Olivier, National Theatre, LondonYaël Farber's turgid take on the biblical story leaves some fine actors stranded in the desert"It begins at the end." You might be warned from the start " or should that be the long-wished-for finish? Staring-eyed, wild-haired with a scrofulous tattoo all over her arms, Olwen Fouéré advances towards the audience to share a few sonorous paradoxes. About coming together but falling…
SOURCE: The Guardian at 03:24AM on May 14, 2017