Lyttelton, LondonAn ex-con struggles to go straight in a vibrant New York dramaThe design alone makes it worth the visit. Robert Jones's set declares the idiom of Stephen Adly Guirgis's 2011 play. New York interiors zoom on rails towards the audience: two zigzag scarlet fire escapes; a hotel bedroom in Times Square; a lush conservatory in Washington Heights. Each scene slides out of darkness, is rowdily animated, the…
SOURCE: The Guardian at 03:42AM on June 21, 2015