All stories by Susannah Clapp on BroadwayStars

Sunday, May 21, 2017

Life of Galileo review: a good night for stargazers by Susannah Clapp

Young Vic, London Brendan Cowell brings Brecht’s rebel scientist to combative life in Joe Wright’s coruscating productionHow to see what’s really going on? How to recognise interesting…

SOURCE: The Guardian at 04:54AM
Sunday, May 14, 2017

Salomé review – heads will roll by Susannah Clapp

Olivier, National Theatre, LondonYaël Farber’s turgid take on the biblical story leaves some fine actors stranded in the desert“It begins at the end.” You might be warned from the sta…

SOURCE: The Guardian at 03:24AM

Room review – a small wonder by Susannah Clapp

Theatre Royal, Stratford East, LondonEmma Donoghue’s acclaimed novel makes the leap to the stage, with a little help from young Harrison WildingEmma Donoghue has written eloquently about h…

SOURCE: The Guardian at 03:24AM

Richard III review – a stark and powerful coup by Susannah Clapp

Hull Truck theatre, HullMat Fraser is genially terrifying as the dastardly king in Northern Broadsides’ urgent 25th anniversary performanceMat Fraser, who hosted the 2012 Paralympics openi…

SOURCE: The Guardian at 03:24AM
Sunday, May 7, 2017

Angels in America review – Kushner’s epic ‘gay fantasia’ flies again by Susannah Clapp

Lyttelton, LondonGaudy and unflinching, Tony Kushner’s 90s Aids drama still resonates in this bold, starry revival directed by Marianne ElliottYou can tell when a show is bound for success…

SOURCE: The Guardian at 04:02AM

The Ferryman review – Jez Butterworth pulls another rabbit from the hat by Susannah Clapp

Royal Court, London Magic runs through Butterworth’s brilliant new play, directed by Sam Mendes, with a fine stage debut from Paddy ConsidineJez Butterworth’s plays shoulder their way on…

SOURCE: The Guardian at 04:02AM
Sunday, April 30, 2017

Romeo and Juliet review – a bellowing pantomime by Susannah Clapp

Shakespeare’s Globe, LondonThe lovers alone convince in Daniel Kramer’s bewildering productionEmma Rice’s last season in charge of the Globe opens with loud defiance. Daniel Kramer’s…

SOURCE: The Guardian at 04:18AM

Obsession review – Jude Law is stranded in treacle-slow adaptation by Susannah Clapp

Barbican, LondonNo amount of writhing and roaring can enliven Ivo van Hove’s self-absorbed take on ViscontiIn one corner David Hare: the least likely of dramatic Brexiters, suspicious of c…

SOURCE: The Guardian at 04:18AM

City of Glass review – Auster adaptation is all spectacle by Susannah Clapp

Lyric Hammersmith, LondonA visually dazzling staging by 59 Productions is missing a human dimensionJames Fenton, trenchant former theatre critic of the Sunday Times, once described his job a…

SOURCE: The Guardian at 04:18AM
Sunday, April 23, 2017

Guards at the Taj review – rich with ideas and gore by Susannah Clapp

Bush theatre, LondonBrilliantly designed, Rajiv Joseph’s philosophical, whimsical play brings immensity to a small space at the refurbished west London theatreThe rejigged, refreshed Bush …

SOURCE: The Guardian at 04:06AM

The Mentor; The Philanthropist review – lethal wit by Susannah Clapp

Ustinov Studio, Theatre Royal, Bath; Trafalgar Studios, LondonPlaywright Christopher Hampton’s talents are illuminated in two clever satires skewering the literary and academic lifeWho wou…

SOURCE: The Guardian at 02:54AM
Sunday, April 16, 2017

Carousel review – it’s fine… if you close your eyes by Susannah Clapp

Coliseum, LondonKatherine Jenkins and Alfie Boe sound as good as you might expect, but ‘semi-staged’ here signifies a woeful lack of acting talentThe English National Opera has said that…

SOURCE: The Guardian at 03:48AM

The Winter’s Tale review – pursued by a bear of very little brawn by Susannah Clapp

Barbican, LondonCheek by Jowl rise to Shakespeare’s challenge, including a wonderful awakening for Hermione. But the beast scares no oneThe Winter’s Tale is a series of dares for a direc…

SOURCE: The Guardian at 03:48AM
Sunday, April 9, 2017

Consent review – justice under interrogation by Susannah Clapp

Dorfman, LondonNina Raine adroitly tackles barristers’ struggles with the truth as the audience becomes the jury in a rape caseMore than Consent. Heartfelt approval. It is hard to overemph…

SOURCE: The Guardian at 05:06AM

42nd Street review – move over, La La Land by Susannah Clapp

Theatre Royal Drury Lane, LondonIf it’s a real musical you’re after, this is the one to watchForget La La Land. If you want to see hot hoofing, go to Mark Bramble’s production of 42nd …

SOURCE: The Guardian at 04:02AM

The Goat, Or Who Is Sylvia? review – an unappetising plea for liberalism by Susannah Clapp

