All stories by Terry Teachout on BroadwayStars

Thursday, May 28, 2015

So you want to see a show? by Terry Teachout

Here’s my list of recommended Broadway, off-Broadway, and out-of-town shows, updated weekly. In all cases, I gave these shows favorable reviews (if sometimes qualifiedly so) in The Wal…

SOURCE: ArtsJournal at 07:30AM

Almanac: Kingsley Amis on journalism by Terry Teachout

“Laziness has become the chief characteristic of journalism, displacing incompetence.” Kingsley Amis (quoted in Eric Felten, “Drinks Before Lunch with Kingsley Amis,” Weekly Standard…

SOURCE: ArtsJournal at 07:00AM
Wednesday, May 27, 2015

It never gets old by Terry Teachout

I flew out to Los Angeles yesterday morning for Tuesday’s sold-out preview of Satchmo at the Waldorf, which officially opens tonight at Beverly Hills’ Wallis Annenberg Center for the Per…

SOURCE: ArtsJournal at 12:21PM

Ten things I’d like to do before I die by Terry Teachout

I’ve never had what it is now the custom to call a “bucket list.” I’m pretty sure this is because I’m not one to think in terms of long-range goals. Don’t be bored has always bee…

SOURCE: ArtsJournal at 07:30AM

Snapshot: American Ballet Theatre dances Rodeo by Terry Teachout

A 1973 telecast of the opening scene of Rodeo, danced by American Ballet Theatre, followed by an interview with Agnes de Mille. The choreography is by de Mille and the score is by Aaron Copl…

SOURCE: ArtsJournal at 07:15AM

Almanac: Kingsley Amis on madness by Terry Teachout

“All schizophrenia patients are mad, and none are sane. Their behaviour is incomprehensible. It tells us nothing about what they do in the rest of their lives, gives no insight into the hu…

SOURCE: ArtsJournal at 07:00AM
Tuesday, May 26, 2015

Lookback: on becoming a Recognized Authority by Terry Teachout

From 2005: I got a call yesterday from a fact checker at The New Yorker who wanted to know whether H.L. Mencken actually sent the following form letter to angry correspondents: Dear Sir or M…

SOURCE: ArtsJournal at 05:15AM

Almanac: John Gielgud on New York at mid-century by Terry Teachout

“New York is a terrifying city but hectically beautiful in many ways. The kindness and welcome are overwhelming, but there is too much money, food and drink and too much respect for succes…

SOURCE: ArtsJournal at 05:00AM
Monday, May 25, 2015

Good Times, Bad Times by TERRY TEACHOUT

Is marriage a bed of roses- or of nails? Your answer to that question may depend on whether you choose to see Westport Country Playhouse's sunny revival of "I Do! I Do!" or Barrington Stage …

SOURCE: The Wall Street Journal Subscription at 05:58PM

A Fresh Look at Rotten Marriages by TERRY TEACHOUT

Joan Ackermann's work on "The Taster," a new play at Shakespeare & Company, recalls Jorge Luis Borges at his most virtuosic.

SOURCE: The Wall Street Journal Subscription at 05:58PM

When Hellman's Foxes Were Kits by TERRY TEACHOUT

"Another Part of the Forest" at American Players Theatre in Spring Green, Wis., throws a dramatic punch comparable in weight to "The Little Foxes."

SOURCE: The Wall Street Journal Subscription at 05:58PM

Not So Good for the Geese by TERRY TEACHOUT

In Somerset Maugham's "The Circle," instead of the not-quite-Wilde-enough epigrams of "The Constant Wife," we get a drawing room full of well-dressed but plain-spoken characters who might ha…

SOURCE: The Wall Street Journal Subscription at 05:58PM

A Good One for the Guys by TERRY TEACHOUT

The NFL has put its marketing muscle behind "Lombardi," an extremely well-crafted piece of intelligent middlebrow theater by Eric Simonson.

SOURCE: The Wall Street Journal Subscription at 05:58PM

Relishing a Lost Production by TERRY TEACHOUT

"Me and Orson Welles," recently released on DVD, brings a much-praised "Caesar" back to life.

SOURCE: The Wall Street Journal Subscription at 05:58PM

Seven Ways of Looking at 'Angels' by TERRY TEACHOUT

Tony Kushner has been served well by Signature Theatre Company's Off-Broadway revival of "Angels in America," and even those who have their doubts about the play will likely go home feeling …

SOURCE: The Wall Street Journal Subscription at 05:58PM

A Perilous Page of History to Turn by TERRY TEACHOUT

The problem is that all this formidable talent has been enlisted in the service of a musical so smug that I could scarcely bear to sit and watch it.

SOURCE: The Wall Street Journal Subscription at 05:58PM

Reasons to Be Nervous by TERRY TEACHOUT

It's as if they'd tried to turn "Shoot the Piano Player" or "Wings of Desire" into a Big Mac musical—and the results, not at all surprisingly, are a flavorless mess.

SOURCE: The Wall Street Journal Subscription at 05:58PM

Not for the Faint of Heart! by TERRY TEACHOUT

Teller of Penn & Teller fame has come up with "Play Dead," a sensationally entertaining shockfest. Aside from great puppetry, the main new thing about "The Pee-wee Herman Show" is all the do…

SOURCE: The Wall Street Journal Subscription at 05:58PM

The Merchant of Broadway by Terry Teachout

When "The Merchant of Venice" appeared in Central Park this summer, it seemed destined for Broadway. Now that it has arrived there, is it ready for the big stage?

SOURCE: The Wall Street Journal Subscription at 05:58PM

They, Too, Sing America by TERRY TEACHOUT

John Guare's "A Free Man of Color" masterfully tells a complex, richly realized American story set in New Orleans at the dawn of the 19th century. The Arizona Theatre Company does great just…

SOURCE: The Wall Street Journal Subscription at 05:58PM

The Cowardly Lion Waits for Godot by TERRY TEACHOUT

How a baggy-pants comedian did justice to a stage masterpiece.

SOURCE: The Wall Street Journal Subscription at 05:58PM

An OK 'Oklahoma!' by TERRY TEACHOUT

Corny, charming and handsomely made, Arena Stage's production of "Oklahoma!" is pretty much the same show your grandfolks loved. And just as safe.

SOURCE: The Wall Street Journal Subscription at 05:58PM

Taking Another Shot at 'Candide' by TERRY TEACHOUT

Of all the great musicals, "Candide" poses the greatest problems to anyone who tries to stage it. Mary Zimmerman, whose "Metamorphoses" hit it big in 2002, is the latest director to take up …

SOURCE: The Wall Street Journal Subscription at 05:58PM

Safety First, Surprises Second by TERRY TEACHOUT

Most of the strongest shows were revivals, both on Broadway and much farther afield

SOURCE: The Wall Street Journal Subscription at 05:58PM

Deep Down in Their Private Lives by TERRY TEACHOUT

When not writing plays like "August: Osage County" and "Killer Joe," Tracy Letts acts. In David Cromer's 2005 Off Broadway staging of Austin Pendleton's "Orson's Shadow," he played an effete…

SOURCE: The Wall Street Journal Subscription at 05:58PM

Head of the Nice Guys Club by TERRY TEACHOUT

One of the reasons "Finishing the Hat," Stephen Sondheim's annotated volume of his song lyrics, has attracted so much attention is because he takes potshots at certain of his colleagues...

SOURCE: The Wall Street Journal Subscription at 05:58PM

The Kids Are All Wrong by TERRY TEACHOUT

Vampire stories have been done to undeath in Hollywood and on TV, raising the stakes for anyone putting Count Dracula's original story back on stage.

SOURCE: The Wall Street Journal Subscription at 05:58PM

A Real Tail-Wagger by TERRY TEACHOUT

A.R. Gurney's "Sylvia," which is being performed with terrific comic energy by the Florida Repertory Theatre, is both clever and cute in all the right ways.

SOURCE: The Wall Street Journal Subscription at 05:58PM

Dude, Who Moved My Samovar? by TERRY TEACHOUT

How do you make a play written in pre-Revolutionary Russia in 1900 work in America in 2011?

SOURCE: The Wall Street Journal Subscription at 05:58PM

Neither Does He Spin by TERRY TEACHOUT

Wilfred Sheed managed to make a drama critic look quite a bit like a human being.

SOURCE: The Wall Street Journal Subscription at 05:58PM

Playing It Safe—And Smart by TERRY TEACHOUT

Orlando Shakespeare Theater makes a strong case for presenting in tandem "Pride and Prejudice" and "A Midsummer Night's Dream."

SOURCE: The Wall Street Journal Subscription at 05:58PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime