All stories by Susannah Clapp on BroadwayStars

Sunday, August 2, 2015

Jekyll and Hyde review – ravishing design, stilted acting by Susannah Clapp

Platform theatre, Central Saint Martins, LondonThis clever co-production of Stevenson’s great story really is a tale of two halvesHow appearances can deceive. Jekyll and Hyde is an intrigu…

SOURCE: The Guardian at 04:16AM
Sunday, July 19, 2015

Neck of the Woods review – toothless retelling of Red Riding Hood by Susannah Clapp

Home, ManchesterCharlotte Rampling collaborates in a scare-free adaptation of the fairytaleThis year’s Manchester international festival has made striking tilts at fairytale and myths. Max…

SOURCE: The Guardian at 04:24AM

Lampedusa review – moving tales of modern injustice by Susannah Clapp

Soho theatre, LondonAnders Lustgarten’s stories of injustice, delivered as first-hand testimony, are powerful but ultimately improbableIt is not easy to cry in a small theatre, especially …

SOURCE: The Guardian at 04:24AM

The Mentalists review – B&B drama fails to bring home the bacon by Susannah Clapp

Wyndham’s, LondonNeither Stephen Merchant nor Steffan Rhodri can elevate Richard Bean’s two-hander above the level of whimsyIt’s as if you turned up to Centre Court and found yourself …

SOURCE: The Guardian at 04:24AM
Sunday, July 12, 2015

Pink Mist review – intense, spare theatre by Susannah Clapp

Bristol Old VicOwen Sheers interviewed soldiers recently wounded in Afghanistan for his harrowing tale of young lives shattered by warPink mist is the spray of blood that hangs in the air wh…

SOURCE: The Guardian at 03:54AM

The Skriker review – extraordinarily prescient by Susannah Clapp

Royal Exchange, ManchesterCaryl Churchill’s doom-wreaking Skriker, created 20 years ago, proves to be a primary figure of modern theatreShe would not be welcome as a member of the Garrick …

SOURCE: The Guardian at 03:54AM
Sunday, July 5, 2015

Measure for Measure review – bravado in merriment by Susannah Clapp

Shakespeare’s Globe, LondonDominic Dromgoole’s final staging as artistic director turns Shakespeare’s troubling problem play into something close to jolly, and is all the bolder for it…

SOURCE: The Guardian at 03:15AM

The Trial review – Kafka made bland and babbling by Susannah Clapp

Young Vic, LondonNick Gill’s adaptation and Richard Jones direction conspire to flatten the novel’s tension and mystery, though Rory Kinnear shines throughKafka said he wanted his work t…

SOURCE: The Guardian at 03:15AM
Sunday, June 21, 2015

hang review – Marianne Jean-Baptiste’s terrible choice in a terrifying space by Susannah Clapp

Royal Court, LondonDebbie Tucker Green directs her own intense crime and punishment dramaCataclysm in a small space. Explosion in lower case. Intensity and obliqueness are defining marks of …

SOURCE: The Guardian at 03:42AM

The Motherfucker With the Hat review – a brutally funny take on addiction by Susannah Clapp

Lyttelton, LondonAn ex-con struggles to go straight in a vibrant New York dramaThe design alone makes it worth the visit. Robert Jones’s set declares the idiom of Stephen Adly Guirgis’s …

SOURCE: The Guardian at 03:42AM

Violence and Son review – you are what you do in the Welsh valleys by Susannah Clapp

What’s inherited, what’s learned? The dialogue’s salty and the performances finely tuned in Gary Owen’s Royal Court debutViolence and Son by Gary Owen begins with an electronic sizzl…

SOURCE: The Guardian at 02:20AM
Sunday, June 14, 2015

The Red Lion review – Patrick Marber waxes lyrical about the beautiful game by Susannah Clapp

Dorfman, London Fine performances add clout to Patrick Marber’s changing-room three-handerIt is 20 years since Patrick Marber burst on to the stage of the National with his sharp-witted po…

SOURCE: The Guardian at 03:36AM

Have Your Circumstances Changed? review – magnified domesticity by Susannah Clapp

Former Fads shop, Archway Mall, LondonThree wordless studies of old men in a shop window make a surreal spectacle of ordinary lifeArtangel’s new show could hardly have a more suitable sett…

SOURCE: The Guardian at 03:36AM
Sunday, June 7, 2015

Oresteia review – a terrifying immediacy by Susannah Clapp

Almeida, LondonAn exhilarating present-day reworking of Aeschylus gives free rein to female power“I felt so alive once I’d killed him.” As the husband-slayer Clytemnestra, a magnificen…

