All stories by Susannah Clapp on BroadwayStars

Sunday, January 14, 2018

My Mum’s a Twat review – a witty teenage confessional by Susannah Clapp

Jerwood Theatre Upstairs, Royal Court, LondonThe naturally comic Patsy Ferran shines in Anoushka Warden’s punchy autobiographical monologue about growing up the child of a cult followerAno…

SOURCE: The Guardian at 03:00AM

Rita, Sue and Bob Too review – a threesome stuck in the Thatcher era by Susannah Clapp

Jerwood Theatre Downstairs, Royal Court, LondonAfter all the controversy surrounding this revival of Andrea Dunbar’s memorable play, it adds nothing that’s newRita, Sue and Bob Too comes…

SOURCE: The Guardian at 02:55AM
Sunday, December 24, 2017

Belleville review – they’ll always have Paris by Susannah Clapp

Donmar Warehouse, LondonJames Norton and Imogen Poots paint an intense picture of a couple in a violent but entirely predictable marriage crisisDoors are battered, blood is spattered, a per…

SOURCE: The Guardian at 03:12AM

The Jungle review – intimate tragedy from across the Channel by Susannah Clapp

Young Vic, LondonTestimony from Calais refugees makes vital drama in a compelling but unsentimental document of our timesThe Jungle is one of the most vital productions of the year. Desperat…

SOURCE: The Guardian at 03:12AM

Hamilton review – a delicious treat for heart and head by Susannah Clapp

Victoria Palace, LondonLin-Manuel Miranda’a smash Broadway musical about one of America’s founding fathers now breaks new ground in the West EndYes it is. Worth the wait. Yes it does. Sp…

SOURCE: The Guardian at 03:12AM
Sunday, December 17, 2017

Pinocchio review – a familiar fable is brought to captivating life by Susannah Clapp

National Theatre, LondonThe almost-real boy and adorably annoying cricket win hearts and minds in John Tiffany’s skilful, subtle adaptationIt is easy to draw up a list of items that make P…

SOURCE: The Guardian at 04:24AM

Imperium review – Rome sweet Rome, with a masterly turn from Cicero by Susannah Clapp

Swan, Stratford-upon-AvonRobert Harris’s trilogy springs fully to life in Mike Poulton’s two-part epic – but where are the meaty parts for women?There are, well, a legion of reasons fo…

SOURCE: The Guardian at 04:24AM

The Twilight Zone review – retro anxieties from another dimension by Susannah Clapp

Almeida, LondonThe supernatural stories of the mid-20th century TV show have lost some of their bite in adaptation, but none of their deadpan charmCan irony and fear coexist in the theatre? …

SOURCE: The Guardian at 03:18AM
Sunday, December 10, 2017

How to Win Against History review – a peer gets his wings by Susannah Clapp

Young Vic, LondonAn Edinburgh fringe hit, this spangled tale of the cross-dressing fifth marquis of Anglesey charms even as it cajolesI bet most of the audience in How to Win Against History…

SOURCE: The Guardian at 03:48AM

Barnum review – all show, not enough tell by Susannah Clapp

Menier Chocolate Factory, LondonMarcus Brigstocke stars in a revival of the Broadway musical that brings the big top to fire-eating life, if not the showman himself“Humbug” at this time …

SOURCE: The Guardian at 03:48AM

Susannah Clapp’s best theatre of 2017 by Susannah Clapp

Hot-off-the-press plays thrust the personal and the political centre stage, while Bob Dylan had a moment• Observer critics’ reviews of the year in fullWhat a terrific turnaround year. At…

SOURCE: The Guardian at 02:42AM
Sunday, November 26, 2017

Everybody’s Talking About Jamie review – a fizzing, feeling instant hit by Susannah Clapp

Apollo, LondonThere’s wit and heart galore in Tom Macrae and Dan Gillespie’s musical inspired by a teenage boy who wanted to dress in girls’ clothesWho could resist Everybody’s Talki…

SOURCE: The Guardian at 03:18AM

The Suppliant Women review – an astonishing Greek chorus finds its voice by Susannah Clapp

Young Vic, LondonAeschylus speaks directly to us in David Greig’s electrifying adaptationFierce and crystal-clear, The Suppliant Women arrives in London like an arrow shot into the he…

SOURCE: The Guardian at 03:18AM
Sunday, November 19, 2017

Tiger Bay the Musical review – all-singing, all-dancing hard times by Susannah Clapp

Wales Millennium Centre, CardiffCardiff’s fabled docks are given the Les Mis treatment in a hulking, lacklustre new musical graced by some exceptional voicesIt is my favourite place name. …

SOURCE: The Guardian at 03:33AM

Quiz review – James Graham has all the right answers by Susannah Clapp

Minerva, ChichesterThis acute take on the Who Wants to Be a Millionaire? cheating case looks set to be another West End transfer for the playwrightJames Graham’s Quiz is an oblique look at…

SOURCE: The Guardian at 03:33AM

Network review – Bryan Cranston creates studio mayhem by Susannah Clapp

Lyttelton, LondonCranston is compelling as the TV anchorman-gone-rogue in Ivo Van Hove and Lee Hall’s dazzling stage version of the 1976 filmFlesh and gizmo. Substance and reflections. Wat…

