All stories by Susannah Clapp on BroadwayStars

Saturday, May 24, 2014

Time to bring down the curtain on stage critics' sexism by Susannah Clapp

A week in which male reviewers provoked a storm by calling opera singer Tara Erraught 'unsightly' has provoked a much-needed debate on sexist attitudes in arts criticismBelow, women in the a…

SOURCE: The Guardian at 07:05PM

All My Sons review Miller's slow-burning classic by Susannah Clapp

Regent's Park Open Air theatre, LondonTimothy Sheader's revival of Arthur Miller's postwar shot at the American Dream struggles to recover from a sluggish first halfWith Miss Saigon playing …

SOURCE: The Guardian at 07:05PM

Miss Saigon review 'celebration masquerading as tragedy' by Susannah Clapp

Prince Edward, LondonThe hugely popular musical is back with its blaring, terrible songsNot so much a musical as an applausathon. Here is a famous duet: much clapping. Here is a swanky Ameri…

SOURCE: The Guardian at 07:04PM
Saturday, May 17, 2014

Hope Place; The Last Days of Troy review by Susannah Clapp

Everyman, Liverpool; Royal Exchange, ManchesterFour bereaved siblings wallow in the past in the terrific Hope Place, while Lily Cole is a graceful if small-voiced Helen in Simon Armitage's d…

SOURCE: The Guardian at 07:05PM
Saturday, May 10, 2014

Raw Material: Llareggub Revisited review quirky but overstuffed Dylan Thomas tribute by Susannah Clapp

Laugharne, CarmarthenshireThe small community that inspired Under Milk Wood hosts an intriguing but whimsical tribute to the wayward Welsh bardTo begin at the end. In the graveyard at Laugha…

SOURCE: The Guardian at 07:06PM
Saturday, May 3, 2014

Sunny Afternoon; Debris review by Susannah Clapp

Hampstead; Southwark Playhouse, LondonThe Kinks musical Sunny Afternoon is a triumph for Ray Davies and Joe Penhall. And orphans bring snot and fury to SouthwarkSunny Afternoon rocks Hampste…

SOURCE: The Guardian at 07:07PM
Saturday, April 26, 2014

Privacy; The Silver Tassie; An Intervention review by Susannah Clapp

Donmar Warehouse; Lyttelton, London; Watford PalaceJames Graham's electrifying new play, Privacy, could change your online lifeThere is no need to keep this a secret. Privacy is electrifying…

SOURCE: The Guardian at 07:07PM
Saturday, April 19, 2014

The Roaring Girl; Henry IV Parts I and II review by Susannah Clapp

Dekker and Middleton's Roaring Girl fails to hold her own at the RSC against two of Shakespeare's most thoroughly male dynastic dramasThe RSC is no longer alone with Shakespeare. The Globe i…

SOURCE: The Guardian at 07:07PM
Saturday, April 12, 2014

King Charles III; Birdland; A Small Family Business review by Susannah Clapp

In Mike Bartlett's fine new play at the Almeida, the Windsors acquire Shakespearean depths, while the ravages of a rock-star life dazzle at the Royal CourtThe Queen is dead; Charles is about…

SOURCE: The Guardian at 07:07PM
Saturday, April 5, 2014

Home; Kingston 14; Arcadia review by Susannah Clapp

Shed; Theatre Royal, both London; Tobacco Factory, BristolPoor lives make for rich drama at the Shed, while Goldie excels as a Jamaican gang leader at Stratford EastSome of the most striking…

SOURCE: The Guardian at 07:04PM
Saturday, March 22, 2014

Blithe Spirit review – Angela Lansbury's happy medium by Susannah Clapp

Gielgud, LondonThe Broadway veteran plays a magnificently dotty Madame Arcati in this remarkable production of Coward's glacial comedyShe strides on in plaid tweeds, and shimmies around in a…

SOURCE: The Guardian at 08:05PM
Saturday, March 15, 2014

Twelfth Night; Spring Awakening – review by Susannah Clapp

Everyman, Liverpool; West Yorkshire Playhouse, Leeds Twelfth Night doesn't quite echo the newly revamped Everyman's sense of swagger. In Leeds, Anya Reiss's updating of Wedekind is a winnerR…

SOURCE: The Guardian at 10:00AM
Saturday, March 8, 2014

Good People; Versailles; Orlando – review by Susannah Clapp

Hampstead; Donmar, London; Royal Exchange, ManchesterImelda Staunton is whip-sharp in a great new US play about class. Peter Gill roots his drama in argument. And Orlando fliesThere are no s…

SOURCE: The Guardian at 07:07PM
Saturday, February 15, 2014

1984; Oh What a Lovely War – review by Susannah Clapp

Almeida; Theatre Royal Stratford East, LondonOrwell's 1984 comes to tremendous, hellish life. And Joan Littlewood's satire still bitesIt is hugely ambitious to put this dystopia on stage. Ha…

SOURCE: The Guardian at 03:04PM
Sunday, February 9, 2014

The Mistress Contract; Happy Days; The Cement Garden – review by Susannah Clapp

Royal Court; Young Vic; Vaults, LondonFeminism and its absence play a part in Abi Morgan's latest, one of Beckett's best and Ian McEwan's Cement GardenSamuel Butler said it was very good of …

SOURCE: The Guardian at 05:30AM
Sunday, February 2, 2014

Blindsided; The Pass; The Body of an American – review by Susannah Clapp

Royal Exchange, Manchester; Royal Court; Gate, LondonThieving lovers of the Thatcher era, football homophobia and a haunting war photograph make for a trio of striking new dramasSimon Stephe…

SOURCE: The Guardian at 03:05AM
Sunday, January 26, 2014

King Lear; Blurred Lines – review by Susannah Clapp

Olivier; Shed, LondonSimon Russell Beale is magnetic as Lear in Sam Mendes's production, which traces 'an unravelling that is political, cosmic and personal'It would be worth it for the stor…

SOURCE: The Guardian at 03:00AM
Saturday, January 18, 2014

The Duchess of Malfi; Not I/Footfalls/Rockaby – review by Susannah Clapp

Sam Wanamaker Playhouse; Royal Court, LondonThe Globe's new indoor stage is the ideal setting for Webster's macabre tragedy, while Beckett engenders awe not shockUsually Gemma Arterton …

SOURCE: The Guardian at 07:07PM
Saturday, January 11, 2014

Wolf Hall; Bring Up the Bodies – review by Susannah Clapp

Swan, Stratford-upon-AvonBen Miles as Thomas Cromwell leads the way in compelling stage versions of Hilary Mantel's great Tudor novelsThese are near-perfect adaptations. That's to say, imper…

SOURCE: The Guardian at 07:07PM
Saturday, December 28, 2013

Moominland Midwinter; The Good Neighbour; The Night Before Christmas – review by Susannah Clapp

Egg, Bath; BAC, Little Angel, LondonTove Jansson's lovably eccentric characters make their UK stage debut. And there's more magic down the corridors at BACThey are onstage at last. My heroes…

SOURCE: The Guardian at 07:05PM
Saturday, December 21, 2013

Coriolanus; Stephen Ward; Oliver! – review by Susannah Clapp

Donmar; Aldwych, London; Crucible, SheffieldTom Hiddleston's Coriolanus is blazing but bleak, and there's as little love in a 60s sex scandal as there was in Dickens's LondonThe first time I…

SOURCE: The Guardian at 07:07PM

The best theatre of 2013: Susannah Clapp's choice by Susannah Clapp

Shakespeare, Ibsen and Pinter were among the highlights in a year notable for rediscovery and reinventionRead the Observer critics' reviews of the year in full hereThis was a pivotal theatri…

SOURCE: The Guardian at 07:05PM
Tuesday, December 17, 2013

Why I resigned as an Evening Standard theatre awards judge by Susannah Clapp

Changes in the voting system and a lack of open debate left judges feeling like children, and irrevocably damaged the awardsI have been a judge for the Evening Standard Theatre awards for 14…

SOURCE: The Guardian at 06:55AM
Saturday, December 14, 2013

American Psycho; From Morning to Midnight; The Little Mermaid – review by Susannah Clapp

Almeida, Lyttelton, London; Bristol Old VicMatt Smith brings a deadly vacancy to Easton Ellis's antihero in a musical with sharp instincts and a hollow heartAmerican Psycho will be a big hit…

SOURCE: The Guardian at 07:07PM
Saturday, December 7, 2013

Let the Right One In; Henry V; Emil and the Detectives – review by Susannah Clapp

Royal Court; Noel Coward; Olivier, LondonA National Theatre of Scotland tour de force comes south in full-blooded fashion. And Jude Law means business as Henry VThis June I came away from Du…

SOURCE: The Guardian at 07:07PM
Saturday, November 30, 2013

In the Next Room (or the vibrator play); Gastronauts; Once Upon a Christmas – review by Susannah Clapp

St James; Royal Court; Covent Garden, LondonPeople are whooping at Sarah Ruhl's play. Well, of course: at the centre of the plot is a vibrator. Set in New York in the 1880s, In the Next Room…

SOURCE: The Guardian at 07:06PM
Saturday, November 23, 2013

Theatre Uncut; Strangers on a Train – review by Susannah Clapp

Young Vic; Gielgud, LondonTheatre Uncut's visionary series of political plays appeal as much for the ideas as the drama. And Strangers on a Train runs out of steamWhat began as a hand grenad…

SOURCE: The Guardian at 07:06PM
Saturday, November 16, 2013

Mojo; King Lear; Jeeves and Wooster – review by Susannah Clapp

Harold Pinter, London; Minerva, Chichester; Duke of York's, LondonJez Butterworth's Mojo returns in style, King Lear has never been less mad, and Jeeves and Wooster fizz in the West EndBefor…

SOURCE: The Guardian at 07:07PM
Saturday, November 9, 2013

Nut; Keeler – review by Susannah Clapp

Shed; Charing Cross theatre, LondonDebbie Tucker Green captures the pain and poetry of everyday speech in her powerful new playIt's a long time since I've seen such ecstatic smoking on stage…

SOURCE: The Guardian at 07:06PM
Saturday, October 26, 2013

The Djinns of Eidgah; The Events; From Here to Eternity – review by Susannah Clapp

Royal Court; Young Vic; Shaftesbury, LondonThe terrors of war-torn Kashmir are brought to spirited life, while an intriguing musical explores the Anders Breivik killingsMuch has been said a…

SOURCE: The Guardian at 07:07PM
Saturday, October 19, 2013

Richard II; Macbeth – review by Susannah Clapp

Royal Shakespeare theatre, Stratford-upon-Avon; Little Angel, LondonDavid Tennant isn't the only reason to rush to Greg Doran's exceptional production of Richard IIIt has been promoted as Da…

SOURCE: The Guardian at 07:09PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic