Israel Galván brought a new iteration of his visually pared-down, danced-without-music “Solo” to Baryshnikov Arts Center.
SOURCE: The New York Times Subscription at 04:23PMThe interdisciplinary Out-FRONT! fills a gap in the dance calendar, showing incandescent works like Jasmine Hearn’s “Salt and Spirit.”
SOURCE: The New York Times Subscription at 02:39PMThe Indigenous artist Daina Ashbee’s first group piece, at the Gibney, simmers with tension and offers an approach to healing.
SOURCE: The New York Times Subscription at 04:25PMVertigo Dance Company’s “Pardes” is handsomely constructed if occasionally contrived.
SOURCE: The New York Times Subscription at 03:45PMIvy Baldwin’s defiant and poignant work for four dancers at the Chocolate Factory Theater is the outcome of deeply considered collaboration.
SOURCE: The New York Times Subscription at 06:12PMAt 30, Jacquelin Harris is expanding her repertoire, with role debuts in store for the latest Alvin Ailey American Dance Theater season.
SOURCE: The New York Times Subscription at 03:52PMAt Kyle Abraham’s premiere for Alvin Ailey American Dance Theater at New York City Center, dancers find intimacy in songs by Erykah Badu and Jazmine Sullivan.
SOURCE: The New York Times Subscription at 05:48PMAfter a few slow, sad years, the dance calendar returned to something like abundance, with standout shows that leaned into joy and community.
SOURCE: The New York Times Subscription at 05:00AMThe most intriguing aspects of Dimitris Papaioannou’s “Transverse Orientation” arise from a tension between grandeur and simplicity.
SOURCE: The New York Times Subscription at 02:06PMEmily Johnson’s “Being Future Being” unfolds in two parts, one at East River Park, the other at New York Live Arts.
SOURCE: The New York Times Subscription at 03:45PMTwo classics, “In the Upper Room” and “Nine Sinatra Songs,” share a program at City Center.
SOURCE: The New York Times Subscription at 02:09PMIn a joyous program at the Joyce Theater, Barnes and company show the relationships among Black social dance forms. It’s all connected, and it’s all jazz.
SOURCE: The New York Times Subscription at 02:12PMRainer, who has said “Hellzapoppin’: What About the Bees?,” will be her last dance, tackles race, if at a puzzling remove.
SOURCE: The New York Times Subscription at 02:27PMThe annual smorgasbord at New York City Center features dancers from Music from the Sole, the Bavarian State Ballet and Alvin Ailey.
SOURCE: The New York Times Subscription at 03:17PMMomix’s latest show, now at the Joyce Theater, is inspired by Lewis Carroll’s “Alice in Wonderland.”
SOURCE: The New York Times Subscription at 02:08PMThe choreographer Milka Djordjevich’s work at New York Live Arts investigates regimented movement before opening up to something more joyous and loose.
SOURCE: The New York Times Subscription at 02:02PMOn Thursday’s mixed bill, Ulysses Dove’s “Dancing on the Front Porch of Heaven” was the most arresting and emotionally resonant work.
SOURCE: The New York Times Subscription at 03:22PM“It’s not really like we’re dancing. It’s more just like we’re moving,” Heera Gandhu, 13, says of his collaboration with the choreographer Mariana Valencia at Abrons.
SOURCE: The New York Times Subscription at 01:55PMAmanda Castro, Brinda Guha and Arielle Rosales come from different traditions but share a reverence for the dancers’ foundation: the ground.
SOURCE: The New York Times Subscription at 03:38PMGibney Company presents “Up Close, a program of boundary-teasing works by three choreographers.
SOURCE: The New York Times Subscription at 02:50PMIn a delayed celebration of its 50th anniversary, the Brown company presented two dazzling works she made with Robert Rauschenberg.
SOURCE: The New York Times Subscription at 02:21PMPam Tanowitz, a deconstructor of the classical, has a new work, “Law of Mosaics,” and a company premiere on the program “Visionary Voices.”
SOURCE: The New York Times Subscription at 05:29PMMarshall’s solo “I & I,” set to reggae, was the highlight of his company’s program at the Chelsea Factory.
SOURCE: The New York Times Subscription at 03:22PMCelebrating its 50th anniversary, Ballet Hispánico takes on a new challenge: its first full-length ballet, with choreography by Annabelle Lopez Ochoa.
SOURCE: The New York Times Subscription at 02:13PMA mixed bill entitled “Dichotomous” brimmed with the hopeful and sometimes unsure energy of a fresh start for this dance company.
SOURCE: The New York Times Subscription at 05:46PMIn his evening-length work coming to BAM, Abraham wanted to focus on celebration and joy in Black culture, “the way we love and love on each other.”
SOURCE: The New York Times Subscription at 02:59PMPaul Lazar and friends recite and move to (most of) Cage’s 90 one-minute stories from “Indeterminacy,” with serendipitous alignments between words and gestures.
SOURCE: The New York Times Subscription at 02:06PMOona Doherty, a rising star in Europe, brings a Belfast-inspired piece to New York. “This is about kinetic trauma,” she says. “This is about you, as well.”
SOURCE: The New York Times Subscription at 02:39PMA year of uncertainty was capped by a happy ending: a rush of performances this fall, including standouts by masters (Twyla Tharp) and breakout stars (LaTasha Barnes).
SOURCE: The New York Times Subscription at 09:02AMThe starry program “Twyla Now,” at New York City Center, ends with a dazzling premiere featuring dancers who could be the stars of tomorrow.
SOURCE: The New York Times Subscription at 03:48PMIn “I Am Also – Monte,” Molly Poerstel and Monte Jones consider how, in dance, the past seeps into the present and into collaborations.
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