SOURCE: The Guardian at 03:33AM
Sunday, November 12, 2017

Big Fish review – lifeless male bonding musical by Susannah Clapp

The Other Palace, LondonKelsey Grammer plays a father recovering from a stroke in this soppy, short-lived Broadway showJohn August and Andrew Lippa’s musical Big Fish, adapted from Daniel …

SOURCE: The Guardian at 03:48AM

Jubilee review – Anarchy in the UK, 2017 style by Susannah Clapp

Royal Exchange, ManchesterWith its ‘no future’ message, Chris Goode’s riotous update of Derek Jarman’s punk film Jubilee rings trueOf course it is meant to be a mess. A coherent, rat…

SOURCE: The Guardian at 03:48AM

This Beautiful Future review – delicate, ambiguous and forceful by Susannah Clapp

The Yard, London E9Jay Miller directs an exemplary production of Rita Kalnejais’s bittersweet love story set in occupied FranceWhen people grumble about theatre being middle-aged they aren…

SOURCE: The Guardian at 03:48AM
Sunday, November 5, 2017

The Slaves of Solitude review – a woman on the verge of several brinks by Susannah Clapp

Hampstead theatre, LondonFenella Woolgar excels in an adaptation of Patrick Hamilton’s wartime tale that doesn’t quite capture the novel’s subtletiesEmbarrassment and anxiety shiver th…

SOURCE: The Guardian at 03:24AM

Romantics Anonymous review – Emma Rice’s bittersweet farewell by Susannah Clapp

Sam Wanamaker Playhouse, LondonRice bows out as artistic director of Shakespeare’s Globe in bravura style with a touching musical about two painfully shy chocolate-makersEmma Rice ends at …

SOURCE: The Guardian at 03:24AM
Sunday, October 29, 2017

Young Marx at the Bridge theatre review – the right play for a bold new venture by Susannah Clapp

Nicholas Hytner and Nick Starr’s intimate new South Bank theatre, where the focus will be on new writing, opens in riotous, melancholy style at home with Karl MarxLondon’s newest theatre…

SOURCE: The Guardian at 07:33AM
Sunday, October 22, 2017

Albion; A Woman of No Importance; The Lady from the Sea review – gardeners question the times by Susannah Clapp

Almeida; Vaudeville; Donmar, all LondonMike Bartlett conjures a potent state of the nation address while Wilde and Ibsen’s wronged heroines still resonateRarely has so baggy a play burned …

SOURCE: The Guardian at 04:06AM
Sunday, October 15, 2017

The Seagull review – Chekhov gets new wings by Susannah Clapp

Lyric Hammersmith, LondonLesley Sharp’s Irina moves from delight to despair in Simon Stephens’s incisive 21st-century versionSo Masha has become Marcia. She is not subjected to the most …

SOURCE: The Guardian at 03:24AM

The Tin Drum review – a banging hit by Susannah Clapp

Everyman, LiverpoolKneehigh are on top form in Carl Grose’s audacious Günter Grass adaptationA grand old place has been ransacked. In the background, faded ochre walls and windows precari…

SOURCE: The Guardian at 03:24AM

Heisenberg: The Uncertainty Principle review – romance with a scientific sheen by Susannah Clapp

Wyndhams, LondonSimon Stephens’s May-to-September love story is beautifully played by Anne-Marie Duff and Kenneth Cranham in Marianne Elliott’s inspired productionSimon Stephens’s new …

SOURCE: The Guardian at 03:24AM
Sunday, October 8, 2017

The Lie review – an elegant look at truth and deceit by Susannah Clapp

Menier Chocolate Factory, LondonFlorian Zeller’s tricksy, philosophical new play finds two couples debating the ethics of falsehoodFlorian Zeller and his translator Christopher Hampton bro…

SOURCE: The Guardian at 03:54AM

Labour of Love review – the left does the splits, gracefully by Susannah Clapp

Noël Coward theatre, LondonJames Graham’s new play, starring Martin Freeman as a Blairite MP and Tamsin Greig as his old-school constituency agent, cleverly illuminates party divisionsFiv…

SOURCE: The Guardian at 03:54AM

King Lear review – Ian McKellen is full of surprises by Susannah Clapp

Miverva, ChichesterAlongside Sinéad Cusack, Dervla Kirwan and Phil Daniels, McKellen is deftly authoritative as Lear in a production full of fine performances and clever touchesSome of the …

SOURCE: The Guardian at 03:54AM
Sunday, October 1, 2017

The Unknown Island; After the Rehearsal/Persona review – a voyage of discovery by Susannah Clapp

Gate; Barbican, LondonAn exciting rising star and imaginative production make for an enthralling trip to The Unknown Island, and a take on Bergman is stylish but slow-movingIf I were a casti…

SOURCE: The Guardian at 03:33AM
Sunday, September 24, 2017

Wings review – Juliet Stevenson soars above a spectacle by Susannah Clapp

Young Vic, LondonThe actor gives an extraordinary performance, but even she cannot quite convey the turmoil of a woman who has suffered a strokeSometimes Juliet Stevenson looks like a parach…

SOURCE: The Guardian at 03:18AM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic