas Hescott

It used to be one of the most frequent complaints you’d hear from drama school graduates: while they felt prepared for big

SOURCE: The Stage Registration at 05:00AM
Thursday, September 15, 2016

Thomas Hescott: More open auditions will hit the refresh button for talent by Thomas Hescott

Open auditions have long been the preserve of big West End musicals. Long before reality television started broadcasting the casting -process, emerging,

SOURCE: The Stage Registration at 05:00AM
Monday, September 12, 2016

The Green Room: What areas of theatre would you like to get more investment? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, September 5, 2016

The Green Room: Do stage adaptations ever live up to the original material? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, August 29, 2016

The Green Room: What part of staging a production do you enjoy most? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, August 22, 2016

The Green Room: How do you work on rewrites in rehearsals or previews? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, August 15, 2016

The Green Room: What pressures do you feel on a first night? by Thomas Hescott

Albert Parker is 58 and has appeared as a regular in soaps, two BAFTA award winning sitcoms, theatre and TV Tina Cerrito

SOURCE: The Stage Registration at 05:00AM
Monday, August 8, 2016

The Green Room: Do you have any pre-show rituals? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, August 1, 2016

The Green Room: Have you ever worked in children’s theatre? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Friday, July 29, 2016

Training to inspire young theatre audiences by Thomas Hescott

Is making theatre for young audiences any different to making theatre? Does it require a special set of skills that aren’t offered

SOURCE: The Stage Registration at 05:00AM
Monday, July 25, 2016

The Green Room: Are there any roles you long to play? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, July 18, 2016

The Green Room: What are your best and worst first day experiences? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, July 11, 2016

The Green Room: Have you ever been in a ‘flop’? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, July 4, 2016

The Green Room: Are there theatres you love working in – or any you don’t? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, June 27, 2016

The Green Room: How can we make castings less painful? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Friday, June 24, 2016

Method behind the madness at East 15? by Thomas Hescott

If you have ever worked at East 15, or with an East 15 actor, you will have probably heard the words ‘living

SOURCE: The Stage Registration at 07:27AM
Thursday, June 23, 2016

How to give young people a voice by Thomas Hescott

When Boy opened at the Almeida earlier this year, writer Leo Butler was widely praised for his faithful representation of often-marginalised young

SOURCE: The Stage Registration at 05:00AM
Monday, June 20, 2016

The Green Room: Would you perform a one-person play? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Friday, June 17, 2016

Training: How to forge a career in stage management by Thomas Hescott

The stage management team plays a vital role in the rehearsal and run of a production, but when those working backstage do

SOURCE: The Stage Registration at 05:00AM
Monday, June 13, 2016

The Green Room: How do you feel about returning to a rep system? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, June 6, 2016

The Green Room: Do community casts and amateur actors inspire or threaten? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Monday, May 30, 2016

The Green Room: What do you do apart from acting? by Thomas Hescott

Meet our panel: We have given our panellists pen-names and used stock images but their biographies reflect their real career details… Albert

SOURCE: The Stage Registration at 05:00AM
Thursday, May 12, 2016

How is new work commissioned? by Thomas Hescott

One of the most exciting changes Rufus Norris has made since becoming director of the National Theatre is the merging of the

SOURCE: The Stage Registration at 05:00AM
Tuesday, May 3, 2016

A day in the life: David Mercatali, director by Thomas Hescott

David Mercatali is a theatre director and associate director at the Southwark Playhouse. He was nominated for the Evening Standard Outstanding Newcomer

SOURCE: The Stage Registration at 09:00AM
Friday, April 22, 2016

Studying classical performance by Thomas Hescott

Recently, Game of Thrones actor Kit Harington mentioned in an interview that his aim upon leaving the Royal Central School of Speech

SOURCE: The Stage Registration at 05:00AM
Friday, March 18, 2016

The Workshop: Nurturing regional talent for national success by Thomas Hescott

What’s the connection between Samantha Morton, Jack O’Connell, Vicky McClure, Joe Dempsie, Chris Gasgoyne – and me? The answer is that we

SOURCE: The Stage Registration at 06:00AM
Thursday, February 18, 2016

When understudies step into the limelight… by Thomas Hescott

When Melissa Bayern put herself forward to understudy the role of the Witch in Into the Woods at Manchester’s Royal Exchange, the

SOURCE: The Stage Registration at 05:00AM
Thursday, January 14, 2016

How do we archive theatre? by Thomas Hescott

Theatre is a transitory art form, and in many ways we celebrate that. One of the great joys of seeing a play

SOURCE: The Stage Registration at 12:03PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic