All stories by Scotty Zacher on BroadwayStars

Monday, March 7, 2016

Review: Midnight Cowboy (Lifeline Theatre) by Scotty Zacher

Chris Hainsworth new adaptation of James Leo Herlihy's novel *Midnight Cowboy* has grand scope but fizzles trying to create the appropriate atmosphere for the action. (read Clint May's entir…

SOURCE: Chicago Theater Beat at 03:12AM
Sunday, March 6, 2016

Review: In A Little World Of Our Own (Irish Theatre of Chicago) by Scotty Zacher

Nobody sets out to put on a gawdawful show, or so the old adage insists. But sometimes that just seems highly improbable. So it is with Irish Theatre of Chicago’s *In a Little World of Our…

SOURCE: Chicago Theater Beat at 10:40PM

Review: Mary Poppins (Nightblue Performing Arts Company) by Scotty Zacher

NightBlue Performing Arts’ interpretation of the new stage version of *Mary Poppins* has a handful of strong performances and the best of intentions, but comes across as amateurish in more…

SOURCE: Chicago Theater Beat at 08:30PM
Saturday, March 5, 2016

Review: Heathers – The Musical (Kokandy Productions) by Scotty Zacher

Directed by James Beaudry, *Heathers the Musical* wears out its welcome within the first few scenes. The show has an inconsistent tone throughout as its very young ensemble veers uneasily be…

SOURCE: Chicago Theater Beat at 11:50PM

Review: The Old Friends (Raven Theatre) by Scotty Zacher

Raven Theatre's *The Old Friends* received its world premiere in 2013, but had probably lost its relevance decades prior. Though there are some expcellent performances accented by a great s…

SOURCE: Chicago Theater Beat at 07:37PM
Friday, March 4, 2016

Review: Looking Over the President’s Shoulder (American Blues Theater) by Scotty Zacher

With James Still’s one-man drama *Looking Over the President’s Shoulder*, American Blues Theater offers the audience a rich, compelling first-person access to Alonzo Fields’ historic s…

SOURCE: Chicago Theater Beat at 05:52PM
Thursday, March 3, 2016

Review: Twelfth Night (Filter Theatre at Chicago Shakespeare) by Scotty Zacher

What makes Filter Theatre's Twelfth Night such a ripping good time on the whole is the cast’s antic energy level, the sound party the band brings to the stage and the performances Sean Hol…

SOURCE: Chicago Theater Beat at 07:34PM
Wednesday, March 2, 2016

Review: All the World’s a Stage (Quest Theatre Ensemble) by Scotty Zacher

Quest Theatre Ensemble's All the World’s a Stage feels like a first draft - its heart is in the right place, but its piece are scattered and its actors too raw. (read Lauren Whalen's entir…

SOURCE: Chicago Theater Beat at 05:43PM
Tuesday, March 1, 2016

Review: If/Then (Broadway in Chicago) by Scotty Zacher

The engaging cast and the heartfelt songs of Broadway in Chicago's "If/Then" will give you your money’s worth for a good evening out, and reassure you that the musical theater form can add…

SOURCE: Chicago Theater Beat at 07:34PM
Sunday, February 28, 2016

Review: American Buffalo (Mary-Arrchie Theatre) by Scotty Zacher

The true treasure here? That would be the Mary-Arrchie Theatre's American Buffalo production itself. It’s down and dirty and fascinating from start to finish. And it is a grand sendoff for…

SOURCE: Chicago Theater Beat at 09:57PM

Review: The Glass Menagerie (The Hypocrites) by Scotty Zacher

This this production of Glass Menagerie has its cracks, the show remains magnificent. After experiencing Director Hans Fleischmann's vision of this celebrated play, one would have a difficul…

SOURCE: Chicago Theater Beat at 06:44PM
Saturday, February 27, 2016

Review: Muse of Fire (Genesis Theatricals & Redtwist Theatre) by Scotty Zacher

Muse of Fire, by Playwright Jacob Rosenberg, concerns itself with the a man trying to keep humanity alive in hell (a.k.a. Auschwitz) in the form of humor. Guy F. Wicke plays Georg, the direc…

SOURCE: Chicago Theater Beat at 10:39PM
Friday, February 26, 2016

Review: Pinocchio–A Folk Musical (Filament Theatre) by Scotty Zacher

With a beautifully lyrical score and a talented cast, Filament Theatre's Pinocchio-A Folk Musical is a perfect way to introduce young audiences to live theater. Recommended! (read John Olson…

SOURCE: Chicago Theater Beat at 10:45PM

Review: Other Letters (The Other Theatre Co.) by Scotty Zacher

The Other Theatre Company aims to explore the epistolary tradition of letter writing through a new lens in its world premiere of Other Letters. Boiled down to two chairs, two tables and two …

SOURCE: Chicago Theater Beat at 08:28PM

Review: Messina 3004 (Otherworld Theatre) by Scotty Zacher

Otherworld Theatre's Messina 3004 is ambitious, colorful, energetic, athletic, sexy, and manages to achieve all of this in a brisk 90 minutes. You don't need to love Shakespearean comedies t…

SOURCE: Chicago Theater Beat at 06:21PM
Thursday, February 25, 2016

Review: High Fidelity (Refuge Theatre Project) by Scotty Zacher

Refuge Theatre Project is a company to watch - not even two seasons in, and their performers are strong, their ideas fresh, and their enthusiasm plentiful. High Fidelity is an indie delight.…

SOURCE: Chicago Theater Beat at 08:11PM

Review: Fifty Shades of Shakespeare–(re)discover theatre by Scotty Zacher

This is a company that really enjoys both playing with Shakespeare and throwing gender roles out the window. Upsetting the norm is part of the mission. Fifty Shades is a delightful romp that…

SOURCE: Chicago Theater Beat at 06:00PM
Wednesday, February 24, 2016

Review: The Great and Terrible Doctor Faustus (Striding Lion Performance Group) by Scotty Zacher

The brainchild of Striding Lion Performance Group, this Doctor Faustus takes the age old tale and infuses details new, old and extremely physical. It’s part theater, part physical workout,…

SOURCE: Chicago Theater Beat at 07:31PM

Review: A Loss of Roses (Raven Theatre) by Scotty Zacher

William Inge's *A Loss of Roses* has old-school characteristics, but carries a quiet resonance that’s still very appealing. Raven Theatre’s production boasts strong direction, production…

SOURCE: Chicago Theater Beat at 04:04PM
Tuesday, February 23, 2016

Review: The 39 Steps (Theatre at the Center) by Scotty Zacher

In true Monty Python spirit, The 39 Steps takes an overly serious Alfred Hitchcock film, underscores its classic absurdity, then adds in numerous ridiculous elements and a few pop culture re…

SOURCE: Chicago Theater Beat at 05:43PM
Monday, February 22, 2016

Review: Sister Act (Marriott Theatre) by Scotty Zacher

Sister Act will never be lauded as particularly profound, or even intelligent. It’s a goofy tale involving Vegas-style nuns. But by God, we’re going to come right out and say it: Sister…

SOURCE: Chicago Theater Beat at 06:27PM
Friday, February 19, 2016

Review: Pop Waits (The Neo-Futurists) by Scotty Zacher

For all of The Neo-Futurists production's problems, the world premiere Pop Waits is, in the end, supremely innovate, and maintains high energy throughout, with very physical performances fro…

SOURCE: Chicago Theater Beat at 09:57PM

Review: Mothers and Sons (Northlight Theatre) by Scotty Zacher

Terrence McNally's Mothers and Sons at Northlight Theatre is a valuable play for giving voice to the survivors that have been neglected and urging compassion, but it’s a frustrating one in…

SOURCE: Chicago Theater Beat at 07:46PM
Tuesday, February 16, 2016

Review: Cabaret (Broadway in Chicago) by Scotty Zacher

This darker and edgier interpretation of Cabaret took Sam Mendes from artistic directorship of a small London non-profit fringe theater to worldwide acclaim on Broadway and Hollywood. This t…

SOURCE: Chicago Theater Beat at 12:43AM
Friday, February 12, 2016

Review: King Lear (Belarus Free Theatre at Chicago Shakespeare) by Scotty Zacher

Flaws and all, there’s an urgency and a joyous, subversive spirit throughout King Lear. Directed by the adapter, the actors are ferociously committed to the raw physicality of the piece. T…

SOURCE: Chicago Theater Beat at 10:57PM

Review: The Drawer Boy (Redtwist Theatre) by Scotty Zacher

Michael Healey’s writing in the late 90s was inspired by his experiences with The Farm Show. The Drawer Boy is an alternately humorous and poignant memorial to the lives of these people. D…

SOURCE: Chicago Theater Beat at 08:30PM

Review: Estrella Cruz–the junkyard queen (Halcyon Theatre) by Scotty Zacher

Charise Castro Smith's Estrella Cruz balances parody admirably and, in doing so, presents a fun and unusual story about the underworld. Halcyon's production has a lot to offer, and its refre…

SOURCE: Chicago Theater Beat at 06:07PM
Wednesday, February 3, 2016

Review: The Man Who Murdered Sherlock Holmes (Mercury Theater Chicago) by Scotty Zacher

                      The Man Who Murdered    Sherlock Holmes By Julie Shannon, Micha…

SOURCE: Chicago Theater Beat at 01:56PM
Monday, February 1, 2016

Review: God Bless Baseball (Public Theatre at MCA Stage) by Scotty Zacher

This abstract theatre work from Japanese playwright Toshiki Okada intermittently features stylized movements, particularly with regards to appendages moving independently from the characters…

SOURCE: Chicago Theater Beat at 11:11AM
Saturday, January 30, 2016

Review: Measure for Measure (Cheek by Jowl & Pushkin Theatre) by Scotty Zacher

This collaboration from British and Russian sister companies interprets Shakespeare’s story of sexual liberty and political corruption in the context of present-day Russia. Using expressiv…

SOURCE: Chicago Theater Beat at 12:39PM
Thursday, January 28, 2016

Review: Nabucco (Lyric Opera of Chicago) by Scotty Zacher

Given that Verdi's Nabucco has only come to Lyric three times now, this show is worth recommending for the cast alone, which is all encapsulated beautifully in Carlo Rizzi’s perfectly ener…

SOURCE: Chicago Theater Beat at 10:21PM

All that Chat

2024-2025 BROADWAY SEASON
Jun 05, 2024: Home - Todd Haimes Theatre
Jul 11, 2024: Oh, Mary! - Lyceum Theatre
Jul 30, 2024: Job - Hayes Theater
Sep 12, 2024: The Roommate - Booth Theatre
Nov 14, 2024: Tammy Faye - Palace Theatre
Dec 12, 2024: Cult of Love - Hayes Theater
Dec 19, 2024: Gypsy - Majestic Theatre
Mar 17, 2025: Purpose - Hayes Theater
Apr 01, 2025: Glengarry Glen Ross
Apr 10, 2025: Smash - Imperial Theatre
TBA: Titanic
TBA: Ragtime