SOURCE: The Guardian at 04:34AM

The Elephant Man review – Bradley Cooper reminds us some stars can act by Susannah Clapp

Theatre Royal Haymarket, LondonCooper’s buzzy West End debut is impressive but performing without prostheses and makeup is both a considerable feat and a cop-outPeople have been hustling v…

SOURCE: The Guardian at 03:03AM
Saturday, June 6, 2015

Cause Célèbre; Rocket to the Moon – review by Susannah Clapp

Old Vic; Lyttelton, both LondonVowel-torturing upper-class accents; ferocious feelings; a traditional scene performed in an abstract place. Thea Sharrock – who kick-started the Terence Rat…

SOURCE: The Guardian at 09:31AM
Sunday, May 31, 2015

The Merchant of Venice review – Antonio moves centre stage by Susannah Clapp

Royal Shakespeare theatre, Stratford-upon-AvonAntonio and Bassanio are the revelation in Polly Findlay’s RSC production Continue reading...

SOURCE: The Guardian at 03:40AM

Temple review – sedate rather than stirring by Susannah Clapp

Donmar Warehouse, LondonSteve Waters’s recasting of events surrounding the Occupy protests is scrupulously balanced but lacks animation Continue reading...

SOURCE: The Guardian at 02:45AM
Monday, May 25, 2015

The 10 best Hamlets by Susannah Clapp

From David Tennant's sardonic and volatile performance to John Gielgud's choked-up ferocity, Susannah Clapp picks the 10 best portrayals of Hamlet

SOURCE: The Guardian at 05:58PM

Clybourne Park; The Maddening Rain; Into the Woods; Oikos | Theatre review by Susannah Clapp

Royal Court; Old Red Lion; Regent's Park Open Air; Jellyfish theatre, all London

SOURCE: The Guardian at 05:58PM

Grandage leaves the Donmar and the critics cry by Susannah Clapp

Can anyone fill the director's shoes at London's best off-West End theatre?

SOURCE: The Guardian at 05:58PM
Sunday, May 24, 2015

The Flannelettes review – not so much well made as well meant by Susannah Clapp

King’s Head, London Richard Cameron’s sequinned serenade of a drama never quite finds its feet Continue reading...

SOURCE: The Guardian at 03:00AM

As You Like It review – ‘St Crispin’s Day for girls’ by Susannah Clapp

Globe, London The wonderful Michelle Terry makes Rosalind her own in Blanche McIntyre’s intelligent staging of As You Like It Continue reading...

SOURCE: The Guardian at 03:00AM

The Funfair review – gaudy despair that rings disturbing and true by Susannah Clapp

Home, Manchester Manchester’s new Home theatre offers a modern spin on a tale of 1920s Munich Continue reading...

SOURCE: The Guardian at 02:00AM
Sunday, May 17, 2015

High Society review – sumptuous frocks, but is it really top class? by Susannah Clapp

Old Vic, LondonHigh Society isn’t short on quality, but it can’t shake off its glorious past Continue reading...

SOURCE: The Guardian at 03:00AM

Wolf’s Child review – an extraordinary exploration of what it is to be tamed by Susannah Clapp

Felbrigg Hall, NorfolkWildWorks ventures into the woods in an unforgettable tale of transformation inspired by real life and Greek myth Continue reading...

SOURCE: The Guardian at 01:59AM
Sunday, May 10, 2015

The Audience review – Kristin Scott Thomas gets regal by Susannah Clapp

Apollo, LondonAn icily poised Kristin Scott Thomas faces an updated assortment of PMs in this cosy game of recognitionLast-minute tucks and additions had been prepared for The Audience. Audi…

SOURCE: The Guardian at 03:15AM

The Vote review – a glorious night at the polling station by Susannah Clapp

Donmar Warehouse, LondonA galactic cast excels in James Graham’s hugely impressive general election dramaHurrah for the stage. It has proved exceptionally nimble at responding imaginativel…

SOURCE: The Guardian at 03:00AM
Sunday, May 3, 2015

American Buffalo review – a three-man mash-up by Susannah Clapp

Wyndham’s, LondonThis starry revival of David Mamet’s 1975 drama reveals Damian Lewis as a natural comedian Continue reading...

SOURCE: The Guardian at 03:00AM

Bugsy Malone review – a sassy, grab-you-by-the-tear-ducts production by Susannah Clapp

Lyric Hammersmith, LondonSean Holmes’s ebullient production avoids the pitfalls of staging Alan Parker’s film, offering a punchy opening show at the beautifully redesigned Lyric Continue…

SOURCE: The Guardian at 02:30AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic