
Perhaps one of the strangest experiences one can have when moving to a new place is watching a performance tackling the exact same situation. Luckily, no two re-rooting stories are the same,…
SOURCE: thetheatretimes.com at 11:53AMIn a small town, where nothing really happens, K. works at VHS World, alongside her teenage friends (all misfits, according to the local twin bullies), and the boss, a middle-aged man who se…
SOURCE: thetheatretimes.com at 11:22AMSomewhat on the fringes of the Poland-Romania Cultural Season, the 2025 Between.PomiÄ™dzy Festival follows the pattern of bilateral events, by bridging the cultural worlds of these two co…
SOURCE: thetheatretimes.com at 06:26AMIn Romanian culture, a vital coming-of-age moment for every teenager is their eighteenth birthday, marking, almost physically, the starting point of adulthood. Luceafărul Theatre’s…
SOURCE: thetheatretimes.com at 04:30AMSitting through 5 and a half hours of performance might seem like an exercise of will and determination, rather than an enjoyable experience. All that can go wrong actually might, and gettin…
SOURCE: thetheatretimes.com at 04:31PMJumping from one story to another or from a specific timeline to an entirely different one seems, nowadays, to be specific to our phones’ world, rather than to theatre stages, but Dzi…
SOURCE: thetheatretimes.com at 12:59AMInvisible Lands, a two-performer act, initially presents itself as a nonverbal production with countless tiny props, almost indiscernible for the spectator seated farther away from the stage…
SOURCE: thetheatretimes.com at 02:37AMDepicting an odyssey on stage is rather a challenge, especially when the main means of transport is water. Distance needs to be not only suggested, but also interpreted, and convention can r…
SOURCE: thetheatretimes.com at 02:52AMTESZT 2024 brings, from Zagreb Youth Theatre, Borut Å eparović’s production Youth Without God, on a text written by the director and Ivana Vuković. Technology, violence, Naz…
SOURCE: thetheatretimes.com at 02:52AMA bitter-sweet, funny memento mori (and memento vivere, for that matter), Forte Company – Szkéné Theatre’s Anybody (written by Borbély Szilárd, directed by Horvá…
SOURCE: thetheatretimes.com at 02:52AMIn spite of all open-mindedness, attending family performances as an adult can be, initially at least, off-putting. There is a stigma around the themes approached, the aesthetics, and the ac…
SOURCE: thetheatretimes.com at 12:53PMThe question of universality faces entire series of utterly new answers, but not all of them find a place or are given a form to be exhibited on stage, as it is frequently mistaken for relat…
SOURCE: thetheatretimes.com at 10:39AMThe performance follows four women in different parts of Ukraine, at various distances from the frontline and allows them to tell their pre and post-February 2022 stories. Abrupt opening? It…
SOURCE: thetheatretimes.com at 04:35AM