Theatre Royal, HaymarketDamian Lewis and Sophie Okonedo do their best with Edward Albee’s provocative play, but it is too knowing for its own goodIn the seven months since Edward Albee die…

SOURCE: The Guardian at 04:02AM
Sunday, March 19, 2017

My Country: A Work in Progress review – a laudable but limp look at Brexit Britain by Susannah Clapp

Dorfman, London Rufus Norris and Carol Ann Duffy’s verbatim drama includes a variety of voices but is already out of date in our bitterly divided nationOne of Rufus Norris’s aims since h…

SOURCE: The Guardian at 05:06AM

My Brilliant Friend review – intensity wins through by Susannah Clapp

Rose theatre, Kingston upon ThamesCatherine McCormack and Niamh Cusack ignite April De Angelis’s five-hour staging of Elena Ferrante’s Neopolitan sagaWhat a nerve. To think that Elena Fe…

SOURCE: The Guardian at 05:06AM

The Miser review – a Molière mugfest by Susannah Clapp

Garrick, London Heavily laboured jokes sink Griff Rhys Jones and Lee Mack in this 17th-century comedy of mannersIt may be that, all unwittingly, I have had a farsectomy. I – mostly – app…

SOURCE: The Guardian at 04:03AM
Sunday, March 12, 2017

Rosencrantz and Guildenstern Are Dead review – a great double act by Susannah Clapp

Old Vic, LondonDaniel Radcliffe and Joshua McGuire’s split-second timing ensures this well-judged production of Stoppard’s classic fizzes with lifeWhen as a schoolgirl I saw Rosencrantz …

SOURCE: The Guardian at 04:42AM

Who’s Afraid of Virginia Woolf? review – Staunton and Hill have a bawl by Susannah Clapp

Harold Pinter, LondonPrepare for a high-wire showdown in James Macdonald’s fine production of Albee’s caustic classicNo one is going to accuse Who’s Afraid of Virginia Woolf? of being …

SOURCE: The Guardian at 04:42AM

Limehouse review – the gang of four revisited by Susannah Clapp

Donmar Warehouse, LondonOutstanding performances, including Roger Allam as Roy Jenkins, enliven a timely drama about the birth of the SDPIt was an Alice Through the Looking Glass press night…

SOURCE: The Guardian at 04:42AM
Sunday, March 5, 2017

The Hypocrite review – hard-work humour from Richard Bean by Susannah Clapp

Hull Truck theatre, HullMark Addy and Caroline Quentin star in Richard Bean’s gag-heavy satirical tale of a 17th-century city governor navigating the outbreak of civil warThere is exemplar…

SOURCE: The Guardian at 04:12AM

Hamlet review – Andrew Scott is a truly sweet prince by Susannah Clapp

Almeida, LondonScott brings total empathy to the title role in Robert Icke’s inspired production Robert Icke is one of the most important forces in today’s theatre. He blew the dust from…

SOURCE: The Guardian at 04:12AM
Sunday, February 26, 2017

Othello review – sheer force of feeling by Susannah Clapp

Tobacco Factory, BristolPowerful performances from fine young actors bring fresh power to this sensual, subtle reinventionRichard Twyman is not resident at the Tobacco Factory. Yet his marve…

SOURCE: The Guardian at 03:42AM

A Midsummer Night’s Dream review – a dark and muddy vision by Susannah Clapp

Young Vic, LondonIt’s all mire, ire and menace in Joe Hill-Gibbins’s heavy-going productionMud sticks. The most immediately striking feature of Joe Hill-Gibbins’s staging of A Midsumme…

SOURCE: The Guardian at 03:42AM

Twelfth Night review – on high gend by Susannah Clapp

Olivier, LondonTamsin Greig is a magnetic Malvolia in an extravagant production that gleefully refocuses Shakespeare’s comedyShe is a 21st-century puritan: her religion is herself; her bod…

SOURCE: The Guardian at 03:42AM
Sunday, February 19, 2017

Beware of Pity review – found in translation by Susannah Clapp

Barbican, London Simon McBurney’s fizzing take on the novel that inspired The Grand Budapest Hotel transcends language barriers… and can still be seen onlineBefore I was a theatre critic…

SOURCE: The Guardian at 03:36AM

Richard III review – a thoroughly modern game of thrones by Susannah Clapp

Barbican, LondonLars Eidinger is a visceral, manipulative monarch in Thomas Ostermeier’s explosive German-language productionThomas Ostermeier has been director of Schaubühne Berlin since…

SOURCE: The Guardian at 03:36AM

Travesties – early Stoppard feels like new by Susannah Clapp

Apollo, LondonTom Hollander proves wonderfully potty in Stoppard’s 1974 play, given a startling new lease of life in this age of alternative factsEarly Tom Stoppard plays are having a stag…

SOURCE: The Guardian at 03:36AM
Sunday, February 12, 2017

Sex With Strangers review – a night to forget by Susannah Clapp

Hampstead theatre, LondonDespite fine performances, Laura Eason’s 2009 play about two writers having a fling is too rooted in its timeLaura Eason’s Sex With Strangers was first staged by…

SOURCE: The Guardian at 03:36AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic